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Degas Metode


Degas Metode
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Degas Method


Degas Method
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Author : Line Clausen Pedersen
language : en
Publisher: Black Dog Pub Limited
Release Date : 2015

Degas Method written by Line Clausen Pedersen and has been published by Black Dog Pub Limited this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with Art categories.


"In Degas' work there are a number of fundamental elements which exist across oeuvre and motif, technique and chronology. It is with these elements that Degas' Method is concerned: that which catches one's attention if the customary pigeonholing of the works is abandoned and the works themselves are returned to the creative ferment from which they emerged, where they exist side by side -- and from whence Degas, in a manner entirely his own, has taken and combined them. Degas' Method mixes painting, pastel, monotype, sculpture, drawing and several graphic disciplines in the desire to bring together the artist's production, ranging across motif, technique and chronology." -- Ny Carlsberg Glyptotek website.



Degas Metode


Degas Metode
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Author : Line Clausen Pedersen
language : da
Publisher: Black Dog Press
Release Date : 2016-04-12

Degas Metode written by Line Clausen Pedersen and has been published by Black Dog Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-12 with categories.


Famous as he is for his ballet dancers, Degas needs no further introduction, but taken in its entirety his work contains more than the colorful tulle-clad female figures. Degas? approach to art is highly individual, ambitious and consistent. Through his practice and involvement in the Impressionist movement, Degas altered both the political and aesthetic premises for painting. Degas placed himself as the latest in a line of great masters, consciously working and thinking in ways which made him the heir to'and successor to the throne of'the truly great art which endures beyond its own era. He was a master of both tradition and progress'and this is why his oeuvre occupies an enormously important position in the narrative of the painting of our own time. Rather than a desire to bring to light a ?complete? account of the artist's oeuvre, Degas? Methode is an extensive retrospective that stages and presents the synergy that exists between the works.



Degas Metode


Degas Metode
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Author : Line Clausen Pedersen
language : da
Publisher:
Release Date :

Degas Metode written by Line Clausen Pedersen and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.




Degas


Degas
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Author : Theodore Reff
language : en
Publisher: Metropolitan Museum of Art
Release Date : 1976

Degas written by Theodore Reff and has been published by Metropolitan Museum of Art this book supported file pdf, txt, epub, kindle and other format this book has been release on 1976 with Painting, French categories.


"More than any other artist in the Impressionist group, Degas was fascinated by ideas and consciously based his work on them. "What I do is the result of reflection and study of the great masters," he once confessed, "of inspiration, spontaneity, temperament I know nothing." Yet his work has been understood very inadequately from that point of view. Publications on him, once dominated by memoirs inspired by his remarkable personality, are now concerned with cataloguing and studying limited aspects of his complex art. Its intellectual power and originality, which were evident to contemporary writers like Duranty and Valery, have not been studied sufficiently by more recent critics. It is this side of Degas's art--as seen in his ingenious pictorial strategies and technical innovations, his use of motifs like the window, the mirror, and the picture within the picture, his invention of striking, psychologically compelling compositions, and his creation of a sculptural idiom at once formal and vernacular--that is the subject of these essays. Inevitably, given the range of his intellectual interests, the essays are also concerned with his contacts with leading novelists and poets of his time and his efforts to illustrate or draw inspiration from their works. Throughout, the author makes use of an important, largely unpublished source, the material in Degas's notebooks, on which he has recently published a complete catalogue"--Publisher's description.



Mapping Degas


Mapping Degas
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Author : Roberta Crisci-Richardson
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2015-06-18

Mapping Degas written by Roberta Crisci-Richardson and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-06-18 with Art categories.


The New Art History and the Impressionist canon seem to have successfully claimed Edgar Degas as a misogynist, rabid nationalist and misanthrope whose art was both masterly and experimental. By analysing Degas’s approach to space and his self-fashioning attitude towards identity within the ambiguities of the political and artistic culture of nineteenth-century France, this book questions the characterisation of Degas as a right-wing Frenchman and artist, and will change the way in which Degas is thought about today.



Degas


Degas
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Author : Edgar Degas
language : en
Publisher: Rizzoli International Publications
Release Date : 1984

Degas written by Edgar Degas and has been published by Rizzoli International Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with Art categories.




Edgar Degas


Edgar Degas
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Author : Nathalia Brodskaya
language : en
Publisher: Parkstone International
Release Date : 2023-12-28

Edgar Degas written by Nathalia Brodskaya and has been published by Parkstone International this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-12-28 with Art categories.


Degas was closest to Renoir in the impressionist’s circle, for both favoured the animated Parisian life of their day as a motif in their paintings. Degas did not attend Gleyre’s studio; most likely he first met the future impressionists at the Café Guerbois. He started his apprenticeship in 1853 at the studio of Louis-Ernest Barrias and, beginning in 1854, studied under Louis Lamothe, who revered Ingres above all others, and transmitted his adoration for this master to Edgar Degas. Starting in 1854 Degas travelled frequently to Italy: first to Naples, where he made the acquaintance of his numerous cousins, and then to Rome and Florence, where he copied tirelessly from the Old Masters. His drawings and sketches already revealed very clear preferences: Raphael, Leonardo da Vinci, Michelangelo, and Mantegna, but also Benozzo Gozzoli, Ghirlandaio, Titian, Fra Angelico, Uccello, and Botticelli. During the 1860s and 1870s he became a painter of racecourses, horses and jockeys. His fabulous painter’s memory retained the particularities of movement of horses wherever he saw them. After his first rather complex compositions depicting racecourses, Degas learned the art of translating the nobility and elegance of horses, their nervous movements, and the formal beauty of their musculature. Around the middle of the 1860s Degas made yet another discovery. In 1866 he painted his first composition with ballet as a subject, Mademoiselle Fiocre dans le ballet de la Source (Mademoiselle Fiocre in the Ballet ‘The Spring’) (New York, Brooklyn Museum). Degas had always been a devotee of the theatre, but from now on it would become more and more the focus of his art. Degas’ first painting devoted solely to the ballet was Le Foyer de la danse à l’Opéra de la rue Le Peletier (The Dancing Anteroom at the Opera on Rue Le Peletier) (Paris, Musée d’Orsay). In a carefully constructed composition, with groups of figures balancing one another to the left and the right, each ballet dancer is involved in her own activity, each one is moving in a separate manner from the others. Extended observation and an immense number of sketches were essential to executing such a task. This is why Degas moved from the theatre on to the rehearsal halls, where the dancers practised and took their lessons. This was how Degas arrived at the second sphere of that immediate, everyday life that was to interest him. The ballet would remain his passion until the end of his days.



Degas


Degas
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Author : Edouard Hüttinger
language : fr
Publisher: FeniXX
Release Date : 1977-01-01T00:00:00+01:00

Degas written by Edouard Hüttinger and has been published by FeniXX this book supported file pdf, txt, epub, kindle and other format this book has been release on 1977-01-01T00:00:00+01:00 with Art categories.


Peintre, graveur et sculpteur, Edgar Degas (1834-1917) occupe une place originale dans l'art de la seconde moitié du XIXe siècle, par l'acuité de sa vision et la force suggestive de son œuvre. Ami de Manet et des impressionnistes, il renouvelle les thèmes de la vie moderne, champs de course, cafés-concerts, théâtres, sous l'influence de l'art japonais et de l'instantané photographique. Son goût pour le mouvement, les effets obliques, de plongée ou de raccourci, triomphe dans ses nombreuses Danseuses et ses Nus qu'il aborde avec un don saisissant du dessin et une grande variété de moyens d'expression : huile, pastel, fusain, lithographie, monotype.



Degas


Degas
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Author : Edgar Degas
language : en
Publisher:
Release Date : 1974

Degas written by Edgar Degas and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1974 with categories.




Degas


Degas
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Author : Nathalia Brodskaya
language : en
Publisher: Parkstone International
Release Date : 2013-03-15

Degas written by Nathalia Brodskaya and has been published by Parkstone International this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-03-15 with Art categories.


Degas was closest to Renoir in the impressionist’s circle, for both favoured the animated Parisian life of their day as a motif in their paintings. Degas did not attend Gleyre’s studio; most likely he first met the future impressionists at the Café Guerbois. He started his apprenticeship in 1853 at the studio of Louis-Ernest Barrias and, beginning in 1854, studied under Louis Lamothe, who revered Ingres above all others, and transmitted his adoration for this master to Edgar Degas. Starting in 1854 Degas travelled frequently to Italy: first to Naples, where he made the acquaintance of his numerous cousins, and then to Rome and Florence, where he copied tirelessly from the Old Masters. His drawings and sketches already revealed very clear preferences: Raphael, Leonardo da Vinci, Michelangelo, and Mantegna, but also Benozzo Gozzoli, Ghirlandaio, Titian, Fra Angelico, Uccello, and Botticelli. During the 1860s and 1870s he became a painter of racecourses, horses and jockeys. His fabulous painter’s memory retained the particularities of movement of horses wherever he saw them. After his first rather complex compositions depicting racecourses, Degas learned the art of translating the nobility and elegance of horses, their nervous movements, and the formal beauty of their musculature. Around the middle of the 1860s Degas made yet another discovery. In 1866 he painted his first composition with ballet as a subject, Mademoiselle Fiocre dans le ballet de la Source (Mademoiselle Fiocre in the Ballet ‘The Spring’) (New York, Brooklyn Museum). Degas had always been a devotee of the theatre, but from now on it would become more and more the focus of his art. Degas’ first painting devoted solely to the ballet was Le Foyer de la danse à l’Opéra de la rue Le Peletier (The Dancing Anteroom at the Opera on Rue Le Peletier) (Paris, Musée d’Orsay). In a carefully constructed composition, with groups of figures balancing one another to the left and the right, each ballet dancer is involved in her own activity, each one is moving in a separate manner from the others. Extended observation and an immense number of sketches were essential to executing such a task. This is why Degas moved from the theatre on to the rehearsal halls, where the dancers practised and took their lessons. This was how Degas arrived at the second sphere of that immediate, everyday life that was to interest him. The ballet would remain his passion until the end of his days.