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Die Wiener Moderne Literatur Kunst Und Musik Zwischen 1890 Und 1910


Die Wiener Moderne Literatur Kunst Und Musik Zwischen 1890 Und 1910
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Die Wiener Moderne


Die Wiener Moderne
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Author : Gotthart Wunberg
language : de
Publisher: Stuttgart : Reclam
Release Date : 1981

Die Wiener Moderne written by Gotthart Wunberg and has been published by Stuttgart : Reclam this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with Art criticism categories.




Die Wiener Moderne Literatur Kunst Und Musik Zwischen 1890 Und 1910


Die Wiener Moderne Literatur Kunst Und Musik Zwischen 1890 Und 1910
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Author : Niklas Metzler
language : de
Publisher: GRIN Verlag
Release Date : 2019-01-14

Die Wiener Moderne Literatur Kunst Und Musik Zwischen 1890 Und 1910 written by Niklas Metzler and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-01-14 with Art categories.


Studienarbeit aus dem Jahr 2018 im Fachbereich Kunst - Kunstgeschichte, , Sprache: Deutsch, Abstract: „Die Wiener Moderne – das umfasst Hofmannsthal und Gustav Klimt genauso wie Altenberg und Adolf Loos; wie Bahr, Kraus oder Schnitzler; Joseph Kainz oder das Kaffeehaus; Skandale um Secession und Schönberg-Konzerte.“ Gotthart Wunberg zeigt mit diesem Zitat, wie umfassend die Wiener Moderne war. Doch wie entstand diese Gruppe junger Autoren und Künstler? Wer waren die Personen, die sich „Jung-Wiener“ nannten und damit 1890 die Wiener Moderne einläuteten? Zuerst stellten sich die Jung-Wiener nicht als das dar, was sie später waren. Die Gruppe gab es zwar, aber den Namen prägten vor allem Arthur Schnitzler, der schon 1891 in seine Aufzeichnungen von Jung-Wien spricht, und Hermann Bahr, um den sich die Gruppe auch bildete. Doch ist Hermann Bahr damit der Gründer der Jung-Wiener und somit auch Initiator der Wiener Moderne? Dass man dies so nicht behaupten kann, darin sind sich mittlerweile alle Experten einig. Selbst Bahr beanspruchte das in seiner „Autobiographischen Skizze“ niemals. Er schrieb nur: „Meine Wochenschrift ”Die Zeit“ tat tüchtig mit, und ich hatte das Glück, Olbrich, Klimt und Mahler zu erleben.“ Wenn jemand die Gründung Jung-Wiens für sich beanspruchen kann, dann ist es Eduard Michael Kafka, der Hauptherausgeber, der „Moderne[n] Dichtung“, deren erste Ausgabe am 1. Januar 1890 erschien. Mit diesem runden Datum wird üblicherweise der Beginn der Wiener Moderne assoziiert. Natürlich muss man im Zusammenhang mit diesem Zeitabschnitt auch noch andere Namen nennen. Trotz großer Vielseitigkeit kann man die Wiener Moderne in drei größere Bereiche einteilen: Literatur, Kunst und Musik. Doch was hat diese Epoche in diesen Bereichen und auch gesellschaftlich wirklich verändert oder revolutioniert?



Martin Buber S Formative Years


Martin Buber S Formative Years
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Author : Gilya Gerda Schmidt
language : en
Publisher: University of Alabama Press
Release Date : 2017-12-12

Martin Buber S Formative Years written by Gilya Gerda Schmidt and has been published by University of Alabama Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-12-12 with Biography & Autobiography categories.


An illuminating look at an understudied, but critical, period in Buber’s early career. Martin Buber (1878–1965) has had a tremendous impact on the development of Jewish thought as a highly influential figure in 20th-century philosophy and theology. However, most of his key publications appeared during the last forty years of his life and little is known of the formative period in which he was searching for, and finding, the answers to crucial dilemmas affecting Jews and Germans alike. Now available in paperback, Martin Buber’s Formative Years illuminates this critical period in which the seeds were planted for all of his subsequent work. During the period from 1897 to 1909, Buber's keen sense of the crisis of humanity, his intimate knowledge of German culture and Jewish sources, and his fearlessness in the face of possible ridicule challenged him to behave in a manner so outrageous and so contrary to German-Jewish tradition that he actually achieved a transformation of himself and those close to him. Calling on spiritual giants of great historical periods in German, Christian, and Jewish history—such as Nicolas of Cusa, Jakob Boehme, Israel Baal Shem Tov, Rabbi Nachman of Brazlav, Johann Wolfgang von Goethe, and Friedrich Nietzsche—Buber proceeded to subvert the existing order by turning his upside-down world of slave morality right side up once more. By examining the multitude of disparate sources that Buber turned to for inspiration, Gilya Gerda Schmidt elucidates Buber's creative genius and his contribution to turn-of-the-century Jewish renewal. This comprehensive study concludes that Buber was successful in creating the German-Jewish symbiosis that emancipation was to have created for the two peoples but that this synthesis was tragic because it came too late for practical application by Jews in Germany.



Arnold Sch Nberg


Arnold Sch Nberg
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Author : Bodil von Thülen
language : de
Publisher: Königshausen & Neumann
Release Date : 1996

Arnold Sch Nberg written by Bodil von Thülen and has been published by Königshausen & Neumann this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996 with 1874-1951 categories.




The Vienna Coffeehouse Wits 1890 1938


The Vienna Coffeehouse Wits 1890 1938
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Author : Harold B. Segel
language : en
Publisher: Purdue University Press
Release Date : 1993

The Vienna Coffeehouse Wits 1890 1938 written by Harold B. Segel and has been published by Purdue University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993 with Literary Collections categories.


Segel's extensive introduction provides a wealth of information concerning the social, political, and cultural background of turn-of-the-century Vienna. The eight artists assembled here are concerned with their world, Austria and particularly Vienna. They exchange ideas, argue, gossip, tell stories, read each other's works and even write in the coffeehouse.



Akten Des Xi Internationalen Germanistenkongresses Paris 2005


Akten Des Xi Internationalen Germanistenkongresses Paris 2005
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Author : Jean-Marie Valentin
language : de
Publisher: Peter Lang
Release Date : 2007

Akten Des Xi Internationalen Germanistenkongresses Paris 2005 written by Jean-Marie Valentin and has been published by Peter Lang this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Foreign Language Study categories.


Band 11 der Akten des XI. Internationalen Germanistenkongresses Paris 2005 befasst sich mit neuen Fragen zur Klassik, zur Pariser Moderne und zum literarischen Streit um die Moderne. Im Vordergrund der Sektion «Klassiken, Klassizismen, Klassizität» stehen zunächst Goethe und Schiller, die der alten Frage nach den deutschen klassischen Schriftstellern um 1800 wieder zu neuer Aktualität verhalfen. Auch wenn beiden eine breite Rezeption ihrer klassischen Werke zunächst versagt blieb, setzten sie doch neue ästhetische Werte und Normen durch ihre «Literaturpolitik». Im Anschluss daran wird untersucht, welche Bedeutung die Klassikerverehrung für das Schaffen und die Haltung jener Schriftsteller hatte, die im 19. und 20. Jahrhundert den Begriff Klassizität für sich in Anspruch nahmen. Der Begriff der «Moderne» wird in der Sektion «Kulturmetropole Paris im Zeichen der Moderne» im Sinne Baudelaires als ästhetische Moderne verstanden. Der Parisbezug wird unter den Aspekten ästhetische Moderne, Ästhetik und Politik, sowie Paris als Gegenstand behandelt. Dabei ist auch Paul Celans Dichtung Gegenstand poetologischer und interkultureller Diskussionen. Abschliessend wird in «Der Streit um die literarische Moderne» literarische Moderne als komplexer und schillernder Begriff und als Zeit der Umbrüche und Blickwechsel verstanden. Es wird aufgezeigt, wie sich die literarische Moderne im Streit zwischen traditionell-konservativen und revolutionär-innovativen Tendenzen der Ästhetik sowie im Konflikt zwischen Stagnation und Dynamik auch als produktiver Schock erweist.



Tradition In Der Literatur Der Wiener Moderne


Tradition In Der Literatur Der Wiener Moderne
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Author : Wilhelm Hemecker
language : de
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2017-09-25

Tradition In Der Literatur Der Wiener Moderne written by Wilhelm Hemecker and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-09-25 with Literary Criticism categories.


Wie sehr der Begriff der Moderne zur Zeit seines Aufkommens in Wien gegen Ende des 19. Jahrhunderts noch instabil und vielstimmig war, zeigen die hier versammelten Beiträge ebenso wie die Dialektik zwischen rückwärts- und vorwärtsgewandten Tendenzen. Sie fügen sich damit in eine größere Forschungsperspektive auf Spezifika und Grenzen der Wiener Moderne. Der Impuls, den der Band setzen möchte, zielt auf einen konzeptuellen Begriff der Moderne, wie er vor allem aus der Perspektive der Krisis fassbar wird.





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Author : 吴笛总主编
language : en
Publisher: BEIJING BOOK CO. INC.
Release Date : 2021-11-10

written by 吴笛总主编 and has been published by BEIJING BOOK CO. INC. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-11-10 with Literary Criticism categories.


本书重点关注象征主义文学、意象主义诗歌、意识流小说等现代主义文学经典的生成和传播,还重点研究苏俄文学中的“红色经典”的生成及其巨大的伦理教诲作用,以及东方文学大师泰戈尔的文学经典在译介、改编等流传过程中的文化现象。



Literature In Vienna At The Turn Of The Centuries


Literature In Vienna At The Turn Of The Centuries
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Author : Ernst Grabovszki
language : en
Publisher: Camden House
Release Date : 2003

Literature In Vienna At The Turn Of The Centuries written by Ernst Grabovszki and has been published by Camden House this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with History categories.


Insightful essays on the striking resemblances between the Viennese literary/cultural scene in 1900 and 100 years later.This book of new essays by widely-published scholars from the United States, Great Britain, Germany, and Austria examines the artistic, social, political, and historical continuities and discontinuities in Viennese literature during the periods around 1900 and 2000. It takes its impetus from the idea that both turns of the century are turning points in the development of Austrian literature and history. The essays show that in both periods literature not only reflects societal conditions and political issues, but also serves to criticize them. Ernst Grabovszki''s introduction sets the context of literature in Vienna in 1900 and 2000, and is followed by essays exploring the followingtopics bearing on the city''s literature across the two periods: writing about Vienna (Janet Stewart); art and architecture (Douglas Crow); psychoanalysis and the literature of Vienna (Thomas Paul Bonfiglio); poetry in Vienna fromHofmannsthal to Jandl (Rüdiger Görner); Austrian cinema culture (Willy Riemer); Austrian-Jewish culture (Hillary Hope Herzog and Todd Herzog); Austrian women''s writing (Dagmar C. G. Lorenz); Karl Kraus and Robert Menasse as critical observers of their times (Geoffrey C. Howes); and Venice as mediator between the Viennese metropolis and the provinces (John Pizer). The figures treated range from Arthur Schnitzler, Hugo von Hofmannsthal, Sigmund Freud, Theodor Herzl, Karl Kraus, Peter Altenberg, Franz Grillparzer, Joseph Roth, Bertha von Suttner, and Marie von Ebner-Eschenbach in the earlier fin de siècle to Elfriede Jelinek, Robert Schindel, Robert Menasse, Josef Haslinger, Ernst Jandl, Friedensreich Hundertwasser, and Marlene Streeruwitz in the current period. Ernst Grabovszki teaches at the University of Vienna. James Hardin is professor emeritus of German at the University of South Carolina. in Vienna fromHofmannsthal to Jandl (Rüdiger Görner); Austrian cinema culture (Willy Riemer); Austrian-Jewish culture (Hillary Hope Herzog and Todd Herzog); Austrian women''s writing (Dagmar C. G. Lorenz); Karl Kraus and Robert Menasse as critical observers of their times (Geoffrey C. Howes); and Venice as mediator between the Viennese metropolis and the provinces (John Pizer). The figures treated range from Arthur Schnitzler, Hugo von Hofmannsthal, Sigmund Freud, Theodor Herzl, Karl Kraus, Peter Altenberg, Franz Grillparzer, Joseph Roth, Bertha von Suttner, and Marie von Ebner-Eschenbach in the earlier fin de siècle to Elfriede Jelinek, Robert Schindel, Robert Menasse, Josef Haslinger, Ernst Jandl, Friedensreich Hundertwasser, and Marlene Streeruwitz in the current period. Ernst Grabovszki teaches at the University of Vienna. James Hardin is professor emeritus of German at the University of South Carolina. in Vienna fromHofmannsthal to Jandl (Rüdiger Görner); Austrian cinema culture (Willy Riemer); Austrian-Jewish culture (Hillary Hope Herzog and Todd Herzog); Austrian women''s writing (Dagmar C. G. Lorenz); Karl Kraus and Robert Menasse as critical observers of their times (Geoffrey C. Howes); and Venice as mediator between the Viennese metropolis and the provinces (John Pizer). The figures treated range from Arthur Schnitzler, Hugo von Hofmannsthal, Sigmund Freud, Theodor Herzl, Karl Kraus, Peter Altenberg, Franz Grillparzer, Joseph Roth, Bertha von Suttner, and Marie von Ebner-Eschenbach in the earlier fin de siècle to Elfriede Jelinek, Robert Schindel, Robert Menasse, Josef Haslinger, Ernst Jandl, Friedensreich Hundertwasser, and Marlene Streeruwitz in the current period. Ernst Grabovszki teaches at the University of Vienna. James Hardin is professor emeritus of German at the University of South Carolina. in Vienna fromHofmannsthal to Jandl (Rüdiger Görner); Austrian cinema culture (Willy Riemer); Austrian-Jewish culture (Hillary Hope Herzog and Todd Herzog); Austrian women''s writing (Dagmar C. G. Lorenz); Karl Kraus and Robert Menasse as critical observers of their times (Geoffrey C. Howes); and Venice as mediator between the Viennese metropolis and the provinces (John Pizer). The figures treated range from Arthur Schnitzler, Hugo von Hofmannsthal, Sigmund Freud, Theodor Herzl, Karl Kraus, Peter Altenberg, Franz Grillparzer, Joseph Roth, Bertha von Suttner, and Marie von Ebner-Eschenbach in the earlier fin de siècle to Elfriede Jelinek, Robert Schindel, Robert Menasse, Josef Haslinger, Ernst Jandl, Friedensreich Hundertwasser, and Marlene Streeruwitz in the current period. Ernst Grabovszki teaches at the University of Vienna. James Hardin is professor emeritus of German at the University of South Carolina.strian-Jewish culture (Hillary Hope Herzog and Todd Herzog); Austrian women''s writing (Dagmar C. G. Lorenz); Karl Kraus and Robert Menasse as critical observers of their times (Geoffrey C. Howes); and Venice as mediator between the Viennese metropolis and the provinces (John Pizer). The figures treated range from Arthur Schnitzler, Hugo von Hofmannsthal, Sigmund Freud, Theodor Herzl, Karl Kraus, Peter Altenberg, Franz Grillparzer, Joseph Roth, Bertha von Suttner, and Marie von Ebner-Eschenbach in the earlier fin de siècle to Elfriede Jelinek, Robert Schindel, Robert Menasse, Josef Haslinger, Ernst Jandl, Friedensreich Hundertwasser, and Marlene Streeruwitz in the current period. Ernst Grabovszki teaches at the University of Vienna. James Hardin is professor emeritus of German at the University of South Carolina.



Rethinking Vienna 1900


Rethinking Vienna 1900
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Author : Steven Beller
language : en
Publisher: Berghahn Books
Release Date : 2001-10-01

Rethinking Vienna 1900 written by Steven Beller and has been published by Berghahn Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-10-01 with History categories.


Fin-de-siècle Vienna remains a central event in the birth of the century's modern culture. Our understanding of what happened in those key decades in Central Europe at the turn of the century has been shaped in the last years by an historiography presided over by Carl Schorske's Fin de Siècle Vienna and the model of the relationship between politics and culture which emerged from his work and that of his followers. Recent scholarship, however, has begun to question the main paradigm of this school, i.e. the "failure of liberalism." This volume reflects not only a whole range of the critiques but also offers alternative ways of understanding the subject, most notably though the concept of "critical modernism" and the integration of previously neglected aspects such as the role of marginality, of the market and the larger Central and European context. As a result this volume offers novel ideas on a subject that is of unending fascination and never fails to captivate the Western imagination.