Defining Modernism
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Defining Modernism
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Author : Andrea Gogröf-Voorhees
language : en
Publisher: Peter Lang
Release Date : 1999
Defining Modernism written by Andrea Gogröf-Voorhees and has been published by Peter Lang this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Literary Criticism categories.
Defining Modernism investigates the intellectual connections among three leading nineteenth-century European modernists - Baudelaire, Nietzsche, and Richard Wagner. Through a close reading of Baudelaire's and Nietzsche's essays on art and culture, Wagner's role in the two writers' attempts to define the radically new concept of «modernism» is elucidated. Gogröf-Voorhees explores the affinity between the two writers, which emerges from a juxtaposition of their formulations of the idea of a fractured, contradictory modernity that at once embraces, scatters, and reevaluates an entire constellation of ideas, including romanticism, pessimism, decadence, and nihilism.
Modernism Evolution Of An Idea
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Author : Sean Latham
language : en
Publisher: Bloomsbury Publishing
Release Date : 2015-10-22
Modernism Evolution Of An Idea written by Sean Latham and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-10-22 with Literary Criticism categories.
What exactly is “modernism”? And how and why has its definition changed over time? Modernism: Evolution of an Idea is the first book to trace the development of the term “modernism” from cultural debates in the early twentieth century to the dynamic contemporary field of modernist studies. Rather than assuming and recounting the contributions of modernism's chief literary and artistic figures, this book focuses on critical formulations and reception through topics such as: - The evolution of “modernism” from a pejorative term in intellectual arguments, through its condemnation by Pope Pius X in 1907, and on to its subsequent centrality to definitions of new art by T. S. Eliot, Laura Riding and Robert Graves, F. R. Leavis, Edmund Wilson, and Clement Greenberg - New Criticism and its legacies in the formation of the modernist canon in anthologies, classrooms, and literary histories - The shifting conceptions of modernism during the rise of gender and race studies, French theory, Marxist criticism, postmodernism, and more - The New Modernist Studies and its contemporary engagements with the politics, institutions, and many cultures of modernism internationally With a glossary of key terms and movements and a capacious critical bibliography, this is an essential survey for students and scholars working in modernist studies at all levels.
Modernism
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Author : Anna Anselmo
language : en
Publisher: EDUCatt - Ente per il diritto allo studio universitario dell'Università Cattolica
Release Date : 2014-10-01
Modernism written by Anna Anselmo and has been published by EDUCatt - Ente per il diritto allo studio universitario dell'Università Cattolica this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-10-01 with Literary Criticism categories.
The term “modernism” serves as a label for a variety of tendencies, attitudes, convictions, and for works of art disparate in quality and meaning, but alike in spirit and, sometimes, conception. Critics have been at pains to define modernism; some even wonder whether it should be defined at all. This introduction aims at presenting a number of critical attitudes to modernism in the hope of offering readers both a critical landscape and the necessary coordinates for the discovery of the literary and cultural patchwork of which modernism is composed. The Oxford English Dictionary identifies “modernism” as the portmanteau term for “[a]ny of various movements in art, architecture, literature, etc., generally characterized by a deliberate break with classical and traditional forms or methods of expression;” moreover, ‘modernism’ refers to “the work or ideas of the adherents of such a movement”. The definition is sufficiently informative, but it offers no chronological coordinates and is rather general. Every new artistic movement is characterized by “a deliberate break with classical and traditional forms or methods of expression”; in this respect, the Elizabethans were modernists, as were the Romantics; moreover, the definition not only considers “modernism” as referring to “various movements”, but also mentions such disparate fields as “art, architecture, literature, etc.”. In pointing out the limits of the OED definition, I do not intend to question the lexicographers’ ability; on the contrary, I intend to set forth a hypothesis: when attempting to define modernism, every effort, even the most accurate and refined, falls short of the mark, because modernism simply defies definition, as would any artistic movement which counts relative chronological indeterminateness and inherent diversity among its more interesting peculiarities. Furthermore, the idea of modernism is perhaps more enticing and familiar than the reality of it, it is thus hard to step away from prejudices and commonplaces to look at the object of study itself. “Modernism,” Lawrence Rainey writes, “is preceded by its reputation, or even by several reputations: it is endowed with authority so monumental that a reader is tempted to overlook the very experience of encountering modernist works; or it is attended with such opprobrium (the modernists were all fascists or anti-Semites, or if not that, “elitists”) that one might wonder why anyone had bothered to read them at all. It is easy, too easy, to slight the grisly comedy or miss the mordant wit, to skim the surface of dazzling surprises, to neglect the sheer wildness and irredeemable opacity at the heart of modernist work”. Tratto dall'Introduzione dell'Autrice
The Concept Of Modernism
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Author : Astradur Eysteinsson
language : en
Publisher: Cornell University Press
Release Date : 2018-07-05
The Concept Of Modernism written by Astradur Eysteinsson and has been published by Cornell University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-07-05 with Literary Criticism categories.
The term "modernism" is central to any discussion of twentieth-century literature and critical theory. Astradur Eysteinsson here maintains that the concept of modernism does not emerge directly from the literature it subsumes, but is in fact a product of critical practices relating to nontraditional literature. Intervening in these practices, and correlating them with modernist works and with modern literary theory, Eysteinsson undertakes a comprehensive reexamination of the idea of modernism. Eysteinsson critically explores various manifestations of modernism in a rich array of American, British, and European literature, criticism, and theory. He first examines many modernist paradigms, detecting in them a conflict between modernism's culturally subversive potential and its relatively conservative status as a formalist project. He then considers these paradigms as interpretations-and fabrications-of literary history. Seen in this light, modernism both signals a historical change on the literary scene and implies the context of that change. Laden with the implications of tradition and modernity, modernism fills its major function: that of highlighting and defining the complex relations between history and postrealist literature. Eysteinsson focuses on the ways in which the concept of modernism directs our understanding of literature and literary history and influences our judgment of experimental and postrealist works in literature and art. He discusses in detail the relation of modernism to the key concepts postmodernism, the avant-garde, and realism. Enacting a crisis of subject and reference, modernism is not so much a form of discourse, he asserts, as its interruption-a possible "other" modernity that reveals critical aspects of our social and linguistic experience in Western culture. Comparatists, literary theorists, cultural historians, and others interested in twentieth-century literature and art will profit from this provocative book.
Modernism And British Socialism
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Author : Thomas Linehan
language : en
Publisher: Springer
Release Date : 2012-08-06
Modernism And British Socialism written by Thomas Linehan and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-08-06 with History categories.
Thomas Linehan offers a fresh perspective on late Victorian and Edwardian socialism by examining the socialist revival of these years from the standpoint of modernism. In so doing, he explores the modernist mission as extending beyond the concerns of the literary and artistic avant-garde to incorporate political and social movements.
Edgar Degas
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Author : Jennifer R. Gross
language : en
Publisher: Yale University Press
Release Date : 2003-01
Edgar Degas written by Jennifer R. Gross and has been published by Yale University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-01 with Art categories.
Through his representation of modern subjects such as ballet dancers and race horses, his constant questioning of traditional artistic practices, and his vital engagement with Parisian society, Edgar Degas (1834-1917) helped to define the beginnings of modernism in visual culture at the end of the nineteenth century. This engaging book yields new scholarship on works by Degas in the collection of the Yale University Art Gallery and provides in-depth discussion of works of art in every medium explored by this innovative artist. Extended entries by distinguished scholars including Richard Kendall and Edgar Munhall provide a complete review of the artist's working methods. The book also introduces several important pieces by Degas that have rarely been available for view by the public, including a notable wax figure and several unique prints and works on paper.
Defining Literary Criticism
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Author : Carol Atherton
language : en
Publisher: Springer
Release Date : 2005-09-27
Defining Literary Criticism written by Carol Atherton and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-09-27 with Literary Criticism categories.
Outlining the controversies that have surrounded the academic discipline of English Literature since its institutionalization in the late nineteenth century, this important book draws on a range of archival sources. It addresses issues that are central to the identity of academic English - how the subject came into existence, and what makes it a specialist discipline of knowledge - in a manner that illuminates many of the crises that have affected the development of modern English studies. Atherton also addresses contemporary arguments about the teaching of literary criticism, including an examination of the reforms to A-Level literature.
The Nabis And Intimate Modernism
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Author : KatherineM. Kuenzli
language : en
Publisher: Routledge
Release Date : 2017-07-05
The Nabis And Intimate Modernism written by KatherineM. Kuenzli and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.
Providing a fresh perspective on an important but underappreciated group of late nineteenth-century French painters, this is the first book to provide an in-depth account of the Nabis' practice of the decorative, and its significance for twentieth-century modernism. Over the course of the ten years that define the Nabi movement (1890-1900), its principal artists included Edouard Vuillard, Pierre Bonnard, Maurice Denis, Paul S?sier, and Paul Ranson. The author reconstructs the Nabis' relationship to Impressionism, mass culture, literary Symbolism, Art Nouveau, Wagnerianism, and a revolutionary artistic tradition in order to show how their painterly practice emerges out of the pressing questions defining modernism around 1900. She shows that the Nabis were engaged, nonetheless, with issues that are always at stake in accounts of nineteenth-century modernist painting, issues such as the relationship of high and low art, of individual sensibility and collective identity, of the public and private spheres. The Nabis and Intimate Modernism is a rigorous study of the intellectual and artistic endeavors that inform the Nabis' decorative domestic paintings in the 1890s, and argues for their centrality to painterly modernism. The book ends up not only re-positioning the Nabis to occupy a crucial place in modernism's development from 1860 to 1914, but also challenges that narrative to place more emphasis on notions of decoration, totality and interiority.
Modernism And British Socialism
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Author : Thomas P. Linehan
language : en
Publisher: Springer
Release Date : 2012-08-06
Modernism And British Socialism written by Thomas P. Linehan and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-08-06 with History categories.
Thomas Linehan offers a fresh perspective on late Victorian and Edwardian socialism by examining the socialist revival of these years from the standpoint of modernism. In so doing, he explores the modernist mission as extending beyond the concerns of the literary and artistic avant-garde to incorporate political and social movements.
Modernist Cultural Studies
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Author : Catherine Driscoll
language : en
Publisher: University Press of Florida
Release Date : 2010-01-03
Modernist Cultural Studies written by Catherine Driscoll and has been published by University Press of Florida this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-01-03 with Literary Criticism categories.
For many scholars, cultural studies is viewed as a product of postmodern criticism and as the antithesis of modernism. In this brilliant work, Catherine Driscoll argues persuasively that we must view what we call cultural studies as a direct continuation of the innovations and concerns of modernism and the modernists. In making her case, Driscoll provides a fresh take on arguments--some seemingly unresolvable--that pivot on modernism's desire for novelty. Defining modernity as a critical attitude rather than a time period, she describes the many things these ostensibly different fields of inquiry have in common and reveals why cultural studies must be viewed as a fundamentally modernist project. Casting a wide net across the shared interests of modernism and cultural studies, including cinema, fiction, fashion, art, and popular music, Driscoll explores such themes as love and work, adolescence and everyday life, the significance of the everyday, the popular as a field of power, and the importance of representation to identity and experience in modernity.