Encyclopedia Of Opera On Screen
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Encyclopedia Of Opera On Screen
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Author : Ken Wlaschin
language : en
Publisher: New Haven : Yale University Press
Release Date : 2004
Encyclopedia Of Opera On Screen written by Ken Wlaschin and has been published by New Haven : Yale University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Music categories.
“This wondrous encyclopedia is an invaluable boon to all movie and opera buffs. I shall be referring to it frequently to slake my curiosity and to settle bets.”--Tom Lehrer This bountiful book is a comprehensive guide to the thousands of films, DVDs, and videocassettes featuring operas and opera singers from 1896 to the present. From ABC Television to Franco Zeffirelli, the encyclopedia is a storehouse of fascinating information for film and opera aficionados and casual browsers alike. Find answers to such questions as: * What were the first operas filmed? * Why did they make silent films of operas? * Why was a pseudo-opera written for Citizen Kane? * What was the title of Maria Callas’s only film? Organized alphabetically with more than 1,900 fully cross-referenced entries, the book casts a wide net that covers not only expected topics--operas, operettas, zarzuelas, composers, singers, conductors, writers, and film directors--but also the unexpected and offbeat--animated opera, first operas on film, puppet opera films, silent films about opera, and many other lesser-known topics. Encyclopedia of Opera on Screen illuminates the many intersections between opera and film as never before.
The Oxford Handbook Of The Operatic Canon
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Author : Cormac Newark
language : en
Publisher:
Release Date : 2020
The Oxford Handbook Of The Operatic Canon written by Cormac Newark and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with Music categories.
Opera has always been controversial, not only because of how vastly expensive it is to produce. It has historically been a vital and complex mixture of high art and commerce, socially elite and popular or middle-class, the new and the increasingly old. When a city wants a new landmark building, an opera house is very often the solution: why should this still be the case? The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by looking at how it evolved from a market entirely driven by novelty to one of the most arthritically canonic art forms still in existence. This new collection addresses questions that are key to opera's past, present and future. Why is the art form apparently so arthritically canonical, with the top ten titles, all more than a century old, accounting for nearly a quarter of all performances world-wide? Why is this top-heavy system of production becoming still more restrictive, even while the repertory is seemingly expanding, notably to include early music? Why did the operatic canon evolve so differently from that of concert music? And why has that evolution attracted so comparatively little attention from scholars? Why, finally, if opera houses all over the world are dutifully honoring their audiences' loyalty to these favorite works, are they having to struggle so hard financially? Answers to these and other problems are offered here by 26 musicologists, historians, and industry professionals working in a wide range of contexts. Topics range from the seventeenth century to the present day, and from Russia to England and continental Europe to the Americas. In an effort to reflect the contested nature of most of the issues facing opera, each topic is addressed by two essays, introduced jointly by the respective authors, and followed by a jointly compiled list of further reading. These paired essays complement each other in different ways: for example, by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting or changing contexts. Posing its questions in fresh, provocative terms, The Oxford Handbook of the Operatic Canon challenges scholarly assumptions and expectations, and breathes fresh air into the fields of music and cultural history.
Opera As Soundtrack
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Author : Jeongwon Joe
language : en
Publisher: Routledge
Release Date : 2016-05-13
Opera As Soundtrack written by Jeongwon Joe and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-05-13 with Music categories.
Filmmakers' fascination with opera dates back to the silent era but it was not until the late 1980s that critical enquiries into the intersection of opera and cinema began to emerge. Jeongwon Joe focusses primarily on the role of opera as soundtrack by exploring the distinct effects opera produces in film, effects which differ from other types of soundtrack music, such as jazz or symphony. These effects are examined from three perspectives: peculiar qualities of the operatic voice; various properties commonly associated with opera, such as excess, otherness or death; and multifaceted tensions between opera and cinema - for instance, opera as live, embodied, high art and cinema as technologically mediated, popular entertainment. Joe argues that when opera excerpts are employed on soundtracks they tend to appear at critical moments of the film, usually associated with the protagonists, and the author explores why it is opera, not symphony or jazz, that accompanies poignant scenes like these. Joe's film analysis focuses on the time period of the post-1970s, which is distinguished by an increase of opera excerpts on soundtracks to blockbuster titles, the commercial recognition of which promoted the production of numerous opera soundtrack CDs in the following years. Joe incorporates an empirical methodology by examining primary sources such as production files, cue-sheets and unpublished interviews with film directors and composers to enhance the traditional hermeneutic approach. The films analysed in her book include Woody Allen’s Match Point, David Cronenberg’s M. Butterfly, and Wong Kar-wai’s 2046.
Opera
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Author : Alexandra Wilson
language : en
Publisher: Simon and Schuster
Release Date : 2012-12-01
Opera written by Alexandra Wilson and has been published by Simon and Schuster this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-12-01 with Music categories.
Opera is often dismissed as outdated and excessive, and perceived to be characterised by excessive passions, sumptuous costumes, and ill-mannered divas. In reality, however, operas address the most fundamental and universal of human concerns - love, death, jealousy, greed, and power. Revealing the diverse reasons behind opera's lasting appeal, opera champion and expert Alexandra Wilson provides a lucid and engaging introduction to the agendas that have governed its composition, production and reception over the last four centuries, and explains the reasons behind its enduring appeal.
Operas In English A Dictionary
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Author : Margaret Ross Griffel
language : en
Publisher: Bloomsbury Publishing PLC
Release Date : 2012-12-21
Operas In English A Dictionary written by Margaret Ross Griffel and has been published by Bloomsbury Publishing PLC this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-12-21 with Music categories.
In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel updates her work on operas written specifically to an English text, including not only works originally in English but also those set to new English librettos. Since the book’s initial publication in 1999, Griffel has added nearly 900 new items, bringing the total number of entries in this new edition to 4,400, covering the world of opera in English from 1634 through 2011. The front matter includes a brief history of English opera, to “set the stage” for the dictionary entries that follow. Listed alphabetically, each opera entry includes alternative titles; a full, descriptive title; the number of acts; composer’s name; librettist’s name, with original language of the libretto; the source of the text (date, place, and cast of the first performance); date of composition (if it occurred substantially earlier than the premiere); similar information for the first U.S. (including colonial) and British (England, Scotland, Wales) performances; brief plot summary; main characters (names and vocal ranges, where known); names of noteworthy numbers; comments on special musical problems and techniques; other settings of the text, including non-English ones; other operas, if any, involving the same story or characters (cross references are indicated by asterisks). Entries include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Operas in English features four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including the date of first performance, the city of the premiere (or composition date if unperformed or performed much later), the short title of the opera, and the composer. There is a main character index and an index of singers, conductors, producers, composers of other settings, and other key figures.
Gaetano Donizetti
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Author : James P. Cassaro
language : en
Publisher: Routledge
Release Date : 2009-07-15
Gaetano Donizetti written by James P. Cassaro and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-07-15 with Music categories.
Gaetano Donizetti: A Research and Information Guide offers an annotated reference guide to the life and works of this important Italian opera composer. The book opens with a complete chronology of Donizetti's life (1797-1848) and career, relating it to contemporary events. The balance of the book details secondary resources and other works, including general sources, catalogs, correspondence, biographical sources, critical works; production/review sources, singers and theaters, and the individual operas.
Norma
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Author : Vincenzo Bellini
language : en
Publisher: Alma Books
Release Date : 2018-01-01
Norma written by Vincenzo Bellini and has been published by Alma Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-01-01 with Music categories.
Vincenzo Bellini's Norma, first produced at La Scala, Milan, in 1831, is widely regarded as the greatest achievement of the bel canto era. Its title role, sung at the premiere by Giuditta Pasta, has been undertaken in more recent times by Maria Callas, Joan Sutherland and Monserrat Caballe and remains one of the supremely challenging soprano parts in the operatic repertory. The opera tells of the conflicting loyalties of the High Priestess of the Druids, Norma, who is torn between her duty to her people and her love for the father of her two children, the proconsul of the occupying Roman forces in Gaul.The guide contains articles on the background to the opera and the development of bel canto, a detailed examination of its musical structure and a survey of its performance history, dealing in particular with the approaches of some of the many distinguished singers who have appeared in its principal roles. There is also a discussion of the contentious issue of which voice-types should more appropriately be singing each of the two leading female characters. The guide includes the full libretto with English translation, sixteen pages of illustrations, a musical thematic guide, a discography, a bibliography, and DVD and website guides.Contains:The Genesis of Norma, Susan RutherfordNorma's Musical Journey, Roger ParkerNorma: A Selective Performance History, John AllisonWeep, Shudder, Die: Vincenzo Bellini, Norma and Their Admirers, Gary KahnNorma: Libretto by Felice Romani after Alexandre Soumet's verse tragedy NormaNorma: English translation by Kenneth Chalmers
Opera On Screen
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Author : Ken Wlaschin
language : en
Publisher:
Release Date : 1997
Opera On Screen written by Ken Wlaschin and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Music categories.
This is a guide in book form and on CD-ROM to the thousands of films and videos featuring operas and opera singers in the last one hundred years. The guide has been organized alphabetically as an encyclopedia with entries on operas, operettas, zarzuelas, singers, composers, writers, conductors and subjects of interest. Special subject entries include animated opera, best opera on film, best operetta on film, castratos, divas, directors of opera on film, directors of opera on TV, filmmakers on stage, first operas on film, first operas on TV, imaginary operas in films, operas and operettas about the movies, operas as movies, operas based on movies, operetta, puppet opera, silent films about opera, silent films of operas, television operas, vitaphone opera films, voice of firestone, worst opera on film, worst operetta on film, zarzuelas. [from Introduction]
Essays On Word Music Adaptation And On Surveying The Field
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Author :
language : en
Publisher: BRILL
Release Date : 2008-01-01
Essays On Word Music Adaptation And On Surveying The Field written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-01-01 with History categories.
The twelve essays presented in this volume are drawn from the Fifth International Conference on Word and Music Studies held at Santa Barbara, CA, in 2005. The conference was organized and sponsored by The International Association for Word and Music Studies (WMA) and in its central section explored the theme of “Word/Music Adaptation”. In these wide-ranging papers, a great variety of cases of intermedial transposition between music, literature, drama and film are examined. The music of Berlioz, Biber, Chopin, Carlisle Floyd, Robert Franz, Bernard Herrmann, Liszt, Richard Strauss, Verdi, and pop singer Kate Bush confronts and commingles with the writings of Emily Brontë, Goethe, Nancy Huston, George Sand, and Shakespeare in these cutting-edge adaptation studies. In addition, four films are discussed: Wuthering Heights, Fedora, Otello, and The Notebook. The articles collected will be of interest not only to music and literary scholars, but also to those engaged in the study of adaptation theory, semiotics, literary criticism, narrative theory, art history, feminism or postmodernism.
Film Music In The Sound Era
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Author : Jonathan Rhodes Lee
language : en
Publisher: Routledge
Release Date : 2020-03-10
Film Music In The Sound Era written by Jonathan Rhodes Lee and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-03-10 with Music categories.
Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.