Current Directions In Computer Music Research
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Current Directions In Computer Music Research
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Author : Max V. Mathews
language : en
Publisher: MIT Press (MA)
Release Date : 1991
Current Directions In Computer Music Research written by Max V. Mathews and has been published by MIT Press (MA) this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with Music categories.
These twenty-one original contributions by composers, behavioral scientists, engineers, and other specialists from many of the international centers of research in computer music provide an inside report on the most sophisticated aspects of digital synthesis, control and understanding of musical sound, and related work on perception. Among the specific topics covered are speech songs, synthesis of the singing voice, spatial reverberation, the simulation of bowed instruments, and a conductor program utilizing a mechanical baton. A chapter authored jointly by Mathews and Pierce describes a new musical scale they have been working on for the past few years.
The Computer Music Tutorial Second Edition
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Author : Curtis Roads
language : en
Publisher: MIT Press
Release Date : 2023-06-06
The Computer Music Tutorial Second Edition written by Curtis Roads and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-06-06 with Computers categories.
Expanded, updated, and fully revised—the definitive introduction to electronic music is ready for new generations of students. Essential and state-of-the-art, The Computer Music Tutorial, second edition is a singular text that introduces computer and electronic music, explains its motivations, and puts topics into context. Curtis Roads’s step-by-step presentation orients musicians, engineers, scientists, and anyone else new to computer and electronic music. The new edition continues to be the definitive tutorial on all aspects of computer music, including digital audio, signal processing, musical input devices, performance software, editing systems, algorithmic composition, MIDI, and psychoacoustics, but the second edition also reflects the enormous growth of the field since the book’s original publication in 1996. New chapters cover up-to-date topics like virtual analog, pulsar synthesis, concatenative synthesis, spectrum analysis by atomic decomposition, Open Sound Control, spectrum editors, and instrument and patch editors. Exhaustively referenced and cross-referenced, the second edition adds hundreds of new figures and references to the original charts, diagrams, screen images, and photographs in order to explain basic concepts and terms. Features New chapters: virtual analog, pulsar synthesis, concatenative synthesis, spectrum analysis by atomic decomposition, Open Sound Control, spectrum editors, instrument and patch editors, and an appendix on machine learning Two thousand references support the book’s descriptions and point readers to further study Mathematical notation and program code examples used only when necessary Twenty-five years of classroom, seminar, and workshop use inform the pace and level of the material
The Oxford Handbook Of Computer Music
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Author : Roger T. Dean
language : en
Publisher: Oxford University Press
Release Date : 2009-09-16
The Oxford Handbook Of Computer Music written by Roger T. Dean and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-09-16 with Music categories.
The Oxford Handbook of Computer Music offers a state-of-the-art cross-section of the most field-defining topics and debates in computer music today. A unique contribution to the field, it situates computer music in the broad context of its creation and performance across the range of issues - from music cognition to pedagogy to sociocultural topics - that shape contemporary discourse in the field. Fifty years after musical tones were produced on a computer for the first time, developments in laptop computing have brought computer music within reach of all listeners and composers. Production and distribution of computer music have grown tremendously as a result, and the time is right for this survey of computer music in its cultural contexts. An impressive and international array of music creators and academics discuss computer music's history, present, and future with a wide perspective, including composition, improvisation, interactive performance, spatialization, sound synthesis, sonification, and modeling. Throughout, they merge practice with theory to offer a fascinating look into computer music's possibilities and enduring appeal.
Sourcebook For Research In Music
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Author : Phillip Crabtree
language : en
Publisher: Indiana University Press
Release Date : 1993
Sourcebook For Research In Music written by Phillip Crabtree and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993 with Music categories.
This bibliography of bibliographies lists and describes sources, from basic references to highly specialized materials. Valuable as a classroom text and as a research tool for scholars, librarians, performers, and teachers.
Musical Creativity
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Author : Irène Deliège
language : en
Publisher: Psychology Press
Release Date : 2006-10-16
Musical Creativity written by Irène Deliège and has been published by Psychology Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-10-16 with Music categories.
This collection initiates a resolutely interdisciplinary research dynamic specifically concerning musical creativity. Creativity is one of the most challenging issues currently facing scientific psychology and its study has been relatively rare in the cognitive sciences, especially in artificial intelligence. This book will address the need for a coherent and thorough exploration. Musical Creativity: Multidisciplinary Research in Theory and Practice comprises seven sections, each viewing musical creativity from a different scientific vantage point, from the philosophy of computer modelling, through music education, interpretation, neuroscience, and music therapy, to experimental psychology. Each section contains discussions by eminent international specialists of the issues raised, and the book concludes with a postlude discussing how we can understand creativity in the work of eminent composer, Jonathan Harvey. This unique volume presents an up-to-date snapshot of the scientific study of musical creativity, in conjunction with ESCOM (the European Society for the Cognitive Sciences of Music). Describing many of the different aspects of musical creativity and their study, it will form a useful springboard for further such study in future years, and will be of interest to academics and practitioners in music, psychology, cognitive science, artificial intelligence, neuroscience and other fields concerning the study of human cognition in this most human of behaviours.
Between The Tracks
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Author : Miller Puckette
language : en
Publisher: MIT Press
Release Date : 2020-09-01
Between The Tracks written by Miller Puckette and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-01 with Music categories.
A collection that goes beyond the canon to analyze influential yet under-examined works of electronic music. This collection of writings on electronic music goes outside the canon to analyze influential works by under-recognized musicians. The contributors, many of whom are composers and performers themselves, offer their unsung musical heroes the sort of in-depth examinations usually reserved for more well-known composers and works. They analyze music from around the world and across genders, race, nationality, and age, discussing works that range from soundscapes of rushing water and resonating pipes to compositions by algorithm. Subjects include the collaboration of performer and composer, as seen in the work of Anne La Berge, Luciano Berio and Cathy Berberian, and others; the choice by Asian composers Zhang Xiaofu and Unsuk Chin to embrace (or not) Eastern themes and styles; and how technologies used by composers created the sound of the works, as exemplified by Bülent Arel's use of voltage-control components as compositional tools and Charles Dodge's resynthesizing of the human voice. Contributors Marc Battier, Valentina Bertolani, Kerry L. Hagan, Yvette Janine Jackson, Leigh Landy, Pamela Madsen, Miller Puckette, David Rosenboom, Jøran Rudi, Margaret Anne Schedel, Juliana Snapper, Laura Zattra Composers Bülent Arel, Cathy Berberian and Luciano Berio, Anne La Berge, Unsuk Chin, Charles Dodge, Jacqueline George, Salvatore Martirano, Teresa Rampazzi, Hildegard Westerkamp, Knut Wiggen, Gayle Young, Zhang Xiaofu
An Open Design For Computer Aided Algorithmic Music Composition
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Author : Christopher Ariza
language : en
Publisher: Universal-Publishers
Release Date : 2005
An Open Design For Computer Aided Algorithmic Music Composition written by Christopher Ariza and has been published by Universal-Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Computers categories.
This dissertation introduces a new design for a computer-aided algorithmic music composition system. Rather than exploring specific algorithms, this study focuses on system and component design. The design introduced here is demonstrated through its implementation in athenaCL, a modular, polyphonic, poly-paradigm algorithmic music composition system in a cross-platform interactive command-line environment. The athenaCL system offers an open-source, object-oriented composition tool written in Python. The system can be scripted and embedded, and includes integrated instrument libraries, post-tonal and microtonal pitch modeling tools, multiple-format graphical outputs, and musical output in Csound, MIDI, audio file, XML, and text formats. Software design analysis is framed within a broad historical and intertextual study of the themes, approaches, and systems of computer-aided algorithmic composition (CAAC). A detailed history of the earliest experiments, as well as analysis of the foundational CAAC systems, is provided. Common problems and interpretations of CAAC are then presented in a historical and intertextual context, drawn from the writings and systems of numerous composers and developers. Toward the goal of developing techniques of comparative software analysis, a survey of system design archetypes, based on seven descriptors of CAAC systems, is presented. With this foundation, athenaCL system components are analyzed in detail. System components are divided into abstractions of musical materials, abstractions of musical procedures, and system architecture. For each component, object models, Python examples, and diagrams are provided. Further, each component is given context in terms of its compositional implications and relation to alternative and related models from the history of CAAC.
The Supercollider Book Second Edition
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Author : Scott Wilson
language : en
Publisher: MIT Press
Release Date : 2025-04-29
The Supercollider Book Second Edition written by Scott Wilson and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2025-04-29 with Computers categories.
A comprehensive update of the essential reference to SuperCollider, with new material on machine learning, musical notation and score making, SC Tweets, alternative editors, parasite languages, non-standard synthesis, and the cross-platform GUI library. SuperCollider is one of the most important domain-specific audio programming languages, with wide-ranging applications across installations, real-time interaction, electroacoustic pieces, generative music, and audiovisuals. Now in a comprehensively updated new edition, The SuperCollider Book remains the essential reference for beginners and advanced users alike, offering students and professionals a user-friendly guide to the language’s design, syntax, and use. Coverage encompasses the basics as well as explorations of advanced and cutting-edge topics including microsound, sonification, spatialization, non-standard synthesis, and machine learning. Second edition highlights: • New chapters on musical notation and score making, machine learning, SC Tweets, alternative editors, parasite languages, non-standard synthesis, SuperCollider on small computers, and the cross-platform GUI library • New tutorial on installing, setting up, and running the SuperCollider IDE • Technical documentation of implementation and information on writing your own unit generators • Diverse artist statements from international musicians • Accompanying code examples and extension libraries
Musical Gestures
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Author : Rolf Inge Godøy
language : en
Publisher: Routledge
Release Date : 2010-02-12
Musical Gestures written by Rolf Inge Godøy and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-02-12 with Art categories.
'Musical Gestures' is a collection of essays that explore the relationship between sound and movement. The book takes an interdisciplinary approach to the fundamental issues of this subject, drawing on ideas, theories and methods from disciplines such as musicology, music perception, and human movement science.
The Routledge Research Companion To Electronic Music Reaching Out With Technology
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Author : Simon Emmerson
language : en
Publisher: Routledge
Release Date : 2018-05-16
The Routledge Research Companion To Electronic Music Reaching Out With Technology written by Simon Emmerson and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-05-16 with Music categories.
The theme of this Research Companion is 'connectivity and the global reach of electroacoustic music and sonic arts made with technology'. The possible scope of such a companion in the field of electronic music has changed radically over the last 30 years. The definitions of the field itself are now broader - there is no clear boundary between 'electronic music' and 'sound art'. Also, what was previously an apparently simple divide between 'art' and 'popular' practices is now not easy or helpful to make, and there is a rich cluster of streams of practice with many histories, including world music traditions. This leads in turn to a steady undermining of a primarily Euro-American enterprise in the second half of the twentieth century. Telecommunications technology, most importantly the development of the internet in the final years of the century, has made materials, practices and experiences ubiquitous and apparently universally available - though some contributions to this volume reassert the influence and importance of local cultural practice. Research in this field is now increasingly multi-disciplinary. Technological developments are embedded in practices which may be musical, social, individual and collective. The contributors to this companion embrace technological, scientific, aesthetic, historical and social approaches and a host of hybrids – but, most importantly, they try to show how these join up. Thus the intention has been to allow a wide variety of new practices to have voice – unified through ideas of 'reaching out' and 'connecting together' – and in effect showing that there is emerging a different kind of 'global music'.