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Elektramusic Electroacoustic Experimental Music Issue 01


Elektramusic Electroacoustic Experimental Music Issue 01
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Elektramusic Electroacoustic Experimental Music Issue 01


Elektramusic Electroacoustic Experimental Music Issue 01
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Author :
language : en
Publisher: Elektramusic
Release Date : 2006

Elektramusic Electroacoustic Experimental Music Issue 01 written by and has been published by Elektramusic this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with categories.




Electronic And Experimental Music


Electronic And Experimental Music
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Author : Thom Holmes
language : en
Publisher: New York : Routledge
Release Date : 2002

Electronic And Experimental Music written by Thom Holmes and has been published by New York : Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Music categories.


Electronic and Experimental Music is a second edition of a well-known text on the history of electronic music. Holmes' original book, first published in 1985, was a beginner's introduction both to the theories of sound and sound production and to the history of some of the earliest experiments in instrument building and composition. In this new edition, the author thoroughly updates and enlarges the theoretical and historical sections. He also presents new material on using home computers and the many software and Internet resources available.



Electronic And Experimental Music


Electronic And Experimental Music
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Author : Thom Holmes
language : en
Publisher: Routledge
Release Date : 2015-10-08

Electronic And Experimental Music written by Thom Holmes and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-10-08 with Music categories.


Electronic and Experimental Music: Technology, Music, and Culture provides a comprehensive history of electronic music, covering key composers, genres, and techniques used in analog and digital synthesis. This textbook has been extensively revised with the needs of students and instructors in mind. The reader-friendly style, logical organization, and pedagogical features of the fifth edition allow easy access to key ideas, milestones, and concepts. New to this edition: • A companion website, featuring key examples of electronic music, both historical and contemporary. • Listening Guides providing a moment-by-moment annotated exploration of key works of electronic music. • A new chapter—Contemporary Practices in Composing Electronic Music. • Updated presentation of classic electronic music in the United Kingdom, Italy, Latin America, and Asia, covering the history of electronic music globally. • An expanded discussion of early experiments with jazz and electronic music, and the roots of electronic rock. • Additional accounts of the vastly under-reported contributions of women composers in the field. • More photos, scores, and illustrations throughout. The companion website features a number of student and instructor resources, such as additional Listening Guides, links to streaming audio examples and online video resources, PowerPoint slides, and interactive quizzes.



Listening Through The Noise


Listening Through The Noise
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Author : Joanna Demers
language : en
Publisher: Oxford University Press
Release Date : 2010-07-30

Listening Through The Noise written by Joanna Demers and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-07-30 with Music categories.


Contemporary electronic music has splintered into numerous genres and subgenres, all of which share a concern with whether sound, in itself, bears meaning. Listening through the Noise considers how the experience of listening to electronic music constitutes a departure from the expectations that have long governed music listening in the West.



Electronic And Experimental Music


Electronic And Experimental Music
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Author : Thomas B. Holmes
language : en
Publisher:
Release Date :

Electronic And Experimental Music written by Thomas B. Holmes and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.




Compositional Process In Elliott Carter S String Quartets


Compositional Process In Elliott Carter S String Quartets
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Author : Laura Emmery
language : en
Publisher: Routledge
Release Date : 2019-12-20

Compositional Process In Elliott Carter S String Quartets written by Laura Emmery and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-12-20 with Music categories.


Compositional Process in Elliott Carter’s String Quartets is an interdisciplinary study examining the evolution and compositional process in Elliott Carter’s five string quartets. Offering a systematic and logical way of unpacking concepts and processes in these quartets that would otherwise remain opaque, the book’s narrative reveals new aspects of understanding these works and draws novel conclusions on their collective meaning and Carter’s place as the leading American modernist. Each of Carter’s five string quartets is driven by a new idea that Carter was exploring during a particular period, which allows for each quartet to be examined under a unique lens and a deeper understanding of his oeuvre at large. Drawing on key ideas from a variety of subjects including performance studies, philosophy, music cognition, musical meaning and semantics, literary criticism, and critical theory, this is an informative volume for scholars and researchers in the areas of music theory and musicology. Analyses are supplemented with sketch study, correspondence, text manuscripts, and other archival sources from the Paul Sacher Stiftung, the Library of Congress, and the New York Public Library.



Elliott Carter Speaks


Elliott Carter Speaks
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Author : Elliott Carter
language : en
Publisher:
Release Date : 2021-12-28

Elliott Carter Speaks written by Elliott Carter and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-12-28 with categories.


These previously unpublished lectures by Elliott Carter date to the summer of 1967, when the acclaimed composer taught at the Contemporary Music Workshop held by the University of Minnesota. Leading an introductory course on orchestra repertoire, Carter gave nine hours of lectures covering principal topics like how to live with the musical present and whether the symphony orchestra was a relic of the past or a possible active force for new music. But Carter's observations and prompts by audience questions broadened the discussion into areas ranging from electronic music to analyses of works by other artists and himself. Laura Emmery presents the complete text from each session alongside introductions, commentary, and annotated examples that provide valuable context for readers. Expansive and essential, Elliott Carter Speaks opens up the artist's teaching and introspection to new contemporary perspectives on his thought and art.



Sound Musicianship


Sound Musicianship
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Author : Andrew R. Brown
language : en
Publisher:
Release Date : 2012

Sound Musicianship written by Andrew R. Brown and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Music categories.


Sound Musicianship is a book for music educators and musicians about musicianshipâ "about musical skills, abilities, habits, sensibilities and understandings. Musicianship is explored as a form of craftsmanship. Like most crafts, music requires a balance of theoretical knowledge and practical skills that contribute to a highly tuned ability to appreciate and express music. In particular, the book explores general trends that influence musicianship in the twenty-first century, such as an increased reliance on digital media, greater awareness of the neurological basis for musical behaviour, a renewed interest in connections between bodily movements and musical expression, and increased cultural plurality resulting from more frequent travel, increased levels of migration and ubiquitous telecommunications. The book has a deliberate focus on the developmental aspects of musicianship, which will benefit those hoping to advance their own music learning or that of others. It includes a diverse range of views and perspectives on musicianship and is organised into five sections. The first four sections explore the implications of music understood as sound, experience, motion and culture, respectively. In these sections, leading researchers and thinkers outline important issues and debates that are relevant to developing the crafts of music making and they share insights into recent trends and understandings. The final section of the book looks at educational considerations and provides a series of case studies that document innovative approaches to developing musicianship. Readers will encounter some new, interesting and thought-provoking ideas within these pages. As we move further into the twenty-first centuryâ "with all the opportunities and challenges for music making it bringsâ "the requirement to review our concepts of musicianship training will intensify, and the definition of a â oesound basisâ for a contemporary musicianship will evolve. This book is intended to help stimulate and inform that evolutionary process.



Distributed Creativity


Distributed Creativity
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Author : Eric F. Clarke
language : en
Publisher: Oxford University Press
Release Date : 2017

Distributed Creativity written by Eric F. Clarke and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with Music categories.


Creative practice in music takes place in a distributed and interactive manner embracing the activities of composers, performers and improvisers-despite the sharp division of labour between these roles that traditional concert culture often presents. Two distinctive features of contemporary music are the greater incorporation of improvisation and the development of integrated and collaborative working practices between composers and performers. By blurring the distinction between composition and performance, improvisation and collaboration provide important perspectives on the distributed creative processes that play a central role in much contemporary concert music. This volume explores how collaboration and improvisation enable and constrain these creative processes.



Modern Music And After


Modern Music And After
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Author : Paul Griffiths
language : en
Publisher: Oxford University Press
Release Date : 2011-02-16

Modern Music And After written by Paul Griffiths and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-02-16 with Music categories.


Over three decades, Paul Griffiths's survey has remained the definitive study of music since the Second World War; this fully revised and updated edition re-establishes Modern Music and After as the preeminent introduction to the music of our time. The disruptions of the war, and the struggles of the ensuing peace, were reflected in the music of the time: in Pierre Boulez's radical reformation of compositional technique and in John Cage's development of zen music; in Milton Babbitt's settling of the serial system and in Dmitry Shostakovich's unsettling symphonies; in Karlheinz Stockhausen's development of electronic music and in Luigi Nono's pursuit of the universally human, in Iannis Xenakis's view of music as sounding mathematics and in Luciano Berio's consideration of it as language. The initiatives of these composers and their contemporaries opened prospects that haven't yet stopped unfolding. This constant expansion of musical thinking since 1945 has left us with no singular history of music; Griffiths's study accordingly follows several different paths, showing how and why they converge and diverge. This new edition of Modern Music and After discusses not only the music of the fifteen years that have passed since the previous edition, but also the recent explosion of scholarly interest in the latter half of the twentieth century. In particular, the book has been expanded to incorporate the variety of responses to the modernist impasse experienced by composers of the 1980s and 1990s. Griffiths then moves the book into the twenty-first century as he examines such highly influential composers as Helmut Lachenmann and Salvatore Sciarrino. For its breadth, wealth of detail, and characteristic wit and clarity, the third edition of Modern Music and After is required reading for the student and the enquiring listener.