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Darius Milhaud With A Definitive Catalogue Of Works Compiled From The Composer S Own Notebooks

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Darius Milhaud

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Author : Paul Collaer
language : en
Publisher: San Fransisco Calif. : San Fransisco Press
Release Date : 1988

Darius Milhaud written by Paul Collaer and has been published by San Fransisco Calif. : San Fransisco Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with Biography & Autobiography categories.

Darius Milhaud With A Definitive Catalogue Of Works Compiled From The Composer S Own Notebooks

DOWNLOAD
FREE 30 Days

Author : Paul Collaer
language : en
Publisher: San Fransisco Calif. : San Fransisco Press
Release Date : 1988

Darius Milhaud With A Definitive Catalogue Of Works Compiled From The Composer S Own Notebooks written by Paul Collaer and has been published by San Fransisco Calif. : San Fransisco Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with Music categories.

Notes For Clarinetists

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Author : Albert R. Rice
language : en
Publisher: Oxford University Press
Release Date : 2017

Notes For Clarinetists written by Albert R. Rice and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with Music categories.

Notes for Clarinetists: A Guide to the Repertoire offers important historical and analytical information about thirty-five of the best-known pieces written for the instrument. Numerous contextual and theoretical insights make it an essential resource for professional, amateur, and student clarinetists. With engaging prose supported by fact-filled analytical charts, the book offers rich biographical information and informative analyses to help clarinetists gain a more complete understanding of Three Pieces for Clarinet Solo by Igor Stravinsky, Aaron Copland's Concerto for Clarinet, String Orchestra, Harp, and Piano, Robert Schumann's Fantasy Pieces for Clarinet and Piano, Op. 73. and Time Pieces for Clarinet and Piano, Op. 43. by Robert Muczynski, among many others. With close attention to matters of context, style, and harmonic and formal analysis, Albert Rice explores a significant portion of the repertoire, and offers a faithful and comprehensive guide that includes works by Boulez, Brahms, and Mozart to Hindemith, Poulenc, and Stamitz. Rice includes biographical information on each composer and highlights history's impact on the creation and performance of important works for clarinet. Intended as a starting point for connecting performance studies with scholarship, Rice's analysis will help clarinetists gain a more complete picture of a given work. Its valuable insights make it essential to musicians preparing and presenting programs, and its detailed historical information about the work and composer will encourage readers to explore other works in a similarly analytical way. Covering concertos, chamber pieces, and works for solo clarinet, Rice presents Notes for Clarinetists as an indispensable handbook for students and professionals alike.

Nu Quarter Notes

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Author :
language : en
Publisher:
Release Date : 1988

Nu Quarter Notes written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with Music categories.

Catalogue

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Author : May and May (Firm)
language : en
Publisher:
Release Date : 1993

Catalogue written by May and May (Firm) and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993 with Booksellers' catalogs categories.

Music Cataloging Bulletin

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Author :
language : en
Publisher:
Release Date : 1997

Music Cataloging Bulletin written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Cataloging of music categories.

Against The Grain

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Author : Anthony Marcus Lien
language : en
Publisher:
Release Date : 2002

Against The Grain written by Anthony Marcus Lien and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Modernism (Music) categories.

Although the art song was a favorite genre for American composers at the turn of the twentieth century, its favor declined rapidly and significantly during and after the 1910s, and for the rest of the first half of the century the genre held a marginalized place in the output of the most significant American composers. Concomitant with this decline in song composition, song publication also declined considerably after 1920, and a significant percentage of the songs published thereafter were authored by composers who specialized in songs and shorter works expressly intended for the domestic song market and written in a conservative musical idiom which appealed to mass audiences. In contrast to these earlier declines, the number of song concerts in New York City and Chicago increased steadily until about 1930, even as the percentage of song concerts to other concerts held steady. After 1930, however, the number and percentage of song concerts in these two cities declined as well. The emergence of modernism on the musical landscape in the United States after 1915 was largely responsible for the decline in song publication and composition. Among other things, musical modernism valorized dissonance, melodic fragmentation, and objectivity; these characteristics ran counter to the largely Romantic orientation of the art song with its long-spun lyricism and subjectivity. As a revision of current thought, this study broadens the accepted corpus of modernist composers to include neo-Romantics such as Samuel Barber whose music retained an essentially Romantic character but was frequently imbued with modernistic elements. This study also shows that composers in certain stylistic, professional, and demographic categories wrote songs in significantly greater numbers those in others. For example, in looking at the total song output of over 100 American and transplanted composers, there was a direct correlation between musical style and song production; the more progressive a composer's musical style, the fewer songs he authored. In addition to the impact of modernism on the art song, these declines were also exacerbated by the art song's close association with other song types which lowered the art song's aesthetic credentials.