Dictionary Of Visual Discourse
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Dictionary Of Visual Discourse
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Author : Barry Sandywell
language : en
Publisher: Ashgate Publishing
Release Date : 1872
Dictionary Of Visual Discourse written by Barry Sandywell and has been published by Ashgate Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 1872 with Art categories.
This substantial and ambitious dictionary explores the languages and cultures of visual studies. It provides the basis for understanding the foundations and motivations of current theoretical and academic discourse, as well as the different forms of visual culture that have come to organize everyday life.
Dictionary Of Visual Discourse
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Author : Barry Sandywell
language : en
Publisher:
Release Date : 2011
Dictionary Of Visual Discourse written by Barry Sandywell and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Aesthetics categories.
Dictionary Of Visual Discourse
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Author : Barry Sandywell
language : en
Publisher: Routledge
Release Date : 2016-04-22
Dictionary Of Visual Discourse written by Barry Sandywell and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-22 with Art categories.
This substantial and ambitious dictionary explores the languages and cultures of visual studies. It provides the basis for understanding the foundations and motivations of current theoretical and academic discourse, as well as the different forms of visual culture that have come to organize everyday life. The book is firmly placed in the context of the 'visual turn' in contemporary thought. It has been designed as an interdisciplinary or transdisciplinary introduction to the vocabularies and grammars of visuality that inform thinking in the arts and humanities today. It also offers insight into the philosophical frameworks which underpin the field of visual culture. A central theme that runs throughout the entries is the task of moving away from a narrow understanding of visuality inherited from traditional philosophy toward a richer cultural and multi-sensorial philosophy of concrete experience. The dictionary incorporates intertextual links that encourage readers to explore connections between major themes, theories and key figures in the field. In addition the author's introduction provides a comprehensive and critical introduction which documents the significance of the visual turn in contemporary theory and culture. It is accompanied by an extensive bibliography and further reading list. As both a substantive academic contribution to this growing field and a useful reference tool, this book offers a theoretical introduction to the many languages of visual discourse. It will be essential reading for graduate students and scholars in visual studies, the sociology of visual culture, cultural and media studies, philosophy, art history and theory, design, film and communication studies.
Artwords
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Author : Thomas Patin
language : en
Publisher: Greenwood
Release Date : 1997
Artwords written by Thomas Patin and has been published by Greenwood this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Art categories.
This glossary is intended to be a guide into the frontier of current theory and criticism of visual art and culture.
The Dictionary Of Visual Language
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Author : Philip Thompson
language : en
Publisher:
Release Date : 1982
The Dictionary Of Visual Language written by Philip Thompson and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with Commercial art categories.
A Dictionary Of Media And Communication
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Author : Daniel Chandler
language : en
Publisher: Oxford University Press
Release Date : 2020-02-21
A Dictionary Of Media And Communication written by Daniel Chandler and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-02-21 with Social Science categories.
This authoritative and up-to-date A-Z covers all aspects of interpersonal, mass, and networked communication, including digital and mobile media, advertising, journalism, and nonverbal communication. This new edition is particularly focused on expanding coverage of social media terms, to reflect its increasing prominence to media and communication studies as a whole. More than 2,000 entries have been revised, and over 500 new terms have been added to reflect current theoretical terminology, including concepts such as artificial intelligence, cisgender, fake news, hive mind, use theory, and wikiality. The dictionary also bridges the gap between theory and practice, and contains many technical terms that are relevant to the communication industry, including dialogue editing, news aggregator, and primary colour correction. The text is complemented by biographical notes and extensively cross-referenced, while web links supplement the entries. It is an indispensable guide for undergraduate students of media and communication studies, and also for those taking related subjects such as television studies, video production, communication design, visual communication, marketing communications, semiotics, and cultural studies.
The Handbook Of Visual Culture
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Author : Ian Heywood
language : en
Publisher: Bloomsbury Publishing
Release Date : 2017-04-20
The Handbook Of Visual Culture written by Ian Heywood and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-04-20 with Art categories.
Visual culture has become one of the most dynamic fields of scholarship, a reflection of how the study of human culture increasingly requires distinctively visual ways of thinking and methods of analysis. Bringing together leading international scholars to assess all aspects of visual culture, the Handbook aims to provide a comprehensive and authoritative overview of the subject. The Handbook embraces the extraordinary range of disciplines which now engage in the study of the visual - film and photography, television, fashion, visual arts, digital media, geography, philosophy, architecture, material culture, sociology, cultural studies and art history. Throughout, the Handbook is responsive to the cross-disciplinary nature of many of the key questions raised in visual culture around digitization, globalization, cyberculture, surveillance, spectacle, and the role of art. The Handbook guides readers new to the area, as well as experienced researchers, into the topics, issues and questions that have emerged in the study of visual culture since the start of the new millennium, conveying the boldness, excitement and vitality of the subject.
Fictionality Factuality And Reflexivity Across Discourses And Media
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Author : Erika Fülöp
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2021-06-08
Fictionality Factuality And Reflexivity Across Discourses And Media written by Erika Fülöp and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-06-08 with Literary Criticism categories.
Concerned with the nature of the medium and the borders between fact and fiction, reflexivity was a ubiquitous feature of modernist and postmodernist literature and film. While in the wake of the post-postmodern “return to the real” cultural criticism has little time for discussions of reflexivity, it remains a key topic in narratology, as does fictionality. The latter is commonly defined opposition to the real and the factual, but remains conditioned by historical, cultural, discursive, and medium-related factors. Reflexivity blurs the boundaries between fact and fiction, however, by giving fiction a factual edge or by questioning the limits of factuality in non-fictional discourses. Fictionality, factuality, and reflexivity thus constitute a complex triangle of concepts, yet they are rarely considered together. This volume fills this gap by exploring the intricacies of their interactions and interdependence in philosophy, literature, film, and digital media, providing insights into a broad range of their manifestations from the ancient times to today, from East Asia through Europe to the Americas.
Stylistic Use Of Phraseological Units In Discourse
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Author : Anita Naciscione
language : en
Publisher: John Benjamins Publishing
Release Date : 2010
Stylistic Use Of Phraseological Units In Discourse written by Anita Naciscione and has been published by John Benjamins Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Language Arts & Disciplines categories.
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Depicting Dante In Anglo Italian Literary And Visual Arts
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Author : Christoph Lehner
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2017-05-11
Depicting Dante In Anglo Italian Literary And Visual Arts written by Christoph Lehner and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-05-11 with Literary Criticism categories.
In the course of 750 years, Dante Alighieri has been made into a universally important icon deeply engrained in the world’s cultural memory. This book examines key stages of Dante’s appropriation in Western cultural history by exploring the intermedial relationship between Dante’s Divina Commedia, the tradition of his iconography, and selected historical, literary and artistic responses from British artists in the 19th and 20th centuries. The images and iconographies created out of Dantean appropriations almost always centre around the triad of allegory, authority and authenticity. These three important aspects of revisiting Dante are found in the Dantean image fostered in Florence in the 14th and 15th centuries and feature prominently in the works of Dante Gabriel Rossetti, T. S. Eliot and Tom Phillips. Their appropriation of Dante represents landmarks in the productive reception of the Florentine, and is invariably linked to a tradition of Dante studies established in Britain during the middle of the 19th century. For Dante Gabriel Rossetti the Florentine provides a model for Victorian Dantean self-fashioning and becomes an allegory of authenticity and morality. For T. S. Eliot, Dante represents the voice of literary authority in Modernist poetry and serves as the allegory of a visionary European author. For Tom Phillips, the engagement with Dante and his text represents an intertextual and intermedial endeavour, which provides him with a rich cultural tapestry of art, thought and ideas on the Western world. The main focus of this study, therefore, is on how Dante’s image was fixed in the first 200 years of his appropriation in Florence, how fruitfully the Dantean images and his text have been taken up and used for creative and intellectual production in Britain over the course of the past centuries, and what moral, literary, or political messages they continue to convey.