Documents Concernant Le Film Rythmes D Amour 1934
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Documents Concernant Le Film Rythmes D Amour 1934
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language : fr
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Document Concernant Le Film Rayon D Amour 1934
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language : fr
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Documents Concernant Le Film Valse D Amour 1934
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language : fr
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Documents Concernant Le Film L Amour Guide 1934
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language : fr
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Colloque International Sur L Cologie La Biologie Et La Syst Matique Des Mauvaises Herbes 9
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language : fr
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Release Date : 1992
Colloque International Sur L Cologie La Biologie Et La Syst Matique Des Mauvaises Herbes 9 written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with categories.
Document Concernant Le Film L Amour D Un Prince 1934
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language : fr
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La Cin Matographie Fran Aise
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language : fr
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Release Date : 1950
La Cin Matographie Fran Aise written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1950 with Motion picture industry categories.
Courrier Cinematographique
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language : fr
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Release Date : 1935
Courrier Cinematographique written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1935 with categories.
R Pertoire Des Films Citevox Ufoleis Programmation
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language : fr
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Release Date : 1971
R Pertoire Des Films Citevox Ufoleis Programmation written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1971 with categories.
Music In Cinema
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Author : Michel Chion
language : en
Publisher: Columbia University Press
Release Date : 2021-10-12
Music In Cinema written by Michel Chion and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-10-12 with Art categories.
Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other. The first section of the book examines film music in historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson’s performance in The Jazz Singer, the zither in The Third Man, Godard’s patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion considers both original scores and incorporation of preexisting works, including the use and reuse of particular composers across cinematic traditions, the introduction of popular music such as jazz and rock, and directors’ attraction to atonal and dissonant music as well as musique concrète, of which he is a composer. Wide-ranging and original, Music in Cinema offers a welcoming overview for students and general readers as well as refreshingly new and valuable perspectives for film scholars.