Dolly Parton Gender And Country Music
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Dolly Parton Gender And Country Music
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Author : Leigh H. Edwards
language : en
Publisher: Indiana University Press
Release Date : 2018-01-06
Dolly Parton Gender And Country Music written by Leigh H. Edwards and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-01-06 with Biography & Autobiography categories.
Introduction: Dolly mythology -- "Backwoods Barbie": Dolly Parton's gender performance -- My Tennessee mountain home: early Parton and authenticity narratives -- Parton's crossover and film stardom: the "hillbilly Mae West"--Hungry again: reclaiming country authenticity narratives -- "Digital Dolly" and new media fandoms -- Conclusion: brand evolution and Dollywood
Dolly Parton Gender And Country Music
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Author : Leigh H. Edwards
language : en
Publisher: Indiana University Press
Release Date : 2018-01-06
Dolly Parton Gender And Country Music written by Leigh H. Edwards and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-01-06 with Music categories.
The Foreword Indies Gold Medal Winner that “analyzes Dolly Parton as a performance art project designed to subvert gender and class expectations” (Shondaland). Dolly Parton is instantly recognizable for her iconic style and persona, but how did she create her enduring image? Dolly crafted her exaggerated appearance and stage personality by combining two opposing stereotypes—the innocent mountain girl and the voluptuous sex symbol. Emerging through her lyrics, personal stories, stage presence, and visual imagery, these wildly different gender tropes form a central part of Dolly’s media image and portrayal of herself as a star and celebrity. By developing a multilayered image and persona, Dolly both critiques representations of femininity in country music and attracts a diverse fan base ranging from country and pop music fans to feminists and gay rights advocates. In Dolly Parton, Gender, and Country Music, Leigh H. Edwards explores Dolly’s roles as musician, actor, author, philanthropist, and entrepreneur to show how Dolly’s gender subversion highlights the challenges that can be found even in the most seemingly traditional form of American popular music. As Dolly depicts herself as simultaneously “real” and “fake,” she offers new perspectives on country music’s claims of authenticity. “A valuable contribution to studies of celebrity, gender, music, media, and popular culture that should be useful to scholars working in any of these areas.” —Celebrity Studies “A stellar exploration of how Parton deftly balanced traditional country aesthetics with her willingness to rebel against those same trappings by completely owning her image and how she performed her femininity.” —Bearded Gentlemen Music
She Come By It Natural
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Author : Sarah Smarsh
language : en
Publisher: Pushkin Press
Release Date : 2021-01-19
She Come By It Natural written by Sarah Smarsh and has been published by Pushkin Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-01-19 with Biography & Autobiography categories.
An inspiring, passionate exploration of the life and work of Dolly Parton, and her deep significance for generations of working-class women "Smarsh and Parton are the perfect pairing" REFINERY 29 The world can't seem to get enough of Dolly Parton. Her image is blazoned across T-shirts, she burns on desks as novelty devotional candles, and well into her seventies she continues to grace awards stages, arenas and talk shows where women of a certain age are rarely seen. Yet not so long ago, Dolly was best known by many people as the punch line of a boob joke. So, what happened? In this affectionate, sharply insightful book, Sarah Smarsh charts Dolly's meteoric rise against the backdrop of her own working-class roots. Drawing on her own experience growing up in rural Kansas, Smarsh crafts a resonant portrait of Parton's cultural importance, above all for the women who populate her songs: struggling mothers, pregnant teenagers, diner waitresses with deadbeat boyfriends. Candid, intimate and searching, She Come By It Natural captures the enduring appeal of this singular star.
Country Boys And Redneck Women
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Author : Diane Pecknold
language : en
Publisher: Univ. Press of Mississippi
Release Date : 2016-02-08
Country Boys And Redneck Women written by Diane Pecknold and has been published by Univ. Press of Mississippi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-02-08 with Music categories.
Country music boasts a long tradition of rich, contradictory gender dynamics, creating a world where Kitty Wells could play the demure housewife and the honky-tonk angel simultaneously, Dolly Parton could move from traditionalist "girl singer" to outspoken trans rights advocate, and current radio playlists can alternate between the reckless masculinity of bro-country and the adolescent girlishness of Taylor Swift. In this follow-up volume to A Boy Named Sue, some of the leading authors in the field of country music studies reexamine the place of gender in country music, considering the ways country artists and listeners have negotiated gender and sexuality through their music and how gender has shaped the way that music is made and heard. In addition to shedding new light on such legends as Wells, Parton, Loretta Lynn, and Charley Pride, it traces more recent shifts in gender politics through the performances of such contemporary luminaries as Swift, Gretchen Wilson, and Blake Shelton. The book also explores the intersections of gender, race, class, and nationality in a host of less expected contexts, including the prisons of WWII-era Texas, where the members of the Goree All-Girl String Band became the unlikeliest of radio stars; the studios and offices of Plantation Records, where Jeannie C. Riley and Linda Martell challenged the social hierarchies of a changing South in the 1960s; and the burgeoning cities of present-day Brazil, where "college country" has become one way of negotiating masculinity in an age of economic and social instability.
Reading Country Music
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Author : Cecelia Tichi
language : en
Publisher: Duke University Press
Release Date : 1998
Reading Country Music written by Cecelia Tichi and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Biography & Autobiography categories.
With its steel guitars, Opry stars, and honky-tonk bars, country music is an American original. Bringing together a wide range of scholars and critics from literature, communications, history, sociology, art, and music, this anthology looks at everything from the inner workings of the country music industry to the iconography of certain stars to the development of distinctive styles within the country music genre. 72 photos.
Woman Walk The Line
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Author : Holly Gleason
language : en
Publisher: University of Texas Press
Release Date : 2021-10-05
Woman Walk The Line written by Holly Gleason and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-10-05 with Music categories.
Full-tilt, hardcore, down-home, and groundbreaking, the women of country music speak volumes with every song. From Maybelle Carter to Dolly Parton, k.d. lang to Taylor Swift—these artists provided pivot points, truths, and doses of courage for women writers at every stage of their lives. Whether it’s Rosanne Cash eulogizing June Carter Cash or a seventeen-year-old Taylor Swift considering the golden glimmer of another precocious superstar, Brenda Lee, it’s the humanity beneath the music that resonates. Here are deeply personal essays from award-winning writers on femme fatales, feminists, groundbreakers, and truth tellers. Acclaimed historian Holly George Warren captures the spark of the rockabilly sensation Wanda Jackson; Entertainment Weekly’s Madison Vain considers Loretta Lynn’s girl-power anthem “The Pill”; and rocker Grace Potter embraces Linda Ronstadt’s unabashed visual and musical influence. Patty Griffin acts like a balm on a post-9/11 survivor on the run; Emmylou Harris offers a gateway through paralyzing grief; and Lucinda Williams proves that greatness is where you find it. Part history, part confessional, and part celebration of country, Americana, and bluegrass and the women who make them, Woman Walk the Line is a very personal collection of essays from some of America’s most intriguing women writers. It speaks to the ways in which artists mark our lives at different ages and in various states of grace and imperfection—and ultimately how music transforms not just the person making it, but also the listener.
Natural Acts
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Author : Pamela Fox
language : en
Publisher:
Release Date : 2009
Natural Acts written by Pamela Fox and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Biography & Autobiography categories.
Hillbilly, honky-tonk, Nashville glitz, or alt.country: what makes music authentically country?
Her Country
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Author : Marissa R. Moss
language : en
Publisher: Henry Holt and Company
Release Date : 2022-05-10
Her Country written by Marissa R. Moss and has been published by Henry Holt and Company this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-05-10 with Biography & Autobiography categories.
In country music, the men might dominate the radio waves. But it’s women—like Maren Morris, Mickey Guyton, and Kacey Musgraves—who are making history. This is the full and unbridled story of the past twenty years of country music seen through the lens of these trailblazers’ careers—their paths to stardom and their battles against a deeply embedded boys’ club, as well as their efforts to transform the genre into a more inclusive place—as told by award-winning Nashville journalist Marissa R. Moss. For the women of country music, 1999 was an entirely different universe—a brief blip in time, when women like Shania Twain and the Chicks topped every chart and made country music a woman’s world. But the industry, which prefers its stars to be neutral, be obedient, and never rock the boat, had other plans. It wanted its women to “shut up and sing”—or else. In 2021, women are played on country radio as little as 10 percent of the time, but they’re still selling out arenas, as Kacey Musgraves does, and becoming infinitely bigger live draws than most of their male counterparts, creating massive pop crossover hits like Maren Morris’s “The Middle,” pushing the industry to confront its racial biases with Mickey Guyton’s “Black Like Me,” and winning heaps of Grammy nominations. Her Country is the story of how in the past two decades, country’s women fought back against systems designed to keep them down and created entirely new pathways to success. It’s the behind-the-scenes story of how women like Kacey, Mickey, Maren, Miranda Lambert, Rissi Palmer, Brandi Carlile, and many more have reinvented their place in an industry stacked against them. When the rules stopped working for these women, they threw them out, made their own, and took control—changing the genre forever, and for the better.
Rednecks Queers And Country Music
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Author : Nadine Hubbs
language : en
Publisher: Univ of California Press
Release Date : 2014-03-18
Rednecks Queers And Country Music written by Nadine Hubbs and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-03-18 with Music categories.
In her provocative new book Rednecks, Queers, and Country Music, Nadine Hubbs looks at how class and gender identity play out in one of America’s most culturally and politically charged forms of popular music. Skillfully weaving historical inquiry with an examination of classed cultural repertoires and close listening to country songs, Hubbs confronts the shifting and deeply entangled workings of taste, sexuality, and class politics. In Hubbs’s view, the popular phrase "I’ll listen to anything but country" allows middle-class Americans to declare inclusive "omnivore" musical tastes with one crucial exclusion: country, a music linked to low-status whites. Throughout Rednecks, Queers, and Country Music, Hubbs dissects this gesture, examining how provincial white working people have emerged since the 1970s as the face of American bigotry, particularly homophobia, with country music their audible emblem. Bringing together the redneck and the queer, Hubbs challenges the conventional wisdom and historical amnesia that frame white working folk as a perpetual bigot class. With a powerful combination of music criticism, cultural critique, and sociological analysis of contemporary class formation, Nadine Hubbs zeroes in on flawed assumptions about how country music models and mirrors white working-class identities. She particularly shows how dismissive, politically loaded middle-class discourses devalue country’s manifestations of working-class culture, politics, and values, and render working-class acceptance of queerness invisible. Lucid, important, and thought-provoking, this book is essential reading for students and scholars of American music, gender and sexuality, class, and pop culture.
Johnny Cash And The Paradox Of American Identity
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Author : Leigh H. Edwards
language : en
Publisher: Indiana University Press
Release Date : 2009-02-25
Johnny Cash And The Paradox Of American Identity written by Leigh H. Edwards and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-02-25 with Biography & Autobiography categories.
Throughout his career, Johnny Cash has been depicted—and has depicted himself—as a walking contradiction: social protestor and establishment patriot, drugged wildman and devout Christian crusader, rebel outlaw hillbilly thug and elder statesman. Leigh H. Edwards explores the allure of this paradoxical image and its cultural significance. She argues that Cash embodies irresolvable contradictions of American identity that reflect foundational issues in the American experience, such as the tensions between freedom and patriotism, individual rights and nationalism, the sacred and the profane. She illustrates how this model of ambivalence is a vital paradigm for American popular music, and for American identity in general. Making use of sources such as Cash's autobiographies, lyrics, music, liner notes, and interviews, Edwards pays equal attention to depictions of Cash by others, such as Vivian Cash's publication of his letters to her, documentaries and music journalism about him, Walk the Line, and fan club materials found in the archives at the Country Music Foundation in Nashville, to create a full portrait of Cash and his significance as a cultural icon.