Deleuze And Horror Film
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Deleuze And Horror Film
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Author : Anna Powell
language : en
Publisher: Edinburgh University Press
Release Date : 2005-03-24
Deleuze And Horror Film written by Anna Powell and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-03-24 with Performing Arts categories.
Using Deleuze's work on art and film, Anna Powell argues that film viewing is a form of 'altered consciousness' and the experience of viewing horror film an 'embodied event'. The book begins with a critical introduction to the key terms in Deleuzian philosophy and aesthetics.
Deleuze And Horror Film
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Author : Anna Powell
language : en
Publisher:
Release Date : 2005
Deleuze And Horror Film written by Anna Powell and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Electronic books categories.
Using Deleuze's work on art and film, Anna Powell argues that film viewing is a form of 'altered consciousness' and the experience of viewing horror film an 'embodied event'. The book begins with a critical introduction to the key terms in Deleuzian philosophy and aesthetics.
Japanese Horror Cinema And Deleuze
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Author : Rachel Elizabeth Barraclough
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2022-01-13
Japanese Horror Cinema And Deleuze written by Rachel Elizabeth Barraclough and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-01-13 with Performing Arts categories.
Using theories of national, transnational and world cinema, and genre theories and psychoanalysis as the basis of its argument, Japanese Horror Cinema and Deleuze argues that these understandings of Japanese horror films can be extended in new ways through the philosophy of Deleuze. In particular, the complexities and nuances of how films like Ju-On: The Grudge (2002), Audition (1999) and Kairo (2001) (and beyond) form dynamic, transformative global networks between industries, directors and audiences can be considered. Furthermore, understandings of how key horror tropes and motifs apply to these films (and others more broadly), such as the idea of the “monstrous-feminine”, can be transformed, allowing these models to become more flexible.
Deleuze And The Gynesis Of Horror
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Author : Sunny Hawkins
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2020-10-01
Deleuze And The Gynesis Of Horror written by Sunny Hawkins and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-10-01 with Performing Arts categories.
Applying Deleuze's schizoanalytic techniques to film theory, Deleuze and the Gynesis of Horror demonstrates how an embodied approach to horror film analysis can help us understand how film affects its viewers and distinguish those films which reify static, hegemonic, “molar” beings from those which prompt fluid, nonbinary, “molecular” becomings. It does so by analyzing the politics of reproduction in contemporary films such as Ex Machina; Mary Shelley's Frankenstein; Mad Max: Fury Road; the Twilight saga; and the original Alien quadrilogy and its more recent prequels, Prometheus and Alien: Covenant. Author Sunny Hawkins argues that films which promote a “monstrous philosophy” of qualitative, affirmative difference as difference-in-itself, and which tend to be more molecular than molar in their expressions, can help us trace a “line of flight” from the gender binary in the real world. Deleuze and the Gynesis of Horror demonstrates how the techniques of horror film – editing, sound and visual effects, lighting and colour, camera movement – work in tandem with a film's content to affect the viewer's body in ways that disrupt the sense of self as a whole, unified subject with a stable, monolithic identity and, in some cases, can serve to breakdown the binary between self/Other, as we come to realize that we are none of us static, categorizable beings but are, as Henri Bergson said, “living things constantly becoming.”
Deleuze And Film
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Author : David Martin-Jones
language : en
Publisher: Edinburgh University Press
Release Date : 2012-04-04
Deleuze And Film written by David Martin-Jones and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-04-04 with Performing Arts categories.
Engages Deleuze's philosophy with a range of popular films and explores the degree to which a film's popularity impacts upon its ability to 'think' (in the manner that Deleuze described in relation to examples of the art of film in his Cinema books), and
Deleuze And The Gynesis Of Horror
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Author : Sunny Hawkins
language : en
Publisher:
Release Date : 2020
Deleuze And The Gynesis Of Horror written by Sunny Hawkins and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with Electronic books categories.
"Applying Deleuze's schizoanalytic techniques to film theory, Deleuze and the Gynesis of Horror demonstrates how an embodied approach to horror film analysis can help us understand how film affects its viewers and distinguish those films which reify static, hegemonic, "molar" beings from those which prompt fluid, nonbinary, "molecular" becomings. It does so by analyzing the politics of reproduction in contemporary films such as Ex Machina; Mary Shelley's Frankenstein; Mad Max: Fury Road; the Twilight saga ; and the original Alien quadrilogy and its more recent prequels, Prometheus and Alien: Covenant . Author Sunny Hawkins argues that films which promote a "monstrous philosophy" of qualitative, affirmative difference as difference-in-itself, and which tend to be more molecular than molar in their expressions, can help us trace a ?line of flight? from the gender binary in the real world. Deleuze and the Gynesis of Horror demonstrates how the techniques of horror film - editing, sound and visual effects, lighting and colour, camera movement ? work in tandem with a film's content to affect the viewer's body in ways that disrupt the sense of self as a whole, unified subject with a stable, monolithic identity and, in some cases, can serve to breakdown the binary between self/Other, as we come to realize that we are none of us static, categorizable beings but are, as Henri Bergson said, "living things constantly becoming.""--
Deleuze And Film
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Author : Teresa Rizzo
language : en
Publisher: Bloomsbury Publishing
Release Date : 2012-04-26
Deleuze And Film written by Teresa Rizzo and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-04-26 with Philosophy categories.
In the first book-length introduction to Deleuze's work on film from a feminist perspective, Teresa Rizzo ranges across Deleuze's books on Cinema, his other writings, and feminist re-workings of his philosophy to re-think the film viewing experience. More than a commentary on Deleuze's books on Cinema, Rizzo's work addresses a significant gap in film theory, building a bridge between the spectatorship studies and apparatus theories of the 1970s, and new theorisations of the cinematic experience. Developing a concept of a 'cinematic assemblage', the book focuses on affective and intensive connections between film and viewer. Through a careful analysis of a range of film texts and genres that have been important to feminist film scholarship, such as the Alien series and the modern horror film, Rizzo puts Deleuze's key concepts to work in exciting new ways.
European Nightmares
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Author : Patricia Allmer
language : en
Publisher: Columbia University Press
Release Date : 2012
European Nightmares written by Patricia Allmer and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Performing Arts categories.
Essays focusing on European horror cinema from 1945 to the present. Features new contributions by distinguished international scholars exploring British, French, Spanish, Italian, German and Northern European and Eastern European horror cinema.
Deleuze And Film
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Author : David Martin-Jones
language : en
Publisher: Edinburgh University Press
Release Date : 2012-04-04
Deleuze And Film written by David Martin-Jones and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-04-04 with Performing Arts categories.
A wide-ranging collection of essays on the film-philosophy of Gilles Deleuze. Deleuze and Film explores how different films from around the world 'think' about topics like history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aesthetics and the body. Mapping the global diversity of this cinematic thinking, this book greatly expands upon the range of films discussed in Deleuze's Cinema books.
Deleuze And The Gynesis Of Horror
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Author : Sunny Hawkins
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2020-10-01
Deleuze And The Gynesis Of Horror written by Sunny Hawkins and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-10-01 with Performing Arts categories.
Applying Deleuze's schizoanalytic techniques to film theory, Deleuze and the Gynesis of Horror demonstrates how an embodied approach to horror film analysis can help us understand how film affects its viewers and distinguish those films which reify static, hegemonic, “molar” beings from those which prompt fluid, nonbinary, “molecular” becomings. It does so by analyzing the politics of reproduction in contemporary films such as Ex Machina; Mary Shelley's Frankenstein; Mad Max: Fury Road; the Twilight saga; and the original Alien quadrilogy and its more recent prequels, Prometheus and Alien: Covenant. Author Sunny Hawkins argues that films which promote a “monstrous philosophy” of qualitative, affirmative difference as difference-in-itself, and which tend to be more molecular than molar in their expressions, can help us trace a “line of flight” from the gender binary in the real world. Deleuze and the Gynesis of Horror demonstrates how the techniques of horror film – editing, sound and visual effects, lighting and colour, camera movement – work in tandem with a film's content to affect the viewer's body in ways that disrupt the sense of self as a whole, unified subject with a stable, monolithic identity and, in some cases, can serve to breakdown the binary between self/Other, as we come to realize that we are none of us static, categorizable beings but are, as Henri Bergson said, “living things constantly becoming.”