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Diegetic Music In Opera And Film


Diegetic Music In Opera And Film
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Diegetic Music In Opera And Film


Diegetic Music In Opera And Film
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Author : Robbert Adrianus Jacobus van der Lek
language : en
Publisher: Rodopi
Release Date : 1991

Diegetic Music In Opera And Film written by Robbert Adrianus Jacobus van der Lek and has been published by Rodopi this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with Art categories.




Diegetic Music In Opera And Film


Diegetic Music In Opera And Film
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Author : Robbert van der Lek
language : en
Publisher: BRILL
Release Date : 2023-12-11

Diegetic Music In Opera And Film written by Robbert van der Lek and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-12-11 with Language Arts & Disciplines categories.




A Night In At The Opera


A Night In At The Opera
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Author : Jeremy Tambling
language : en
Publisher: Indiana University Press
Release Date : 1994

A Night In At The Opera written by Jeremy Tambling and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Art categories.


Offering an arresting range of accounts by specialists in music, media, and popular culture on how the popular arts have represented opera, this book raises issues about the sociology of music and its implications for television and video culture.



When Opera Meets Film


When Opera Meets Film
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Author : Marcia J. Citron
language : en
Publisher: Cambridge University Press
Release Date : 2010-05-27

When Opera Meets Film written by Marcia J. Citron and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-05-27 with Music categories.


Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the opera/film encounter. Case studies of a diverse array of important repertoire including mainstream film, opera-film, and postmodernist pastiche are presented. Citron uses Werner Wolf's theory of intermediality to probe the roles of opera and film when they combine. The book also refines and expands film-music functions, and details the impact of an opera's musical style on the meaning of a film. Drawing on cinematic traditions of Hollywood, France, and Britain, the study explores Coppola's Godfather trilogy, Jewison's Moonstruck, Nichols's Closer, Chabrol's La Cérémonie, Schlesinger's Sunday, Bloody Sunday, Boyd's Aria, and Ponnelle's opera-films.



Film Music


Film Music
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Author : Kevin J. Donnelly
language : en
Publisher: Edinburgh University Press
Release Date : 2001-07-10

Film Music written by Kevin J. Donnelly and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-07-10 with Motion picture music categories.


Bringing together some of the most influential international scholars on the subject, this anthology provides a detailed, diverse and accessible perspective on music in the cinema.



Between Opera And Cinema


Between Opera And Cinema
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Author : Jeongwon Joe
language : en
Publisher: Routledge
Release Date : 2012-12-06

Between Opera And Cinema written by Jeongwon Joe and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-12-06 with Music categories.


Leading scholars of opera and film explore the many ways these two seemingly unrelated genres have come together from the silent-film era to today.



Cultural Studies


Cultural Studies
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Author :
language : en
Publisher: Rodopi
Release Date : 1991

Cultural Studies written by and has been published by Rodopi this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with History categories.


Uitgave in boekvorm van het tijdschrift Critical studies vol. 3, no. 1 (1991) met als gastredacteur Roberta L. Salper. Bevat onder meer een interview met Salper door Gayatri Chakravorty Spivak en het artikel 'Gender and ideology in Caribbean narratives' van Salper.



Opera As Soundtrack


Opera As Soundtrack
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Author : Jeongwon Joe
language : en
Publisher: Routledge
Release Date : 2016-05-13

Opera As Soundtrack written by Jeongwon Joe and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-05-13 with Music categories.


Filmmakers' fascination with opera dates back to the silent era but it was not until the late 1980s that critical enquiries into the intersection of opera and cinema began to emerge. Jeongwon Joe focusses primarily on the role of opera as soundtrack by exploring the distinct effects opera produces in film, effects which differ from other types of soundtrack music, such as jazz or symphony. These effects are examined from three perspectives: peculiar qualities of the operatic voice; various properties commonly associated with opera, such as excess, otherness or death; and multifaceted tensions between opera and cinema - for instance, opera as live, embodied, high art and cinema as technologically mediated, popular entertainment. Joe argues that when opera excerpts are employed on soundtracks they tend to appear at critical moments of the film, usually associated with the protagonists, and the author explores why it is opera, not symphony or jazz, that accompanies poignant scenes like these. Joe's film analysis focuses on the time period of the post-1970s, which is distinguished by an increase of opera excerpts on soundtracks to blockbuster titles, the commercial recognition of which promoted the production of numerous opera soundtrack CDs in the following years. Joe incorporates an empirical methodology by examining primary sources such as production files, cue-sheets and unpublished interviews with film directors and composers to enhance the traditional hermeneutic approach. The films analysed in her book include Woody Allen’s Match Point, David Cronenberg’s M. Butterfly, and Wong Kar-wai’s 2046.



After The Silents


After The Silents
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Author : Michael Slowik
language : en
Publisher: Columbia University Press
Release Date : 2014-10-07

After The Silents written by Michael Slowik and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-10-07 with Performing Arts categories.


Many believe Max SteinerÕs score for King Kong (1933) was the first important attempt at integrating background music into sound film, but a closer look at the industryÕs early sound era (1926Ð1934) reveals a more extended and fascinating story. Viewing more than two hundred films from the period, Michael Slowik launches the first comprehensive study of a long-neglected phase in HollywoodÕs initial development, recasting the history of film sound and its relationship to the ÒGolden AgeÓ of film music (1935Ð1950). Slowik follows filmmakersÕ shifting combinations of sound and image, recapturing the volatility of this era and the variety of film music strategies that were tested, abandoned, and kept. He explores early film music experiments and accompaniment practices in opera, melodrama, musicals, radio, and silent films and discusses the impact of the advent of synchronized dialogue. He concludes with a reassessment of King Kong and its groundbreaking approach to film music, challenging the filmÕs place and importance in the timeline of sound achievement.



Film Music In The Sound Era


Film Music In The Sound Era
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Author : Jonathan Rhodes Lee
language : en
Publisher: Routledge
Release Date : 2020-03-10

Film Music In The Sound Era written by Jonathan Rhodes Lee and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-03-10 with Music categories.


Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.