Early German Keyboard Music
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Early German Keyboard Music
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Author : Howard Ferguson
language : en
Publisher:
Release Date : 1970
Early German Keyboard Music written by Howard Ferguson and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1970 with Harpsichord music categories.
Style And Interpretation Early Keyboard Music Germany And Italy
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Author : Howard Ferguson
language : en
Publisher:
Release Date : 1963
Style And Interpretation Early Keyboard Music Germany And Italy written by Howard Ferguson and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1963 with Clavichord music categories.
Early German Piano Music
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Author : Ákos Fodor
language : en
Publisher:
Release Date : 1960
Early German Piano Music written by Ákos Fodor and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1960 with Piano music categories.
Heinrich Scheidemann S Keyboard Music
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Author : Pieter Dirksen
language : en
Publisher:
Release Date : 2016
Heinrich Scheidemann S Keyboard Music written by Pieter Dirksen and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with MUSIC categories.
"One of the most remarkable tales of recent resurrections in the field of early keyboard music concerns the music of Heinrich Scheidemann (c. 1595-1663). Long considered a minor master overshadowed by such figures as his teacher Jan Pieterszoon Sweelinck or his fellow student Samuel Scheidt, a number of major source discoveries made in the second half of the twentieth century - the most important one being the discovery of the Zellerfield tablatures - have gradually raised his stature towards what it should now be, namely that of the paramount figure in North German organ music of the first half of the seventeenth century, equalled only by Buxtehude in the second half. Pieter Dirksen, one of the leading scholars on early German keyboard music, shows how Scheidemann was a central personality in the rich musical life of Hamburg and stood on friendly terms with colleagues such as Jacob and Johannes Praetorius, Ulrich Cernitz, Thomas Selle, Johann Schop and Johann Rist. The sources for Scheidemann are for the most part contemporary and stem from all periods of his career, and beyond that until one or two decades after his death. His keyboard music was never published in his lifetime but circulated widely within professional circles. Dirksen considers the transmission of Scheidemann's music as a whole in Part One, where each source is analyzed individually, and the repertoire itself is examined in Part Two. A number of specialized studies, including a detailed investigation into the background of one of the sources as well as adressing questions of organology (an account of the famous Catharinen organ as it was during Scheidemann's era) and performance practice (a study of the fingering indications and observations on registration practice) form Part Three. A wealth of appendices also detail a relative chronology of the music; a geographic overview of the transmission and two hitherto unpublished, fragmentarily transmitted Scheidemann pieces. The book will therefore a"--Provided by publisher.
A History Of Baroque Music
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Author : George J. Buelow
language : en
Publisher: Indiana University Press
Release Date : 2004-11-23
A History Of Baroque Music written by George J. Buelow and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-11-23 with Music categories.
"A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.
Ars Ludendi
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Author : Mark Lindley
language : de
Publisher:
Release Date : 1993
Ars Ludendi written by Mark Lindley and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993 with Keyboard instruments categories.
Deutsche Orgel Und Claviermusik Der Bach Zeit
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Author : Siegbert Rampe
language : en
Publisher:
Release Date : 2007
Deutsche Orgel Und Claviermusik Der Bach Zeit written by Siegbert Rampe and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Keyboard instrument music categories.
Nineteenth Century German Keyboard Music
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Author :
language : en
Publisher:
Release Date : 2000
Nineteenth Century German Keyboard Music written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Mazurkas categories.
Deutsche Tastenmusik
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Author : András Pernye
language : en
Publisher:
Release Date : 1979
Deutsche Tastenmusik written by András Pernye and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1979 with Embellishment (Music) categories.
Keyboard Music
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Author : Denis Matthews
language : en
Publisher: New York : Praeger
Release Date : 1972
Keyboard Music written by Denis Matthews and has been published by New York : Praeger this book supported file pdf, txt, epub, kindle and other format this book has been release on 1972 with Harpsichord music categories.
This symposium offers an account of the development of solo keyboard music from the earliest known examples to the present day. By "keyboard" we imply the piano and its predecessors, excluding organ music (which has its own niche) and duets for one or two keyboards (though these may be mentioned in passing when they have some bearing on the solo works). The solo repertoire, even the familiar repertoire, is vast enough to raise severe editorial problems, and against any apology for omissions (intentional or accidental) may be mentioned the danger of reducing discussion to a mere catalogue. Nevertheless it is hoped to provide a useful listener's guide, parallel to the Penguin volumes on chamber music, choral music, the symphony and the concerto. - Introduction.