Elements Rudiments Or Grammar Of Music
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Elements Rudiments Or Grammar Of Music
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Author : Francis William Davenport
language : en
Publisher:
Release Date : 1910
Elements Rudiments Or Grammar Of Music written by Francis William Davenport and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1910 with Musical analysis categories.
Elements Rudiments Or Grammar Of Music
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Author : F. Davenport
language : en
Publisher:
Release Date : 1922
Elements Rudiments Or Grammar Of Music written by F. Davenport and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1922 with categories.
Elements Rudiments Or Grammar Of Music
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Author : Francis Davenport
language : en
Publisher:
Release Date : 1950
Elements Rudiments Or Grammar Of Music written by Francis Davenport and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1950 with Music theory categories.
Rudiments Of Musical Grammar
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Author : John Hullah
language : en
Publisher:
Release Date : 1857
Rudiments Of Musical Grammar written by John Hullah and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1857 with Music theory categories.
Rudiments Of Musical Grammar
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Author : John Hullah
language : en
Publisher: CreateSpace
Release Date : 2014-08-28
Rudiments Of Musical Grammar written by John Hullah and has been published by CreateSpace this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-08-28 with categories.
From the PREFACE: THE title of the following work will, it may be hoped, render any explanation of its aims unnecessary. The mode of treatment of the subject, and the order in which the different branches of it are brought before the student, differing essentially from those adopted in most other works of the same kind, require, however, a few prefatory remarks. We often find the earlier chapters of rudimentary treatises, whether on music or any other subject, occupied, not with attempts to convey ideas of the things to be first studied, but with explanations of the symbols which represent them, - many of these latter, perhaps, not being called into requisition till an advanced period in the study, when they have to be learned a second time. Thus the beginner in music is made to exhaust the subject of the stave before he is in the least informed as to the nature of the scale; or is called upon to consider the peculiarities of five-crotchet time, while as yet he has no practical acquaintance with the first principles of rhythm. In the following work no attempt is made to introduce the student to the alphabet of music till he has learned something about music, or, more properly, the musical system itself; nor is he instructed in the different kinds of measure, nor even made aware of the existence of bars, until he has acquired some idea of the limits of a musical phrase, and the nature of a musical foot, - things altogether independent of any forms by which they may be represented, and which, as they certainly existed ages before the invention of the present musical alphabet, will as certainly exist ages after that ingenious contrivance has become matter of history, or even of speculation. The history of an art or science may often be brought to bear practically on the process of teaching it; and the order in which discoveries or improvements have been made will often suggest that in which knowledge of them may best be communicated. So that the consideration even of exploded theories and obsolete forms may not be without its use, as keys to those which have superseded them. The musical student, for instance, will never appreciate the special merits of modem, unless he have learnt something of ancient, tonality; nor would it be easy to devise any shorter or more simple method of explaining the nature of a mode, than through acquaintance with the fact that, though but two modes are used by modern musicians, the number of modes possible is only limited by that of the Sounds of the natural scale. This latter fact is briefly alluded to in an early chapter, and more fully treated in a later one the object of which has been rather to excite than to satisfy curiosity on a very interesting branch of musical science. The chapters on the "Alto and Tenor Staves"-part of a subject treated elsewhere by the writer more fully - will, it is hoped, be found sufficient to meet the practical wants of the student. The practice of writing alto and tenor parts an octave higher than they are to be sung has no doubt largely superseded the older and more simple one of writing them at their proper pitch. Whether this practice prove permanent or not, the student may rest assured that, unless he make himself familiar with at least two of the four different staves headed by the C clef, a very large proportion of the works of the greatest writers must remain unintelligible to him....
Rudiments Of Musical Grammar
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Author : John Hullah
language : en
Publisher: Forgotten Books
Release Date : 2015-06-15
Rudiments Of Musical Grammar written by John Hullah and has been published by Forgotten Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-06-15 with Music categories.
Excerpt from Rudiments of Musical Grammar The title of the following work will, it may be hoped, render any explanation of its aims unnecessary. The mode of treatment of the subject, and the order in which the different branches of it are brought before the student, differing essentially from those adopted in most other works of the same kind, require, however, a few prefatory remarks. We often find the earlier chapters of rudimentary treatises, whether on music or any other subject, occupied, not with attempts to convey ideas of the things to be first studied, but with explanations of the symbols which represent them, - many of these latter, perhaps, not being called into requisition till an advanced period in the study, when they have to be learned a second time. Thus the beginner in music is made to exhaust the subject of the stave before be is in the least informed as to the nature of the scale; or is called upon to consider the peculiarities of five-crotchet time, while as yet he has no practical acquaintance with the first principles of rhythm. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Rudiments Of Musical Grammar Classic Reprint
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Author : John Hullah
language : en
Publisher: Forgotten Books
Release Date : 2017-10-15
Rudiments Of Musical Grammar Classic Reprint written by John Hullah and has been published by Forgotten Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-10-15 with Music categories.
Excerpt from Rudiments of Musical Grammar The history of an art or science may often be brought to bear prao tically on the process of teaching it and the order in which discoveries or improvements have been made will often suggest that in which a knowledge of them may best be communicated. So that the considera tion even of exploded theories and obsolete forms may not be without its use, as keys to those which have superseded them. The musical student, for instance, will never appreciate the special merits of modern, unless he have learnt something of ancient, tonality: nor would it be easy to devise any shorter or more simple method of explaining the nature of a mode, than through acquaintance with the fact that, though but two modes are used by modern musicians, the number of modes possible is'only limited by that of the sounds of the natural scale. This latter fact is briefly alluded to in an early chapter, and more fully treated in a later one the object of which has been rather to excite than to satisfy curiosity on a very interesting branch of musical science. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Music And Institutions In Nineteenth Century Britain
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Author : Paul Rodmell
language : en
Publisher: Routledge
Release Date : 2016-04-29
Music And Institutions In Nineteenth Century Britain written by Paul Rodmell and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-29 with Music categories.
In nineteenth-century British society music and musicians were organized as they had never been before. This organization was manifested, in part, by the introduction of music into powerful institutions, both out of belief in music's inherently beneficial properties, and also to promote music occupations and professions in society at large. This book provides a representative and varied sample of the interactions between music and organizations in various locations in the nineteenth-century British Empire, exploring not only how and why music was institutionalized, but also how and why institutions became 'musicalized'. Individual essays explore amateur societies that promoted music-making; institutions that played host to music-making groups, both amateur and professional; music in diverse educational institutions; and the relationships between music and what might be referred to as the 'institutions of state'. Through all of the essays runs the theme of the various ways in which institutions of varying formality and rigidity interacted with music and musicians, and the mutual benefit and exploitation that resulted from that interaction.
A Classified Catalogue Of Educational Works In Use In The United Kingdom And Its Dependencies In 1876
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Author :
language : en
Publisher:
Release Date : 1876
A Classified Catalogue Of Educational Works In Use In The United Kingdom And Its Dependencies In 1876 written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1876 with categories.
A Classified Catalogue Of School College And General Educational Works In Use In The United Kingdom And Its Dependencies In 1876 Etc
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Author : Catalogues
language : en
Publisher:
Release Date : 1876
A Classified Catalogue Of School College And General Educational Works In Use In The United Kingdom And Its Dependencies In 1876 Etc written by Catalogues and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1876 with categories.