Dziga Vertov
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Kino Eye
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Author : Dziga Vertov
language : en
Publisher: Univ of California Press
Release Date : 1984
Kino Eye written by Dziga Vertov and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with Performing Arts categories.
Dziga Vertov was one of the greatest innovators of Soviet cinema. The radical complexity of his work—in both sound and silent forms—has given it a central place within contemporary theoretical inquiry. Vertov's writings, collected here, range from calculated manifestos setting forth his heroic vision of film's potential to dark ruminations on the inactivity forced upon him by the bureaucratization of the Soviet state.
Lines Of Resistance
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Author : Yuri Tsivian
language : en
Publisher: Indiana University Press
Release Date : 2004
Lines Of Resistance written by Yuri Tsivian and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with History categories.
"This book is a collection of little-known writings by and about Dziga Vertov. It follows the development of his work and opinions from 1917 to 1930, and chronicles contemporary reactions to them - from critics whose names are now forgotten, as well as such prominent personalities as fellow directors Lev Kuleshov and Sergei Eisenstein, artists Aleksandr Rodchenko and Kazimir Malevich, and theorists Walter Benjamin and Siegfried Kracauer." --Book Jacket.
Dziga Vertov
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Author : Jeremy Hicks
language : en
Publisher: Bloomsbury Publishing
Release Date : 2007-03-28
Dziga Vertov written by Jeremy Hicks and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-03-28 with Performing Arts categories.
Pioneer of political documentary and inventor of cinema verite, Dziga Vertov has exerted a decisive influence on directors from Eisenstein to Godard. Yet his reputation long rested upon a lone masterpiece, 'Man with a Movie Camera'. Recently, however Vertov has begun to be recognised as the creator of a body of innovative and distinct films and, as Jeremy Hicks argues, documentary as we know it today is unthinkable without the rediscovery of Vertov. This, the first book in English to cover the whole of Vertov's career, reveals him to be an auteur, allowing readers to combine the familiar and less familiar aspects of his filmmaking and thinking in a cohesive narrative. Jeremy Hicks demonstrates how Vertov draws on Soviet journalistic models for his transformation of newsreel into the new form of documentary film. Through analyses of "Cine-Pravda No 21" (Leninist Cine-Pravda), "Cine-Eye", "Forward Soviet!", "A Sixth Part of the Earth", "The Eleventh Year", "Man with a Movie Camera", "Enthusiasm", "Three Songs of Lenin", and "Lullaby", he shows how Vertov's greatest works combine authentic documentary footage ingeniously for tremendous rhetorical effect. Today, with the energetic revival of interest in documentary film, Vertov's reflexive and overtly partisan films are of great relevance; but they need to be better known and understood. This is the purpose of "Dziga Vertov - Defining Documentary Film".
Dziga Vertov A Guide To References And Resources
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Author : Seth Feldman
language : en
Publisher: Hall Reference Books
Release Date : 1979
Dziga Vertov A Guide To References And Resources written by Seth Feldman and has been published by Hall Reference Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 1979 with Biography & Autobiography categories.
Dziga Vertov
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Author : John MacKay
language : en
Publisher:
Release Date : 2019-08-08
Dziga Vertov written by John MacKay and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-08-08 with categories.
For 60 years, the Soviet filmmaker Dziga Vertov, creator of the famed Man with a Movie Camera (1929), has been recognized as a founding figure of documentary, avant-garde, and political-propaganda film. This book addresses Vertov's formative years in prerevolutionary and Soviet Russia, alongside his interests in music, poetry and technology.
Dziga Vertov
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Author : John MacKay
language : en
Publisher:
Release Date : 2018
Dziga Vertov written by John MacKay and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with categories.
Evolution Of Style In The Early Work Of Dziga Vertov With A New Appendix
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Author : Seth Feldman
language : en
Publisher:
Release Date : 1977
Evolution Of Style In The Early Work Of Dziga Vertov With A New Appendix written by Seth Feldman and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1977 with Performing Arts categories.
Digital Humanities And Film Studies
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Author : Adelheid Heftberger
language : en
Publisher: Springer
Release Date : 2019-01-02
Digital Humanities And Film Studies written by Adelheid Heftberger and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-01-02 with Social Science categories.
This book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of how art could be studied and measured. This book brings those ideas to the digital age. One of the central questions the book intends to address is, “How can hypothetical notions in film studies be supported or falsified using empirical data and statistical tools?” The first stage involves manual and computer-assisted annotation of the films, leading to the production of empirical data which is then used for statistical analysis but more importantly for the development of visualizations. Studies of this type furthermore shed light on the field of visual presentation of time-based processes; an area which has its origin in the Russian formalist sphere of the 1920s and which has recently gained new relevance due to technological advances and new possibilities for computer-assisted analysis of large and complex data sets. In order to reach a profound understanding of Vertov and his films, the manual or computer-assisted data analysis must be combined with film-historical knowledge and a study of primary sources. In addition, the status of the surviving film materials and the precise analysis of these materials combined with knowledge of historical film technology provide insight into archival policy and political culture in the Soviet Union in the 1920s and 30s.
Constructivism In Film A Cinematic Analysis
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Author : Vlada Petrić
language : en
Publisher: Cambridge University Press
Release Date : 2012
Constructivism In Film A Cinematic Analysis written by Vlada Petrić and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Art categories.
This book examines the radical experiments of early Soviet filmmakers, with a detailed analysis of The Man with the Movie Camera (1929).
Vertov Snow Farocki
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Author : David Tomas
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2013-08-29
Vertov Snow Farocki written by David Tomas and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-08-29 with Performing Arts categories.
Vertov, Snow, Farocki: Machine Vision and the Posthuman begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detailed discussions of selected case studies. The first concerns the way Snow's La Région Centrale and De La extend and/or develop important theoretical and technical aspects of Vertov's original film, in particular those aspects that have made the film so important in the history of cinema. The linkage between Vertov's film and the works discussed in the case studies also serve to illustrate the historical and theoretical significance of a comparative approach of this kind, and illustrate the pertinence of adopting a 'relational approach' to the history of media and its contemporary practice, an approach that is no longer focused exclusively on the technical question of the new in contemporary media practices but, in contrast, situates a work and measures its originality in historical, intermedia, and ultimately political terms.