English Poetry In Its Relation To Painting And The Other Arts
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English Poetry In Its Relation To Painting And The Other Arts
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Author : Laurence Binyon
language : en
Publisher:
Release Date : 1921
English Poetry In Its Relation To Painting And The Other Arts written by Laurence Binyon and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1921 with Art categories.
English Poetry In Its Relation To Painting And The Other Arts
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Author : Laurence Binyon
language : en
Publisher:
Release Date : 1918
English Poetry In Its Relation To Painting And The Other Arts written by Laurence Binyon and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1918 with Art categories.
English Poetry In Its Relation To Painting And The Other Arts Vol 8 Classic Reprint
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Author : Laurence Binyon
language : en
Publisher:
Release Date : 2015-06-28
English Poetry In Its Relation To Painting And The Other Arts Vol 8 Classic Reprint written by Laurence Binyon and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-06-28 with History categories.
Excerpt from English Poetry in Its Relation to Painting and the Other Arts, Vol. 8 I have no intention of attempting any long disquisition on the relation of the arts to one another, and in particular on the relation of poetry to the other arts. Were we theorizing in the abstract, we might perhaps relate poetry most closely to music. But actually we shall have very much more to say of the relations between poetry and painting. Music and poetry are very near in their origin. Both alike find expression through the rhythms of sound. But as mature arts they have far less in common. Music, like Architecture, is independent of representation or the imitation of Nature. But neither poetry nor painting is in this condition. In either art it is possible to attenuate the matter so that almost nothing but the rhythmic element is left; to make a poem that relies almost entirely on sound, or a painting that relies almost entirely on arabesque. But the poet or painter attempts these things at his peril. Poetry and painting (sculpture also within its more limited range) are in a parallel condition so far as the relation of matter to form is concerned. Alike in painting and poetry, the rhythmic element, stronger perhaps and more explicit in poetry, evokes an emotional mood. We are wrought to a heightened pitch of sensibility; and in this state the subject-matter of painter or poet comes to us with a glow and force such as our senses never experience in the daily traffic of existence. In a perfect example of either art this subject-matter is fused with the form, so that we cannot dissolve them from one another. This was the meaning of Pater's saying that all the arts aspire towards the condition of music, where form and matter are one. Pater's sound doctrine on this point has been very generally accepted; but his statement of it implies a certain prejudice against poetry which has soaked into current opinion: so that at the present day there is among many artists and critics of art a curious horror of the intrusion into art of anything which might be suspected of being literature. I think this may derive from Pater's really astonishing assertion that 'story and sentiment' are the medium of poetry, and that these, not rhythm and imagery, correspond to line and colour in a painting. It has since been a common assumption that painting is in the same condition as music, and that poetry is in a different category. This, I believe, is a fundamental error. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
English Poetry In Its Relation To Painting And The Other Arts Primary Source Edition
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Author : Laurence Binyon
language : en
Publisher: Nabu Press
Release Date : 2013-12-07
English Poetry In Its Relation To Painting And The Other Arts Primary Source Edition written by Laurence Binyon and has been published by Nabu Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-07 with categories.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
English Poetry In Its Relation To Painting And The Other Arts Etc
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Author : Laurence Binyon
language : en
Publisher:
Release Date : 1918
English Poetry In Its Relation To Painting And The Other Arts Etc written by Laurence Binyon and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1918 with categories.
English Poetry In Its Relation To Painting And The Other Arts By Laurence Binyon
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Author : Laurence Binyon
language : en
Publisher:
Release Date : 1918
English Poetry In Its Relation To Painting And The Other Arts By Laurence Binyon written by Laurence Binyon and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1918 with Art categories.
The Art Of Picturing In Early Modern English Literature
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Author : Camilla Caporicci
language : en
Publisher: Routledge
Release Date : 2019-11-04
The Art Of Picturing In Early Modern English Literature written by Camilla Caporicci and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-11-04 with Literary Criticism categories.
Written by an international group of highly regarded scholars and rooted in the field of intermedial approaches to literary studies, this volume explores the complex aesthetic process of "picturing" in early modern English literature. The essays in this volume offer a comprehensive and varied picture of the relationship between visual and verbal in the early modern period, while also contributing to the understanding of the literary context in which Shakespeare wrote. Using different methodological approaches and taking into account a great variety of texts, including Elizabethan sonnet sequences, metaphysical poetry, famous as well as anonymous plays, and court masques, the book opens new perspectives on the literary modes of "picturing" and on the relationship between this creative act and the tense artistic, religious and political background of early modern Europe. The first section explores different modes of looking at works of art and their relation with technological innovations and religious controversies, while the chapters in the second part highlight the multifaceted connections between European visual arts and English literary production. The third section explores the functions performed by portraits on the page and the stage, delving into the complex question of the relationship between visual and verbal representation. Finally, the chapters in the fourth section re-appraise early modern reflections on the relationship between word and image and on their respective power in light of early-seventeenth-century visual culture, with particular reference to the masque genre.
The English Mannerist Poets And The Visual Arts
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Author : L. E. Semler
language : en
Publisher: Fairleigh Dickinson Univ Press
Release Date : 1998
The English Mannerist Poets And The Visual Arts written by L. E. Semler and has been published by Fairleigh Dickinson Univ Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Art categories.
In this study, L.E. Semler begins with a comprehensive, historical definition of Mannerism in visual arts from which he derives four key terms that constitute the nucleus of the aesthetic: technical precision, elegance, grazia, and the difficulta:facilita formula. These principles - interwoven with one another and with maniera - are derived from visual arts but are specifically designed to be transferable to any medium. The rest of the book situates the English poets in relation to the visual arts - including painting, limning, gold- and silversmithery, architecture, and garden design - and discusses their verse in relation to the key Mannerist principles.
Literary Criticism Idea And Act
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Author : English Institute
language : en
Publisher: Univ of California Press
Release Date : 1974-01-01
Literary Criticism Idea And Act written by English Institute and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1974-01-01 with Literary Criticism categories.
34 essays om litteraturvidenskab og engelsk litteratur, udvalgt blandt afhandlinger, der blev forelæst ved The English Institute, Columbia University i årene 1939-1972.
Picture And Poetry 1560 1620
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Author : Lucy Gent
language : en
Publisher: G. K. Hall
Release Date : 1981
Picture And Poetry 1560 1620 written by Lucy Gent and has been published by G. K. Hall this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with Art categories.
Not just another exercise in analogy between the different arts, this book is a genuinely interdisciplinary study designed to show how in the late sixteenth and early seventeenth centuries 'the way English poets looked at pictures influenced in some respects the way they wrote their poetry'. -- Book cover.