Contexts Of Violence In Comics
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Contexts Of Violence In Comics
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Author : Ian Hague
language : en
Publisher: Routledge
Release Date : 2019-08-01
Contexts Of Violence In Comics written by Ian Hague and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-08-01 with Social Science categories.
This book is part of a nuanced two-volume examination of the ways in which violence in comics is presented in different texts, genres, cultures and contexts. Contexts of Violence in Comics asks the reader to consider the ways in which violence and its representations may be enabled or restricted by the contexts in which they take place. It analyzes how structures and organising principles, be they cultural, historical, legal, political or spatial, might encourage, demand or prevent violence. It deals with the issue of scale: violence in the context of war versus violence in the context of an individual murder, and provides insights into the context of war and peace, ethnic and identity-based violence, as well as examining issues of justice and memory. This will be a key text and essential reference for scholars and students at all levels in Comics Studies, and Cultural and Media Studies more generally.
Representing Acts Of Violence In Comics
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Author : Nina Mickwitz
language : en
Publisher: Routledge
Release Date : 2019-08-01
Representing Acts Of Violence In Comics written by Nina Mickwitz and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-08-01 with Social Science categories.
This book is part of a nuanced two-volume examination of the ways in which violence in comics is presented in different texts, genres, cultures and contexts. Representing Acts of Violence in Comics raises questions about depiction and the act of showing violence, and discusses the ways in which individual moments of violence develop, and are both represented and embodied in comics and graphic novels. Contributors consider the impact of gendered and sexual violence, and examine the ways in which violent acts can be rendered palatable (for example through humour) but also how comics can represent trauma and long lasting repercussions for both perpetrators and victims. This will be a key text and essential reference for scholars and students at all levels in Comics Studies, and Cultural and Media Studies more generally.
History Of Violence A
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Author : John Wagner
language : it
Publisher:
Release Date : 2011
History Of Violence A written by John Wagner and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Comics & Graphic Novels categories.
Comic Book Crime
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Author : Nickie D. Phillips
language : en
Publisher: NYU Press
Release Date : 2013-07-15
Comic Book Crime written by Nickie D. Phillips and has been published by NYU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-07-15 with Social Science categories.
Superman, Batman, Daredevil, and Wonder Woman are iconic cultural figures that embody values of order, fairness, justice, and retribution. Comic Book Crime digs deep into these and other celebrated characters, providing a comprehensive understanding of crime and justice in contemporary American comic books. This is a world where justice is delivered, where heroes save ordinary citizens from certain doom, where evil is easily identified and thwarted by powers far greater than mere mortals could possess. Nickie Phillips and Staci Strobl explore these representations and show that comic books, as a historically important American cultural medium, participate in both reflecting and shaping an American ideological identity that is often focused on ideas of the apocalypse, utopia, retribution, and nationalism. Through an analysis of approximately 200 comic books sold from 2002 to 2010, as well as several years of immersion in comic book fan culture, Phillips and Strobl reveal the kinds of themes and plots popular comics feature in a post-9/11 context. They discuss heroes’ calculations of “deathworthiness,” or who should be killed in meting out justice, and how these judgments have as much to do with the hero’s character as they do with the actions of the villains. This fascinating volume also analyzes how class, race, ethnicity, gender, and sexual orientation are used to construct difference for both the heroes and the villains in ways that are both conservative and progressive. Engaging, sharp, and insightful, Comic Book Crime is a fresh take on the very meaning of truth, justice, and the American way.
Documenting Trauma In Comics
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Author : Dominic Davies
language : en
Publisher: Springer Nature
Release Date : 2020-05-21
Documenting Trauma In Comics written by Dominic Davies and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-05-21 with Comics & Graphic Novels categories.
Why are so many contemporary comics and graphic narratives written as memoirs or documentaries of traumatic events? Is there a specific relationship between the comics form and the documentation and reportage of trauma? How do the interpretive demands made on comics readers shape their relationships with traumatic events? And how does comics’ documentation of traumatic pasts operate across national borders and in different cultural, political, and politicised contexts? The sixteen chapters and three comics included in Documenting Trauma in Comics set out to answer exactly these questions. Drawing on a range of historically and geographically expansive examples, the contributors bring their different perspectives to bear on the tangled and often fraught intersections between trauma studies, comics studies, and theories of documentary practices and processes. The result is a collection that shows how comics is not simply related to trauma, but a generative force that has become central to its remembrance, documentation, and study.
Critical Approaches To Horror Comic Books
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Author : John Darowski
language : en
Publisher: Taylor & Francis
Release Date : 2022-08-16
Critical Approaches To Horror Comic Books written by John Darowski and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-08-16 with Comics & Graphic Novels categories.
This volume explores how horror comic books have negotiated with the social and cultural anxieties framing a specific era and geographical space. Paying attention to academic gaps in comics’ scholarship, these chapters engage with the study of comics from varying interdisciplinary perspectives, such as Marxism; posthumanism; and theories of adaptation, sociology, existentialism, and psychology. Without neglecting the classical era, the book presents case studies ranging from the mainstream comics to the independents, simultaneously offering new critical insights on zones of vacancy within the study of horror comic books while examining a global selection of horror comics from countries such as India (City of Sorrows), France (Zombillénium), Spain (Creepy), Italy (Dylan Dog), and Japan (Tanabe Gou’s Manga Adaptations of H.P. Lovecraft), as well as the United States. One of the first books centered exclusively on close readings of an under-studied field, this collection will have an appeal to scholars and students of horror comics studies, visual rhetoric, philosophy, sociology, media studies, pop culture, and film studies. It will also appeal to anyone interested in comic books in general and to those interested in investigating intricacies of the horror genre.
The Role And Depiction Of Violence In Frank Miller S Sin City That Yellow Bastard
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Author : Alexander Löwen
language : en
Publisher: GRIN Verlag
Release Date : 2014-12-18
The Role And Depiction Of Violence In Frank Miller S Sin City That Yellow Bastard written by Alexander Löwen and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-12-18 with Literary Criticism categories.
Seminar paper from the year 2014 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Bayreuth, course: Graphic Narratives, language: English, abstract: Sin City. The graphic novels as well as the film adaptations are well known for their harsh aesthetics, explicit images and ruthless depiction of sex & violence. But violence in Sin City is more than a superficial effect. It is a narrative and significant device. This term paper explores in detail the role and depiction of violence in Frank Miller's Sin City: That Yellow Bastard. (Note: This work is helpful for both, people who want to learn about the graphic novels as well as for those who are interested in Rodriguez' movies) Frank Miller’s critically acclaimed comic book series Sin City clearly pushes the borders of the sayable and displayable. The website for popculture complex.com features Sin City in its “The 40 Most Violent Comics Ever” article. According to the Parents Guide To Movies2, the film adaption of Sin City matches all criteria of mature content to an extraordinary extent: sex and nudity, violence and gore, profanity, alcohol and smoking as well as intense fighting scenes. And so does the comic itself. Nevertheless, Frank Miller was awarded several times with the Eisner Award - the most important American award for comic artists. This paper will deal with the 4th volume of the Sin City-series: That Yellow Bastard. I chose this volume, as I consider it representative of the whole series. In accordance, the Sin City film adaption, directed by Frank Miller and Robert Rodriguez, featured many scenes of That Yellow Bastard volume. The graphic novel comes up with a unique noir, black-and-white style, roughness and an unadorned depiction of the characters’ dirty traits - his tendency towards violence.
Seeing Comics Through Art History
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Author : Maggie Gray
language : en
Publisher: Springer Nature
Release Date : 2022-06-17
Seeing Comics Through Art History written by Maggie Gray and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-06-17 with Comics & Graphic Novels categories.
This book explores what the methodologies of Art History might offer Comics Studies, in terms of addressing overlooked aspects of aesthetics, form, materiality, perception and visual style. As well as considering what Art History proposes of comic scholarship, including the questioning of some of its deep-rooted categories and procedures, it also appraises what comics and Comics Studies afford and ask of Art History. This book draws together the work of international scholars applying art-historical methodologies to the study of a range of comic strips, books, cartoons, graphic novels and manga, who, as well as being researchers, are also educators, artists, designers, curators, producers, librarians, editors, and writers, with some undertaking practice-based research. Many are trained art historians, but others come from, have migrated into, or straddle other disciplines, such as Comparative Literature, American Literature, Cultural Studies, Visual Studies, and a range of subjects within Art & Design practice.
Comic Book Nation
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Author : Bradford W. Wright
language : en
Publisher: JHU Press
Release Date : 2003-10-17
Comic Book Nation written by Bradford W. Wright and has been published by JHU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-10-17 with Art categories.
A history of comic books from the 1930s to 9/11.
Vertigo Comics
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Author : Isabelle Licari-Guillaume
language : en
Publisher: Taylor & Francis
Release Date : 2022-08-30
Vertigo Comics written by Isabelle Licari-Guillaume and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-08-30 with Literary Criticism categories.
This book explores the so-called "British Invasion" of DC Comics’ Vertigo imprint, which played an important role in redefining the mainstream comics industry in the US during the early 1990s. Focusing on British creators within Vertigo, this study traces the evolution of the line from its creation in 1993 to its demise in 2019. Through an approach grounded in cultural history, the book disentangles the imprint’s complex roots, showing how editors channelled the potential of its British writers at a time of deep-seated economic and cultural change within the comics industry, and promoted a sense of cohesion across titles that defied categories. The author also delves into lesser-known aspects of the Invasion, exploring less-canonical periods and creators that are often eclipsed by Vertigo’s early star writers. An innovative contribution on a key element of comic book history, this volume will appeal both to researchers of Vertigo scholarship and to fans of the imprint. It will also be an essential read for those interested in transatlantic collaborations and exchanges in the entertainment industry, processes of cultural legitimation and cultural hierarchies, and to anyone working on the representation of national and social identities.
