Critical Approaches To African Cinema Discourse


Critical Approaches To African Cinema Discourse
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Critical Approaches To African Cinema Discourse


Critical Approaches To African Cinema Discourse
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Author : Nwachukwu Frank Ukadike
language : en
Publisher: Lexington Books
Release Date : 2014-02-27

Critical Approaches To African Cinema Discourse written by Nwachukwu Frank Ukadike and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-02-27 with Literary Criticism categories.


This book emphasizes the plurality of African cinema through a variety of themes and critical approaches that illuminate the scope of the mobilizing techniques for its proliferation, as well as its deep concern for methods of production, film aesthetics, theory, and criticism. Critical Approaches to African Cinema Discourse will offer scholars and students in film, media, and cultural studies, as well as in history, and Black and African studies, a broader understanding of African cinema as a cultural art. The contributors show that it is informed not only by ideological determinants but also by the concern to boost perspectives for reading African film images that may or may not belong to the conventional interpretations proffered in Euro-American critical paradigms.



Critical Approaches To African Cinema Discourse


Critical Approaches To African Cinema Discourse
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Author : Nwachukwu Frank Ukadike
language : en
Publisher:
Release Date : 2014

Critical Approaches To African Cinema Discourse written by Nwachukwu Frank Ukadike and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Africa categories.


This book emphasizes the plurality of African cinema through a variety of themes and critical approaches that illuminate the scope of the mobilizing techniques for its proliferation, as well as its deep concern for methods of production, film aesthetics, theory, and criticism. Critical Approaches to African Cinema Discourse will offer scholars and students in film, media, and cultural studies, as well as in history, and Black and African studies, a broader understanding of African cinema as a cultural art. The contributors show that it is informed not only by ideological determinants but also by the concern to boost perspectives for reading African film images that may or may not belong to the conventional interpretations proffered in Euro-American critical paradigms.



World Cinema


World Cinema
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Author : W. John Hill
language : en
Publisher:
Release Date : 2000

World Cinema written by W. John Hill and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Film criticism categories.


Ranging from pre-1930s Europe to contemporary "Bollywood" musicals, this extensive guide to international film covers areas as diverse as New German, Australian, Indian, and South American cinema. A team of international contributors explains the key arguments and debates involved in the study of world cinema and also provides an overview of the avant-garde, the documentary, and recent technological developments. Featuring illustrations throughout, further reading recommendations, and chapter summaries, World Cinema: Critical Approaches serves as an exceptional text for courses in film and media studies.



A Companion To African Cinema


A Companion To African Cinema
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Author : Kenneth W. Harrow
language : en
Publisher: John Wiley & Sons
Release Date : 2018-09-18

A Companion To African Cinema written by Kenneth W. Harrow and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-09-18 with Performing Arts categories.


An authoritative guide to African cinema with contributions from a team of experts on the topic A Companion to African Cinema offers an overview of critical approaches to African cinema. With contributions from an international panel of experts, the Companion approaches the topic through the lens of cultural studies, contemporary transformations in the world order, the rise of globalization, film production, distribution, and exhibition. This volume represents a new approach to African cinema criticism that once stressed the sociological and sociopolitical aspects of a film. The text explores a wide range of broad topics including: cinematic economics, video movies, life in cinematic urban Africa, reframing human rights, as well as more targeted topics such as the linguistic domestication of Indian films in the Hausa language and the importance of female African filmmakers and their successes in overcoming limitations caused by gender inequality. The book also highlights a comparative perspective of African videoscapes of Southern Nigeria, Ethiopia, and Côte d’Ivoire and explores the rise of Nairobi-based Female Filmmakers. This important resource: Puts the focus on critical analyses that take into account manifestations of the political changes brought by neocolonialism and the waning of the cold war Explores Examines the urgent questions raised by commercial video about globalization Addresses issues such as funding, the acquisition of adequate production technologies and apparatuses, and the development of adequately trained actors Written for film students and scholars, A Companion to African Cinema offers a look at new critical approaches to African cinema.



Modernity And The African Cinema


Modernity And The African Cinema
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Author : Femi Okiremuete Shaka
language : en
Publisher: Africa Research and Publications
Release Date : 2004

Modernity And The African Cinema written by Femi Okiremuete Shaka and has been published by Africa Research and Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Africa categories.


Providing an analysis of the implications of centuries of Euro-African contact and its effect on cinematic institutions in Africa, this book examines modern African film from the perspective of the global politics of subjectivity, agency, and identity construction.



African Cinema


African Cinema
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Author : Kenneth W. Harrow
language : en
Publisher: Africa World Press
Release Date : 1999

African Cinema written by Kenneth W. Harrow and has been published by Africa World Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Literary Criticism categories.


This collection of essays deals directly and compellingly with contemporary issues in African cinema. In particular, they address key aspects of post-colonialism and feminism - the two major topics of interest in current criticism of African films - but coverage is also given to spectatorship, national identity, ethnography, patriarchy, and the creation of key film industries in developing countries.



Symbolic Narratives African Cinema


Symbolic Narratives African Cinema
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Author : June Givanni
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-07-25

Symbolic Narratives African Cinema written by June Givanni and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-25 with Juvenile Nonfiction categories.


In the conference Africa and the History of Cinematic Ideas held in London in 1995, film-makers, cultural theorists and critics gathered to debate a range of issues. Views were exchanged on such topics as imperialism, and the problems of distribution.



Ousmane Sembene And The Politics Of Culture


Ousmane Sembene And The Politics Of Culture
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Author : Lifongo J. Vetinde
language : en
Publisher: Lexington Books
Release Date : 2014-11-12

Ousmane Sembene And The Politics Of Culture written by Lifongo J. Vetinde and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-11-12 with Literary Criticism categories.


Undoubtedly one of Africa’s most influential first generation of writers and filmmakers, Ousmane Sembene's creative works of fiction as well as his films have been the subject of a considerable number of scholarly articles. The schemas of reading applied to Sembene's oeuvre (novels, short stories and films) have, in the main, focused either on his militant posture against colonialism, his disenchantment with African leadership, or his infatuation with documenting the past in an attempt to present a balanced and nuanced view of African history. While these studies, unquestionably contribute to a better understanding of his works, they collectively ignore Sembene’s relentless preoccupation with culture in his entire career as a writer and filmmaker. The collection of essays in Sembene and the Politics of Culture sets out to fill that gap as the contributors at once foreground Sembene’s fixation on the centrality of culture in the articulation of the discourse of national consciousness and reevaluate his intellectual and artistic legacy within an overarching framework of African liberation. The contributors critically reassess the ideological underpinnings of Sembene’s thoughts, his role as one of the foundational pillars of African cultural production, and his relevance in current discourses of nationhood. They do so through a wide variety of interdisciplinary approaches that draw on linguistics, feminist theory, film theory, historiography, Marxist criticism, psychoanalysis and a host of other approaches that give novel insights in the critical analysis of the works under study. In the part entitled “Testimonies," a collection of conversations with people who worked closely with Sembene, each of the interlocutors provide illuminating insights into the man's life and work. The variety of themes and critical approaches in this critical anthology will certainly be of interest not only to students and scholars of African literature and cinema at various levels of intellectual and cultural sophistication but also anyone interested in the analysis of the nexus between power, culture, and the discourse of liberation.



Contemporary African Cinema


Contemporary African Cinema
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Author : Olivier Barlet
language : en
Publisher: MSU Press
Release Date : 2016-08-01

Contemporary African Cinema written by Olivier Barlet and has been published by MSU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-08-01 with Art categories.


African and notably sub-Saharan African film’s relative eclipse on the international scene in the early twenty-first century does not transcend the growth within the African genre. This time period has seen African cinema forging a new relationship with the real and implementing new aesthetic strategies, as well as the emergence of a post-colonial popular cinema. Drawing on more than 1,500 articles, reviews, and interviews written over the past fifteen years, Olivier Barlet identifies the critical questions brought about by the evolution of African cinema. In the process, he offers us a personal and passionate vision, making this book an indispensable sum of thought that challenges preconceived ideas and enriches an approach to cinema as a critical art.



African Cinema Manifesto And Practice For Cultural Decolonization


African Cinema Manifesto And Practice For Cultural Decolonization
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Author : Michael T. Martin
language : en
Publisher: Indiana University Press
Release Date : 2023-08-08

African Cinema Manifesto And Practice For Cultural Decolonization written by Michael T. Martin and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-08-08 with Performing Arts categories.


Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume One of this landmark series on African cinema draws together foundational scholarship on its history and evolution. Beginning with the ideological project of colonial film to legitimize the economic exploitation and cultural hegemony of the African continent during imperial rule to its counter-historical formation and theorization. It comprises essays by film scholars and filmmakers alike, among them Roy Armes, Med Hondo, Fèrid Boughedir, Haile Gerima, Oliver Barlet, Teshome Gabriel, and David Murphy, including three distinct dossiers: a timeline of key dates in the history of African cinema; a comprehensive chronicle and account of the contributions by African women in cinema; and a homage and overview of Ousmane Sembène, the "Father" of African cinema.