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Cubism And Its Enemies


Cubism And Its Enemies
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Cubism And Its Enemies


Cubism And Its Enemies
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Author : Christopher Green
language : en
Publisher:
Release Date : 1987

Cubism And Its Enemies written by Christopher Green and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1987 with Art, French categories.




Cubism And Its Histories


Cubism And Its Histories
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Author : David Cottington
language : en
Publisher: Manchester University Press
Release Date : 2004

Cubism And Its Histories written by David Cottington and has been published by Manchester University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Art categories.


Cubism was the most influential artistic movement of the 20th century, yet just what cubism was, or stood for, is still in dispute. This book offers a way beyond this confusion through a narrative of cubism's beginnings, consolidation and dissemination.



L Once Rosenberg S Cubism


L Once Rosenberg S Cubism
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Author : Giovanni Casini
language : en
Publisher: Penn State Press
Release Date : 2023-08-31

L Once Rosenberg S Cubism written by Giovanni Casini and has been published by Penn State Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-08-31 with Art categories.


The history of modernism has generally been written as a story of artists and their creations alongside the collectors, gallerists, and curators who supported them. This is especially true of Cubism, where the received narrative centers on a tightly circumscribed group of artists and agents connected to the dealer Daniel-Henry Kahnweiler. Léonce Rosenberg’s Cubism shakes up the canon, revealing its artificial nature and pointing to a different, more inclusive understanding of the development of Cubism. Kahnweiler’s Cubism was narrowly focused. In contrast, Giovanni Casini shows us, the influential art dealer Léonce Rosenberg bought virtually any piece that could be labeled “Cubist” and proposed a radically different understanding of the movement. At Rosenberg’s Galerie L’Effort Moderne in Paris, artists such as Joseph Csáky, Auguste Herbin, Jean Metzinger, Diego Rivera, Gino Severini, and Georges Valmier were accorded the same treatment as Pablo Picasso or Georges Braque. In this book, Casini considers Rosenberg’s contribution to the history of Cubism, reflecting on the ways in which artistic movements are manufactured—and interpretive paradigms adopted. Deftly weaving biography with a scholarly analysis built on extensive archival research, Léonce Rosenberg’s Cubism is a fresh look at the history of interwar modernism and the definitive study of a figure who has been unjustly sidelined in the history of art. It will be compulsory reading for scholars of Cubism and Modernism.



Cubism And Reality


Cubism And Reality
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Author : Christopher Green
language : en
Publisher: Bloomsbury Visual Arts
Release Date : 2025-02-06

Cubism And Reality written by Christopher Green and has been published by Bloomsbury Visual Arts this book supported file pdf, txt, epub, kindle and other format this book has been release on 2025-02-06 with Art categories.


What was Cubism? How did this strange new way of making paintings and sculptures enable artists so decisively to change the trajectory of 'Modern Art'? In responding to these questions, distinguished art historian Christopher Green presents a bold new interpretation of the movement and three of its key protagonists. Stemming from a critical re-evaluation of the author's own first responses to Cubist artworks, as a student of the late artist and critic John Golding, Cubism and Reality challenges the commonly-held view of Cubism as either a retreat from reality into abstraction, or an invitation to convert the real into the 'surreal', arguing instead that Georges Braque, Pablo Picasso, and Juan Gris wanted, above all, to find ways of intensifying and expanding painting's capacity to give viewers more, not less, of their lived experience of the world. Lavishly illustrated and filled with rich new insights and approaches to the artwork that are the product of decades' worth of research, Green argues that, for the three artists, 'reality' was not objectively always there, but was created by their own perceptions, and could be transformed by their imaginations. The artwork becomes not merely a dead material fact, but somewhere into which wishes, lived experiences and memories can enter – ours, over a century later, as well as theirs. Green explores how Cubist artworks ask us to reflect in far-reaching ways on visual art's relationship to everyday visual experience and questions how it is that we still believe that drawings, paintings and sculptures can represent the world as we see and know it. In doing so Cubism and Reality tackles a fundamental issue that has preoccupied artists, critics and art enthusiasts for over a century, well into our present age: the survival of hand-made representational artworks in the epoch of photography, film and, latterly, digital reproduction.



The Cubist Painters


The Cubist Painters
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Author : Guillaume Apollinaire
language : en
Publisher: Univ of California Press
Release Date : 2004-10-25

The Cubist Painters written by Guillaume Apollinaire and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-10-25 with Art categories.


This is a new, authoritative translation and critical edition of one of the twentieth-century's most important and poetically resonant books on Picasso, Braque, Cubism, and the beginnings of modern art.



Cubism Australian Art


Cubism Australian Art
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Author : Lesley Harding
language : en
Publisher: The Miegunyah Press
Release Date : 2009

Cubism Australian Art written by Lesley Harding and has been published by The Miegunyah Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Art categories.


Cubism was a movement that changed fundamentally the course of twentieth-century art. It had far-reaching effects, both conceptual and stylistic, which are still being felt today. Described in 1912 by French poet and commentator Guillaume Apollinaire as 'not an art of imitation, but an art of conception', Cubism irreversibly altered art's relationship to visual reality. 'I paint things as I think them, not as I see them', Picasso said. Cubism and Australian Art examines for the first time the impact of this transformative art movement on the work of Australian artists, from the early 1920s to the present day. The authors argue that by its very nature, Cubism was characterised by variation and change, that the idea of a pure or original Cubism was short lived, and that its appearance in Australian art parallels its uptake and re-interpretation by artists internationally. In the words of French artist Andr Lhote, mentor to several Australians who studied at his Academy in Paris: 'There are a thousand defi nitions of Cubism, because there are a thousand painters practising it'. More than eighty international and Australian artists are showcased with over 300 works, featuring Sam Atyeo, Ralph Balson, Grace Crowley, Frank Hinder, Roger Kemp, Godfrey Miller, Stephen Bram and Daniel Crooks, as well as Pablo Picasso, Georges Braque and Fernand L ger.



Visions Of The Human


Visions Of The Human
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Author : Tom Slevin
language : en
Publisher: Bloomsbury Publishing
Release Date : 2015-05-28

Visions Of The Human written by Tom Slevin and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-05-28 with Art categories.


In what ways do the artistic avant-garde's representations of the human body reflect the catastrophe of World War I? The European modernists were inspired by developments in the nineteenth-century, yielding new forms of knowledge about the nature of reality and repositioning the human body as the new 'object' of knowledge. New 'visions' of the human subject were created within this transformation. However, modernity's reactionary political climate - for which World War I provided a catalyst - transformed a once liberal ideal between humanity, environment, and technology, into a tool of disciplinary rationalisation. Visions of the Human considers the consequences of this historical moment for the twentieth and twenty-first centuries. It explores the ways in which the 'technologies of the self' that inspired the avant-garde were increasingly instrumentalised by conservative politics, urbanism, consumer capitalism and the society of 'the spectacle'. This is an engaging and powerful study which challenges prior ideas and explores new ways of thinking about modern visual culture.



Dealing Art On Both Sides Of The Atlantic 1860 1940


Dealing Art On Both Sides Of The Atlantic 1860 1940
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Author : Lynn Catterson
language : en
Publisher: BRILL
Release Date : 2017-07-31

Dealing Art On Both Sides Of The Atlantic 1860 1940 written by Lynn Catterson and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-31 with Art categories.


Dealing Art on Both Sides of the Atlantic, 1860-1940 aims to bring the marketplace dynamic into sharper focus by examining the functionaries who participate in the art market–agents, scouts, intermediaries, restorers, fakers, decorators, advisers and experts.



The Composer As Intellectual


The Composer As Intellectual
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Author : Jane F. Fulcher
language : en
Publisher: Oxford University Press
Release Date : 2005-08-25

The Composer As Intellectual written by Jane F. Fulcher and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-08-25 with Political Science categories.


In The Composer as Intellectual, musicologist Jane Fulcher reveals the extent to which leading French composers between the World Wars were not only aware of but also engaged intellectually and creatively with the central political and ideological issues of the period. Employing recent sociological and historical insights, she demonstrates the extent to which composers, particularly those in Paris since the Dreyfus Affair, considered themselves and were considered to be intellectuals, and interacted closely with intellectuals in other fields. Their consciousness raised by the First World War and the xenophobic nationalism of official culture, some joined parties or movements, allying themselves with and propagating different sets of cultural and political-social goals. Fulcher shows how these composers furthered their ideals through the specific language and means of their art, rejecting the dominant cultural exclusions or constraints of conservative postwar institutions and creatively translating their cultural values into terms of form and style. This was not only the case with Debussy in wartime, but with Ravel in the twenties, when he became a socialist and unequivocally refused to espouse a narrow, exclusionary nationalism. It was also the case with the group called "Les Six," who responded culturally in the twenties and then politically in the thirties, when most of them supported the programs of the Popular Front. Others could not be enthusiastic about the latter and, largely excluded from official culture, sought out more compatible movements or returned to the Catholic Church. Like many French Catholics, they faced the crisis of Catholicism in the thirties when the church not only supported Franco, but Mussolini's imperialistic aggression in Ethiopia. While Poulenc embraced traditional Catholicism, Messiaen turned to more progressive Catholic movements that embraced modern art and insisted that religion must cross national and racial boundaries. Fulcher demonstrates how closely music had become a field of clashing ideologies in this period. She shows also how certain French composers responded, and how their responses influenced specific aspects of their professional and stylistic development. She thus argues that, from this perspective, we can not only better understand specific aspects of the stylistic evolution of these composers, but also perceive the role that their art played in the ideological battles and in heightening cultural-political awareness of their time.



Art And Social Change


Art And Social Change
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Author : Klare Scarborough
language : en
Publisher: Lulu.com
Release Date : 2015-10

Art And Social Change written by Klare Scarborough and has been published by Lulu.com this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-10 with Art categories.


The scholarly essays in this book focus on the theme of art and social change in Western art from the Renaissance to about 1950. The edited volume includes contributions by scholars with a range of professional backgrounds and affiliations. Their essays address some aspect of the theme and engage with one or more artworks in the collection of La Salle University Art Museum. Topics include religious iconography, portraiture, landscape, journal illustrations, and Modernist abstraction. These essays on the collection add to the body of scholarship which situates works of art in contexts that help reveal and explain changes in social, political or cultural values. The book is lavishly illustrated, with 104 color illustrations.