Copyright Collective Management In Music


Copyright Collective Management In Music
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Copyright Collective Management In Music


Copyright Collective Management In Music
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Author : DR. ULRICH UCHTENHAGEN
language : en
Publisher: WIPO
Release Date : 2011

Copyright Collective Management In Music written by DR. ULRICH UCHTENHAGEN and has been published by WIPO this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Law categories.


Presented in the form of a theoretical and practical guide, this posthumous publication by the late Dr. Ulrich Uchtenhagen concerns the stages in the setting-up of a collective management society in the field of music and the society's operation. The work describes the essential activities and mechanisms as well as the fundamental principles required for sound collective management. It provides clear explanations of the complex notions of a system which is essential for authors, composers and music publishers throughout the world who seek protection and wish to be rewarded for their work.



Copyright Collective Management In Music French Version


Copyright Collective Management In Music French Version
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Author : Dr. Ulrich Uchtenhagen
language : fr
Publisher: WIPO
Release Date : 2005-12-15

Copyright Collective Management In Music French Version written by Dr. Ulrich Uchtenhagen and has been published by WIPO this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-12-15 with Law categories.


Presented in the form of a theoretical and practical guide, this posthumous publication by the late Dr. Ulrich Uchtenhagen concerns the stages in the setting-up of a collective management society in the field of music and the society's operation. The work describes the essential activities and mechanisms as well as the fundamental principles required for sound collective management. It provides clear explanations of the complex notions of a system which is essential for authors, composers and music publishers throughout the world who seek protection and wish to be rewarded for their work.



Copyright Collective Management In Music


Copyright Collective Management In Music
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Author :
language : en
Publisher:
Release Date : 2005

Copyright Collective Management In Music written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Copyright categories.


Presented in the form of a theoretical and practical guide, this posthumous publication by the late Dr. Ulrich Uchtenhagen concerns the stages in the setting-up of a collective management society in the field of music and the society's operation. The work describes the essential activities and mechanisms as well as the fundamental principles required for sound collective management. It provides clear explanations of the complex notions of a system which is essential for authors, composers and music publishers throughout the world who seek protection and wish to be rewarded for their work.



Collective Management Of Music Copyright


Collective Management Of Music Copyright
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Author : Qinqing Xu
language : en
Publisher: Taylor & Francis
Release Date : 2023-04-17

Collective Management Of Music Copyright written by Qinqing Xu and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-04-17 with Law categories.


Two of the objectives of the Chinese Copyright Law are to protect the copyright of authors to their literary and artistic works and encourage the creation and dissemination of works. In practice, however, in spite of the existence of the Music Copyright Society of China ('MCSC') that was established to assist with exercising copyright, music creators in China remain in need of help to protect and manage their fragmented copyright. The MCSC was the first collective management organisation ('CMO') in mainland China and is the only CMO in the field of musical works. While there is a large music industry and copyright business in China, the MCSC only had 11,356 members at the end of 2021. The third amendment of the Chinese Copyright Law was initiated in 2011 and came into effect in June 2021 after a long debate for almost ten years. The discussion of the third amendment has highlighted the controversial topic of collective management of copyright. This book explores the adequacy of the MCSC as an intermediary representing rights for music creators. The main argument developed in this study is that the work of the MCSC for individual composers and lyricists is hampered by shortcomings in the regulatory regime as well as by a lack of members’ rights to participate in the management of their own rights and by the ineffective international cooperation between the MCSC and other musical CMOs overseas. The analysis is undertaken through a case study approach, comparing the collective management systems of music copyright in China, the United States and Australia and addressing the question of how musical CMOs operate in these countries. Specifically, three perspectives are examined: the regulatory systems designed to limit the misuse of those CMOs’ monopoly, members’ rights in the organisations, and international cooperation between these CMOs. Overall, the main findings of this book suggest that the MCSC in China could work more effectively to protect music creators’ interests. In contrast, although the operational frameworks of the American Society of Composers, Authors and Publishers ('ASCAP') and the Broadcasting Broadcast Music, Inc. ('BMI') in the United States and the Australasian Performing Right Association ('APRA') in Australia are not perfect models, the systems in these two countries may at least provide reference points for potential improvement of the regime of the MCSC. The research recommends three courses of action: strengthening the regulatory design overseeing the MCSC’s monopoly, clarifying the relationship between the MCSC and its members while providing the members with the right to manage their own copyright, and improving the international cooperation between the MCSC and CMOs in other countries.



Collective Management Of Copyright And Related Rights


Collective Management Of Copyright And Related Rights
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Author : Mihály Ficsor
language : en
Publisher: WIPO
Release Date : 2002

Collective Management Of Copyright And Related Rights written by Mihály Ficsor and has been published by WIPO this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Law categories.


In this book the rationale and functions of collective management and other systems of joint exercise of rights are presented.



Collective Management Of Copyright And Related Rights Brochure


Collective Management Of Copyright And Related Rights Brochure
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Author : World Intellectual Property Organization
language : en
Publisher: WIPO
Release Date : 2000

Collective Management Of Copyright And Related Rights Brochure written by World Intellectual Property Organization and has been published by WIPO this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Law categories.




Management Of Copyright And Related Rights In The Field Of Music


Management Of Copyright And Related Rights In The Field Of Music
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Author : World Intellectual Property Organization
language : en
Publisher: WIPO
Release Date : 2014

Management Of Copyright And Related Rights In The Field Of Music written by World Intellectual Property Organization and has been published by WIPO this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Law categories.


WIPO commissioned this publication - with the support of the Norwegian Copyright Development Association (Norcode) - to be used as reference material in various training activities on collective management.



Copyright Collective Administration In Nigeria


Copyright Collective Administration In Nigeria
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Author : Olukunle Ola
language : en
Publisher: Springer Science & Business Media
Release Date : 2013-02-26

Copyright Collective Administration In Nigeria written by Olukunle Ola and has been published by Springer Science & Business Media this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-02-26 with Law categories.


This work explores the operation and regulation of copyright collective management in Nigeria. The nexus between creativity and copyright and how creativity has played a pivotal role in development is explained. The need to balance the interests of authors and users is discussed and the societies representing the interest of copyright owners are illustrated. Further, Nigeria’s legal framework for collective management is enunciated from a pre-independence and post-independence perspective. In the course of this regulatory challenges encountered in the administration of collective management organizations, steps so far taken to address the problems, legislative reforms and judicial decisions are discussed. A path to the new regime is chartered. The South African Copyright collective management system is explored and a comparison between the Nigerian and South African system is made. Thereby the need for supervisory and regulatory agencies of government is shown to seek the national interest regarding the collective administration of copyright and related rights. Then, suggestions for improvement and lessons for Africa are provided.



Collective Management Of Copyright And Related Rights


Collective Management Of Copyright And Related Rights
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Author : Daniel Gervais
language : en
Publisher: Kluwer Law International B.V.
Release Date : 2015-11-19

Collective Management Of Copyright And Related Rights written by Daniel Gervais and has been published by Kluwer Law International B.V. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-11-19 with Law categories.


In the course of the last two decades, collective management organizations (CMOs) have become the nerve centres of copyright licensing in virtually every country. Their expertise and knowledge of copyright law and management have proven essential to make copyright work in the digital age. However, they have also been at the centre of debates about their efficiency, their transparency and their governance. This book, an extensively revised and updated edition of the major work on the legal status of CMOs, offers an in-depth analysis of the various operating CMO models, their rights and obligations vis-à-vis both users and members, acquisition of legal authority to license, and (most important) the rights to license digital uses of protected material and build (or improve current) information systems to deal with ever more complex rights management and licensing tasks. All the chapters have been updated since the 2010 edition. New chapters on Africa, China, Central Europe and New Zealand (together with Australia, which is no longer discussed in the separate chapter on Canada) have been added. Factors considered include the following: • role of 'families' such as the International Confederation of Societies of Authors and Composers (CISAC) and the International Federation of Reproduction Rights Organizations (IFRRO); • cases where the unavailability of adequating options makes authorized use difficult or impossible taking transaction costs into account; • growing importance of extended repertoire systems (also known as extended collective licensing); • relationship among collective management, rights to remuneration, and the ways in which CMOs acquire authority to license; • transnational licensing and the possible role of multi-territorial licensing; and • threat of monopolies or regional oligopolies for the management of online music rights. Legal underpinnings covered in the course of the analysis include the 1996 WIPO Copyright Treaties, the US Digital Millennium Copyright Act, the Napster case, the Santiago Agreement, relevant EU Papers and the 2014 Copyright Directive, and work done by the UN Committee on Economic, Social and Cultural Rights. Part I presents a number of horizontal issues that affect collective management in almost every country. Part II is divided on a geographical basis, focusing on systems representative of the principal models applied in various countries and regions. Each country specific or region-specific chapter provides a historical overview and a presentation of existing CMOs and their activities, gives financial information where available, describes how CMOs are supervised or controlled by legislation, and offers thoughts about the challenges facing CMOs in the country or region concerned. Many of these national and regional commentaries are the only such information sources available in English. Whatever the future of copyright holds, it is clear that users will continue to want access and the ability to reuse material lawfully, and authors and other rights holders will want to ensure that they can put some reasonable limits on those uses, including an ability to monetize commercially relevant uses. CMOs are sure to be critical intermediaries in this process. The second edition of this important resource, with its key insights into the changing nature of collective management, will be of immeasurable value to all concerned with shaping policy towards collective management or working with the ever more complex legal issues arising in digital age copyright matters.



Collective Management Of Copyright And Related Rights


Collective Management Of Copyright And Related Rights
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Author :
language : en
Publisher:
Release Date : 1997

Collective Management Of Copyright And Related Rights written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Copyright categories.