Dictionnaire Pratique Et Historique De La Musique Par Michel Brenet
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Dictionnaire Pratique Et Historique De La Musique Par Michel Brenet
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Author : Michel Brenet
language : fr
Publisher:
Release Date : 1926
Dictionnaire Pratique Et Historique De La Musique Par Michel Brenet written by Michel Brenet and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1926 with Music categories.
Dictionnaire Pratique Et Historique De La Musique
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Author : BRENET-M.
language : fr
Publisher:
Release Date : 2018-08-14
Dictionnaire Pratique Et Historique De La Musique written by BRENET-M. and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-08-14 with categories.
Un Common Sounds
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Author : Roberta R. King
language : en
Publisher: Wipf and Stock Publishers
Release Date : 2014-11-18
Un Common Sounds written by Roberta R. King and has been published by Wipf and Stock Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-11-18 with Religion categories.
In troubled times of heightened global tensions and conflict, (un)Common Sounds: Songs of Peace and Reconciliation among Muslims and Christians explores the contribution of music and the performing arts to peacebuilding and interfaith dialogue in interreligious settings. It asks the simple but endlessly complex question: How is music and song used in our faiths and daily lives to foster peace and reconciliation? Focusing on the two largest world religions that together comprise more than 55% of the world's population, the essays address the complexities of embodied, lived religious traditions by moving across and linking a range of disciplines: ethnomusicology (the intersection of music and culture), peacemaking, Islamic studies, and Christian theology. Based on research in the Middle East, North Africa, and Indonesia, context-specific case studies serve to identify and reflect on the significant roles of music and the performing arts in fostering sustainable peace. (un)Common Sounds investigates the dynamics of peacebuilding and interfaith dialogue as they relate to music's transformative roles in conflict and post-conflict settings. Classroom tested, ((un)Common Sounds also provides discussion questions and projects for each chapter, a companion Web site (www.songsforpeaceproject.org), and an available documentary film to enhance learning in the academy, nongovernmental organizations, and religious groups.
Catalog Of Copyright Entries New Series
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Author : Library of Congress. Copyright Office
language : en
Publisher: Copyright Office, Library of Congress
Release Date : 1928
Catalog Of Copyright Entries New Series written by Library of Congress. Copyright Office and has been published by Copyright Office, Library of Congress this book supported file pdf, txt, epub, kindle and other format this book has been release on 1928 with American drama categories.
Part 1, Books, Group 1, v. 24 : Nos. 1-148 (March, 1927 - March, 1928)
From Vocal Poetry To Song
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Author : Jean Nicolas De Surmont
language : en
Publisher: BoD – Books on Demand
Release Date : 2017-11-23
From Vocal Poetry To Song written by Jean Nicolas De Surmont and has been published by BoD – Books on Demand this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-11-23 with Music categories.
Although the song is often the subject of monographs, one of its forms remains insufficiently researched: the vocalised song, communicated to the spectator through performance. The study of the song takes one back to the study of vocal practices, from aesthetic objects to forms and to plural styles. To conceive a song means approaching it in its different instances of creation as well as its linguistic diversity. Jean Nicolas De Surmont proposes ways of research and analysis useful to musicians, musicologists, and literary critics alike. In his book he takes up the issue of vocal poetry in addition to examining the theoretic aspects of song objects. Rather than offering an autonomous model of analysis, De Surmont extends the research fields and suggests responses to debates that have involved everyone interested in vocal poetic forms.
Essai Sur Les Origines De La Musique Descriptive
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Author : Brenet-M
language : fr
Publisher:
Release Date : 2016-08-24
Essai Sur Les Origines De La Musique Descriptive written by Brenet-M and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-08-24 with categories.
Harvard Dictionary Of Music
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Author : Willi Apel
language : en
Publisher: Harvard University Press
Release Date : 1969
Harvard Dictionary Of Music written by Willi Apel and has been published by Harvard University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1969 with Music categories.
Contains nearly 1000 pages of precise and accessible information on all musical subjects.
French Song From Berlioz To Duparc
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Author : Frits Noske
language : en
Publisher: Courier Corporation
Release Date : 1988-01-01
French Song From Berlioz To Duparc written by Frits Noske and has been published by Courier Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988-01-01 with Music categories.
Devoted to French art songs of the 19th century, this volume explores the melodies of Berlioz, Liszt, Bizet, Saint-Saëns, Franck, Fauré, and many others. Sensitive evaluations include more than 250 musical examples.
Men Women And Pianos
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Author : Arthur Loesser
language : en
Publisher: Courier Corporation
Release Date : 2012-04-27
Men Women And Pianos written by Arthur Loesser and has been published by Courier Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-04-27 with Music categories.
A renowned concert pianist traces the instrument's design, manufacture, and music in a delightful "piano's eye-view" of the social history of Western Europe and the United States from the 16th to the 20th centuries.
The Virtuoso As Subject
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Author : Zarko Cvejić
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2016-06-22
The Virtuoso As Subject written by Zarko Cvejić and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-06-22 with Music categories.
This book offers a novel interpretation of the sudden and steep decline of instrumental virtuosity in its critical reception between c. 1815 and c. 1850, documenting it with a large number of examples from Europe’s leading music periodicals at the time. The increasingly hostile critical reception of instrumental virtuosity during this period is interpreted from the perspective of contemporary aesthetics and philosophical conceptions of human subjectivity; the book’s main thesis is that virtuosity qua irreducibly bodily performance generated so much hostility because it was deemed incompatible with, and even threatening to, the new Romantic philosophical conception of music as a radically disembodied, abstract, autonomous art and, moreover, a symbol or model – if only a utopian one – of a similarly autonomous and free human subject, whose freedom and autonomy seemed increasingly untenable in the economic and political context of post-Napoleonic Europe. That is why music, newly reconceived as radically abstract and autonomous, plays such an important part in the philosophy of early German Romantics such as E. T. A. Hoffmann, Schelling, and Schopenhauer, with their growing misgivings about the very possibility of human freedom, and not so much in the preceding generation of thinkers, such as Kant and Hegel, who still believed in the (transcendentally) free subject of the Enlightenment. For the early German Romantics, music becomes a model of human freedom, if freedom could exist. By contrast, virtuosity, irredeemably moored in the perishable human body, ephemeral, and beholden to such base motives as making money and gaining fame, is not only incompatible with music thus conceived, but also threatens to expose it as an illusion, in other words, as irreducibly corporeal, and, by extension, the human subject it was meant to symbolise as likewise an illusion. Only with that in mind, may we begin to understand the hostility of some early to mid-19th-century critics to instrumental virtuosity, which sometimes reached truly bizarre proportions. In order to accomplish this, the book looks at contemporary aesthetics and philosophy, the contemporary reception of virtuosity in performance and composition, and the impact of 19th-century gender ideology on the reception of some leading virtuosi, male and female alike.