Early Mughal Painting
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Early Mughal Painting
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Author : Milo Cleveland Beach
language : en
Publisher: Harvard University Press
Release Date : 1987
Early Mughal Painting written by Milo Cleveland Beach and has been published by Harvard University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1987 with Art categories.
One of the minor miracles of art history is the extraordinary flowering of Indian painting that began in the mid-sixteenth century under the early Mughal emperors of Indian, notably Akbar the Great. Only in recent decades has the consummate artistry of early Mughal painting come to be widely appreciated in the West. Scholars have noted the innovations--departures from both Islamic and native Indian tradition--of the new, highly distinctive school of painting, among them natural history studies, a concern for portraiture, and the documentation of contemporary court events. Milo Beach traces, with an abundance of captivating illustrations, the evolution of the Mughal style. While acknowledging the influence of Akbar's interests and changing tastes (related in turn to historical and biographical circumstances), he shows that many of the new tendencies were evident during the short reign of Akbar's father, the Emperor Humayun, whose role as patron of the arts is thereby reassessed. Beach also stresses the traditionalism of the individual painters, who only gradually changed their concepts and compositions in response to foreign influences and to imperial taste. Mughal art, he affirms, can no longer be regarded as simply a reflection of its imperial patrons. The book takes account of recently discovered material and reproduces for the first time important paintings from unpublished manuscripts and albums. It will appeal to the general reader as well as the scholar.
Explaining Early Mughal Painting
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Author : Mika Natif
language : en
Publisher:
Release Date : 2008
Explaining Early Mughal Painting written by Mika Natif and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Illumination of books and manuscripts, Mogul categories.
Early Mughal Painting
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Author :
language : en
Publisher:
Release Date : 1981
Early Mughal Painting written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with Illumination of books and manuscripts, Mogul categories.
Humayun S Garden Party
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Author : Sheila R. Canby
language : en
Publisher:
Release Date : 1994
Humayun S Garden Party written by Sheila R. Canby and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Islamic painting categories.
Papers presented at a symposium organized by British Museum and sponsored by TV Asia, March 26, 1993.
Paintings From Mughal India
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Author : Andrew Topsfield
language : en
Publisher:
Release Date : 2008
Paintings From Mughal India written by Andrew Topsfield and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Miniature painting, Mogul categories.
A unique style of painting developed in India during the reigns of the Mughal emperors (sixteenth-eighteenth century), which blended Indian, Persian and Islamic styles. Usually confined to book illustrations, these elegant works came to be known as Mughal miniatures. They reflect the splendour of the Mughal empire, depicting its art and architecture, from court scenes to legendary stories, in striking, vivid colours.This book reproduces some of the finest surviving examples of Mughal paintings drawn from a unique collection in the Bodleian Library, many of which have never been seen before in print. They include court paintings from the reign of Akbar to the fall of Shah Jehan (1560-1660), generally regarded as the most inspired century of Mughal painting, and images from the celebrated Bah§rist§n manuscript of 1595, which was prepared for the Emperor Akbar and illustrated by leading artists of the time.Each image is presented as a large-format colour plate on a single page with facing text describing its historical and cultural significance, while the introduction situates the works in the context of the period and its art generally.
Aesthetic Hybridity In Mughal Painting 1526 1658
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Author : Valerie Gonzalez
language : en
Publisher: Routledge
Release Date : 2016-03-03
Aesthetic Hybridity In Mughal Painting 1526 1658 written by Valerie Gonzalez and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-03 with Art categories.
The first specialized critical-aesthetic study to be published on the concept of hybridity in early Mughal painting, this book investigates the workings of the diverse creative forces that led to the formation of a unique Mughal pictorial language. Mughal pictoriality distinguishes itself from the Persianate models through the rationalization of the picture’s conceptual structure and other visual modes of expression involving the aesthetic concept of mimesis. If the stylistic and iconographic results of this transformational process have been well identified and evidenced, their hermeneutic interpretation greatly suffers from the neglect of a methodologically updated investigation of the images’ conceptual underpinning. Valerie Gonzalez addresses this lacuna by exploring the operations of cross-fertilization at the level of imagistic conceptualization resulting from the multifaceted encounter between the local legacy of Indo-Persianate book art, the freshly imported Persian models to Mughal India after 1555 and the influx of European art at the Mughal court in the sixteenth and seventeenth centuries. The author's close examination of the visuality, metaphysical order and aesthetic language of Mughal imagery and portraiture sheds new light on this particular aspect of its aesthetic hybridity, which is usually approached monolithically as a historical phenomenon of cross-cultural interaction. That approach fails to consider specific parameters and features inherent to the artistic practice, such as the differences between doxis and praxis, conceptualization and realization, intentionality and what lies beyond it. By studying the distinct phases and principles of hybridization between the variegated pictorial sources at work in the Mughal creative process at the successive levels of the project/intention, the practice/realization and the result/product, the author deciphers the modalities of appropriation and manipulation of the heterogeneous elements. Her unique
Early Mughal Paintings 1556 1657
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Author : Anand Krishna
language : en
Publisher:
Release Date : 2003
Early Mughal Paintings 1556 1657 written by Anand Krishna and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Art, Mogul Empire categories.
"Mughal paintings are a particular style of South Asian painting, generally confined to miniatures either as book illustrations or as single works to be kept in albums, which emerged from Persian miniature painting (itself largely of Chinese origin), with Indian Hindu, Jain, and Buddhist influences, and developed largely in the court of the Mughal Empire of the 16th to 18th centuries."--Wikipedia.
Mughal Painters And Their Work
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Author : Som Prakash Verma
language : en
Publisher: Oxford University Press, USA
Release Date : 1994
Mughal Painters And Their Work written by Som Prakash Verma and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Art categories.
The Mughal school of painting (mid-sixteenth to seventeenth centuries) produced a body of work of great distinction. This is the first comprehensive book of reference on the work of the nearly 300 Mughal painters whose names are known to us.The painters who worked in the court ateliers of Humayun, Akber, Jahangir and Shah Jahan, often produced work in collaboration. Unlike artists of the European Renaissance tradition, they did not as a matter of course sign their names on their work. Hence the inscriptions that exist on paintings ofthe period require careful scrutiny to determine whether they are genuine signatures or merely contemporary ascriptions. The key to this lies in the form of the inscription: only if the name is accompanied by a ritual phrase of self-abasement such as "thin humble slave" or "dust at the foot of theemperor", can it be taken to be a signature. This convention has not been sufficiently recognized, and in several cases, attibutions have been erroneously made to artists on the basis of their name alone appearing on the painting. Hence, the correct reading and interpretation of the inscriptionsis of central importance to our knowledge of the work of the painters of this school.This catalogue provides, in addition to the standard categories of information on each painting, a scholarly and informed assessment of all the inscriptions on the paintings, several of which are published here for the first time. All inscriptions are given in transliterated form wherever possible;in those cases where the author has not had access to the painting, the published version is provided even if only in translation. All paintings that have been signed by the artist, or are ascribed to him in contemporary inscriptions, are listed under the painter's name in chronological order.Unsigned paintings, or those without a contemporary endorsement, have not been included, unless respectable scholarly opinion has assigned the work to an individual. However, all such attributions are accompanied by a query against the entry. Many ascriptions, till now accepted as being genuine,have proved on closer scrutiny to be either forged or later than the date of the painting.Information about individual artists has been gleaned from original texts (principally Persian historical sources) and is placed together to reconstruct biographical sketches which introduce each entry; this is supplemented by the evidence of the artist's own work.Part I consists of an Introduction which acts out the scope of the catalogue, and provides a historical and artistic context for the work of these painters. Part II contains the catalogue, and is followed by a plate section (Part III) of over fifty miniatures that illustrate the development of theMughal school. The Bibliography, glossary and two indexes further enhance the value of this indispensable reference work.
European Influence In Early Mughal Painting
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Author : Barbara Brend
language : en
Publisher:
Release Date : 1999
European Influence In Early Mughal Painting written by Barbara Brend and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with categories.
Mug H Al Painter Of Flora And Fauna Ust D Man R
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Author : Som Prakash Verma
language : en
Publisher: Abhinav Publications
Release Date : 1999
Mug H Al Painter Of Flora And Fauna Ust D Man R written by Som Prakash Verma and has been published by Abhinav Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Animals in art categories.
This volume follows Mughal Painters and their Work-A Biographical Survey and Comprehensive Catalogue (Oxford University Press, New Delhi, 1994), the first comprehensive book of reference on the work of nearly 200 Mughal painters; and has been conceived to provide readers much information on the Mughal painting through the contribution of individual master painters. Need not say ample information is available about the artists of the Mughal atelier (sixteenth-seventeenth centuries). Yet, to date, except for some articles on a few painters, no book has been published on individual artist. Ustad Mansur, a keen observer of nature endowed with almost Euclidean intellect, deserved a more detailed study to re-evaluate his merit as an artist whose achievement in naturalistic portraiture of a large number of species from the world of flora and fauna has remained unsurpassed till today. Our attempt is to enter into the very creative process of this great Mughal painter; to relive in his times and environment, in order to discover real Mansur. The whole panorama of Mansur’s portraits of birds, animals and flowers set in marvellously and uniquely laid background represents, in his true spirit and characteristics, the very quintessence of nature’s endless variety of creation and beauty. Part I provides historical and artistic context in which Ustad Mansur worked. Information about him has been gleaned from original texts (principally Persian historical sources), supplemented by the evidence of artist’s own work. Part II comprises the plate section of representative eighteen miniatures that illustrate our painter’s style and his specialisation in painting. The appendix further enhances the value of this work since it provides correct rendering of contemporary inscriptions and determines genuine signatures and contemporary ascriptions. The volume is richly illustrated with a large number of black-and-white and colour illustrations. These illustrate the art and style of Ustad Mansur Nadir u’l ‘Asr (Unequalled of the Age), the most illustrious naturalist painter of India. It will naturally be of interest to students of art and natural history. It is also recommended to persons curious to know about the Mughal times. It is hoped that other volumes on individual Mughal painters will follow’ and monographs on their lives and work with a criticale valuation will be available.