Destination Chicago Jazz
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Destination Chicago Jazz
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Author : Sandor Demlinger
language : en
Publisher:
Release Date : 2003
Destination Chicago Jazz written by Sandor Demlinger and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Jazz categories.
Destination Chicago Jazz
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Author : Sandor Demlinger
language : en
Publisher: Arcadia Publishing
Release Date : 2003
Destination Chicago Jazz written by Sandor Demlinger and has been published by Arcadia Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with History categories.
Jazz-it was America's first truly indigenous music. Starting in the red-hot clubs of New Orleans, jazz made its way north and settled in Chicago. The Windy City became a focal point for musicians, and many jazz legends made names for themselves here, including Jelly Roll Morton, Joe "King" Oliver, and Louis Armstrong. As jazz grew in popularity, Chicago became a hub of musical genius. Jimmy McPartland, Muggsy Spanier, and Benny Goodman were just a few of the artists who benefited from the influx of talent into their hometown. From these early days, jazz has spread to influence musical styles worldwide. Destination Chicago Jazz is a virtual tour of the city's most influential jazz havens, telling the story of the amazing musicians and the unparalleled musical phenomenon they created. Readers will find images of the many world-famous theatres that lined State Street, the hot jazz clubs that made the city's South Side a musical Mecca, and the celebrated players that made it all possible. Destination Chicago Jazz provides a captivating history of the beginnings of jazz on the South Side, downtown's golden age, and the quick and far-reaching effect the music had on the city's North and West Sides.
Chicago Transformed
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Author : Joseph Gustaitis
language : en
Publisher: SIU Press
Release Date : 2016-07
Chicago Transformed written by Joseph Gustaitis and has been published by SIU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-07 with History categories.
14. "Taking New Heart": Organized Labor and the Postwar Strikes -- 15. "Eyes to the Future": Chicago in 1919 -- Notes -- Index -- About the Author -- Back Cover
Jazz
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Author : Eddie S. Meadows
language : en
Publisher: Routledge
Release Date : 2013-10-23
Jazz written by Eddie S. Meadows and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-23 with Music categories.
Jazz: Research and Pedagogy is the third edition of an annotated bibliography to books, recordings, videos, and websites in the field of jazz. Since the publication of the 2nd edition in 1995, the quantity and quality of books on jazz research, performance, and teaching materials have increased. Although the 1995 book was the most comprehensive annotated jazz bibliography published to that date, several books on research, performance, and teaching materials were omitted. In addition, given the proliferation of new books in all jazz areas since 1995, the need for a new, comprehensive, and annotated reference book on jazz is apparent. Multiply indexed, this book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the last decade.
Historical Dictionary Of Jazz
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Author : John S. Davis
language : en
Publisher: Rowman & Littlefield
Release Date : 2020-09-15
Historical Dictionary Of Jazz written by John S. Davis and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-15 with Music categories.
Jazz is a music born in the United States and formed by a combination of influences. In its infancy, jazz was a melting pot of military brass bands, work songs and field hollers of the United States slaves during the 19th century, European harmonies and forms, and the rhythms of Africa and the Caribbean. Later, the blues and the influence of Spanish and French Creoles with European classical training nudged jazz further along in its development. As it moved through the swing era of the 1930s, bebop of the 1940s, and cool jazz of the 1950s, jazz continued to serve as a reflection of societal changes. During the turbulent 1960s, freedom and unrest were expressed through Free Jazz and the Avant Garde. Popular and world music have been incorporated and continue to expand the impact and reach of jazz. Today, jazz is truly an international art form. This second edition of Historical Dictionary of Jazz contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 1,500 cross-referenced entries on musicians, styles of jazz, instruments, recording labels, bands and band leaders, and more. This book is an excellent resource for students, researchers, and anyone wanting to know more about Jazz.
Louis Armstrong Duke Ellington And Miles Davis
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Author : Aaron Lefkovitz
language : en
Publisher: Rowman & Littlefield
Release Date : 2018-06-20
Louis Armstrong Duke Ellington And Miles Davis written by Aaron Lefkovitz and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-06-20 with Music categories.
This book examines Louis Armstrong, Duke Ellington, and Miles Davis as distinctively global symbols of threatening and nonthreatening black masculinity. It centers them in debates over U.S. cultural exceptionalism, noting how they have been part of the definition of jazz as a jingoistic and exclusively American form of popular culture.
Chicago Jazz
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Author : William Howland Kenney
language : en
Publisher: Oxford University Press
Release Date : 1994-10-27
Chicago Jazz written by William Howland Kenney and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994-10-27 with Music categories.
The setting is the Royal Gardens Cafe. It's dark, smoky. The smell of gin permeates the room. People are leaning over the balcony, their drinks spilling on the customers below. On stage, King Oliver and Louis Armstrong roll on and on, piling up choruses, the rhythm section building the beat until tables, chairs, walls, people, move with the rhythm. The time is the 1920s. The place is South Side Chicago, a town of dance halls and cabarets, Prohibition and segregation, a town where jazz would flourish into the musical statement of an era. In Chicago Jazz, William Howland Kenney offers a wide-ranging look at jazz in the Windy City, revealing how Chicago became the major center of jazz in the 1920s, one of the most vital periods in the history of the music. He describes how the migration of blacks from the South to Chicago during and after World War I set the stage for the development of jazz in Chicago; and how the nightclubs and cabarets catering to both black and white customers provided the social setting for jazz performances. Kenney discusses the arrival of King Oliver and other greats in Chicago in the late teens and the early 1920s, especially Louis Armstrong, who would become the most influential jazz player of the period. And he travels beyond South Side Chicago to look at the evolution of white jazz, focusing on the influence of the South Side school on such young white players as Mezz Mezzrow (who adopted the mannerisms of black show business performers, an urbanized southern black accent, and black slang); and Max Kaminsky, deeply influenced by Armstrong's "electrifying tone, his superb technique, his power and ease, his hotness and intensity, his complete mastery of the horn." The personal recollections of many others--including Milt Hinton, Wild Bill Davison, Bud Freeman, and Jimmy McPartland--bring alive this exciting period in jazz history. Here is a new interpretation of Chicago jazz that reveals the role of race, culture, and politics in the development of this daring musical style. From black-and-tan cabarets and the Savoy Ballroom, to the Friars Inn and Austin High, Chicago Jazz brings to life the hustle and bustle of the sounds and styles of musical entertainment in the famous toddlin' town.
Outside And Inside
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Author : Reva Marin
language : en
Publisher: Univ. Press of Mississippi
Release Date : 2020-10-15
Outside And Inside written by Reva Marin and has been published by Univ. Press of Mississippi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-10-15 with Music categories.
Outside and Inside: Representations of Race and Identity in White Jazz Autobiography is the first full-length study of key autobiographies of white jazz musicians. White musicians from a wide range of musical, social, and economic backgrounds looked to black music and culture as the model on which to form their personal identities and their identities as professional musicians. Their accounts illustrate the triumphs and failures of jazz interracialism. As they describe their relationships with black musicians who are their teachers and peers, white jazz autobiographers display the contradictory attitudes of reverence and entitlement, and deference and insensitivity that remain part of the white response to black culture to the present day. Outside and Inside features insights into the development of jazz styles and culture in the urban meccas of twentieth-century jazz in New Orleans, Chicago, New York, and Los Angeles. Reva Marin considers the autobiographies of sixteen white male jazz instrumentalists, including renowned swing-era bandleaders Benny Goodman, Artie Shaw, and Charlie Barnet; reed instrumentalists Mezz Mezzrow, Bob Wilber, and Bud Freeman; trumpeters Max Kaminsky and Wingy Manone; guitarist Steve Jordan; pianists Art Hodes and Don Asher; saxophonist Art Pepper; guitarist and bandleader Eddie Condon; and New Orleans–style clarinetist Tom Sancton. While critical race theory informs this work, Marin argues that viewing these texts simply through the lens of white privilege does not do justice to the kind of sustained relationships with black music and culture described in the accounts of white jazz autobiographers. She both insists upon the value of insider perspectives and holds the texts to rigorous scrutiny, while embracing an expansive interpretation of white involvement in black culture. Marin opens new paths for study of race relations and racial, ethnic, and gender identity formation in jazz studies.
The Velvet Lounge
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Author : Gerald Majer
language : en
Publisher: Columbia University Press
Release Date : 2005
The Velvet Lounge written by Gerald Majer and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with History categories.
"In portraits of Jimmy Smith, Gene Ammons, Sonny Stitt, Sun Ra, and others, Gerald Majer conveys the drama and artistry of their music as well as the personal hardships many of them endured. Vivid descriptions and telling historical anecdotes explore the music's richness through a variety of political, social, and philosophical contexts. The Velvet Lounge, named after the famous Chicago club, is also one of the few works to consider the music of such avant garde jazz musicians as Fred Anderson, Andrew Hill, and Roscoe Mitchell. In doing so, Majer builds a bridge from the traditional view of jazz to the world of contemporary innovators, casts a new light on the music and its makers, and traces connections between jazz art and postmodernist thought."--BOOK JACKET.
Writers Of The Black Chicago Renaissance
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Author : Steven C. Tracy
language : en
Publisher: University of Illinois Press
Release Date : 2011-11-01
Writers Of The Black Chicago Renaissance written by Steven C. Tracy and has been published by University of Illinois Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-11-01 with Literary Criticism categories.
Writers of the Black Chicago Renaissance comprehensively explores the contours and content of the Black Chicago Renaissance, a creative movement that emerged from the crucible of rigid segregation in Chicago's "Black Belt" from the 1930s through the 1960s. Heavily influenced by the Harlem Renaissance and the Chicago Renaissance of white writers, its participants were invested in political activism and social change as much as literature, art, and aesthetics. The revolutionary writing of this era produced some of the first great accolades for African American literature and set up much of the important writing that came to fruition in the Black Arts Movement. The volume covers a vast collection of subjects, including many important writers such as Richard Wright, Gwendolyn Brooks, and Lorraine Hansberry as well as cultural products such as black newspapers, music, and theater. The book includes individual entries by experts on each subject; a discography and filmography that highlight important writers, musicians, films, and cultural presentations; and an introduction that relates the Harlem Renaissance, the White Chicago Renaissance, the Black Chicago Renaissance, and the Black Arts Movement. Contributors are Robert Butler, Robert H. Cataliotti, Maryemma Graham, James C. Hall, James L. Hill, Michael Hill, Lovalerie King, Lawrence Jackson, Angelene Jamison-Hall, Keith Leonard, Lisbeth Lipari, Bill V. Mullen, Patrick Naick, William R. Nash, Charlene Regester, Kimberly Ruffin, Elizabeth Schultz, Joyce Hope Scott, James Smethurst, Kimberly M. Stanley, Kathryn Waddell Takara, Steven C. Tracy, Zoe Trodd, Alan Wald, Jamal Eric Watson, Donyel Hobbs Williams, Stephen Caldwell Wright, and Richard Yarborough.