The Art Of Picturing In Early Modern English Literature


The Art Of Picturing In Early Modern English Literature
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The Art Of Picturing In Early Modern English Literature


The Art Of Picturing In Early Modern English Literature
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Author : Camilla Caporicci
language : en
Publisher: Routledge
Release Date : 2019-11-04

The Art Of Picturing In Early Modern English Literature written by Camilla Caporicci and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-11-04 with Literary Criticism categories.


Written by an international group of highly regarded scholars and rooted in the field of intermedial approaches to literary studies, this volume explores the complex aesthetic process of "picturing" in early modern English literature. The essays in this volume offer a comprehensive and varied picture of the relationship between visual and verbal in the early modern period, while also contributing to the understanding of the literary context in which Shakespeare wrote. Using different methodological approaches and taking into account a great variety of texts, including Elizabethan sonnet sequences, metaphysical poetry, famous as well as anonymous plays, and court masques, the book opens new perspectives on the literary modes of "picturing" and on the relationship between this creative act and the tense artistic, religious and political background of early modern Europe. The first section explores different modes of looking at works of art and their relation with technological innovations and religious controversies, while the chapters in the second part highlight the multifaceted connections between European visual arts and English literary production. The third section explores the functions performed by portraits on the page and the stage, delving into the complex question of the relationship between visual and verbal representation. Finally, the chapters in the fourth section re-appraise early modern reflections on the relationship between word and image and on their respective power in light of early-seventeenth-century visual culture, with particular reference to the masque genre.



Portraits In Early Modern English Drama


Portraits In Early Modern English Drama
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Author : Emanuel Stelzer
language : en
Publisher: Routledge
Release Date : 2019-05-14

Portraits In Early Modern English Drama written by Emanuel Stelzer and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-05-14 with Performing Arts categories.


Portraits in Early Modern English Drama studies the complex web of interconnections that grows out of the presentation of portraits as props in early modern English drama. Emanuel Stelzer considers this theory from the Elizabethan age up to the closing of the theatres. This book examines how the dramatic text and the subjectivities of the dramatis personae are shaped and changed through the process of observation and interpretation of pictures in the dramatic actions and dialogues. Unlike any previous study, it confronts when a portrait is clearly meant not to be a miniature. This also has bearings on the effect of the picture on the audience and in terms of genre expectation. Two important questions are interrogated in the book: What were the price and value of these portraits? and What were the strategies deployed by the playing companies to show women’s portraits in a theatre without actresses? This book will be of interest to different areas of research dealing with the history of drama and literature, material and visual culture studies, art history, gender studies, and performance studies.



Poetry And Vision In Early Modern England


Poetry And Vision In Early Modern England
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Author : Jane Partner
language : en
Publisher: Springer
Release Date : 2018-04-09

Poetry And Vision In Early Modern England written by Jane Partner and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-04-09 with Literary Criticism categories.


This book reveals the ways in which seventeenth-century poets used models of vision taken from philosophy, theology, scientific optics, political polemic and the visual arts to scrutinize the nature of individual perceptions and to examine poetry’s own relation to truth. Drawing on archival research, Poetry and Vision in Early Modern England brings together an innovative selection of texts and images to construct a new interdisciplinary context for interpreting the poetry of Cavendish, Traherne, Marvell and Milton. Each chapter presents a reappraisal of vision in the work of one of these authors, and these case studies also combine to offer a broader consideration of the ways that conceptions of seeing were used in poetry to explore the relations between the ‘inward’ life of the viewer and the ‘outward’ reality that lies beyond; terms that are shown to have been closely linked, through ideas about sight, with the emergence of the fundamental modern categories of the ‘subjective’ and ‘objective’. This book will be of interest to literary scholars, art historians and historians of science.



Picturing Art History


Picturing Art History
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Author : Ingrid R. Vermeulen
language : en
Publisher:
Release Date : 2010

Picturing Art History written by Ingrid R. Vermeulen and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Art categories.


A groundbreaking study of the rise of classification of reproductions to demonstrate trends in art history, and the relationship between image and text in the art literature



Picturing The Closet


Picturing The Closet
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Author : Dominic Janes
language : en
Publisher: Oxford University Press, USA
Release Date : 2015

Picturing The Closet written by Dominic Janes and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with Art categories.


Picturing the Closet takes a pioneering approach to visual culture and by so doing builds on Eve Kosofsky Sedgwick's Epistemology of the Closet in order to present a compelling new approach to the British experience of queer culture since the eighteenth century.



Illustrating The Past In Early Modern England


Illustrating The Past In Early Modern England
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Author : James A. Knapp
language : en
Publisher: Routledge
Release Date : 2017-07-28

Illustrating The Past In Early Modern England written by James A. Knapp and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-28 with Literary Criticism categories.


Illustrating the Past is a study of the status of visual and verbal media in early modern English representations of the past. It focuses on general attitudes towards visual and verbal representations of history as well as specific illustrated books produced during the period. Through a close examination of the relationship of image to text in light of contemporary discussions of poetic and aesthetic practice, the book demonstrates that the struggle between the image and the word played a profoundly important role in England's emergent historical self-awareness. The opposition between history and story, fact and fiction, often tenuous, provided a sounding board for deeper conflicts over the form in which representations might best yield truth from history. The ensuing schism between poets and historians over the proper venue for the lessons of the past manifested itself on the pages of early modern printed books. The discussion focuses on the word and image relationships in several important illustrated books printed during the second half of the sixteenth century-including Holinshed's Chronicles (1577) and Foxe's Book of Martyrs (1563, 1570)-in the context of contemporary works on history and poetics, such as Sir Philip Sidney's Apology for Poetry and Thomas Blundeville's The true order and Method of wryting and reading Hystories. Illustrating the Past specifically answers two important questions concerning the resultant production of literary and historical texts in the period: Why did the use of images in printed histories suddenly become unpopular at the end of the sixteenth century? and What impact did this publishing trend have on writers of literary and historical texts?



Monarchy Print Culture And Reverence In Early Modern England


Monarchy Print Culture And Reverence In Early Modern England
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Author : Stephanie E. Koscak
language : en
Publisher: Routledge
Release Date : 2020-06-11

Monarchy Print Culture And Reverence In Early Modern England written by Stephanie E. Koscak and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-06-11 with History categories.


This richly illustrated and interdisciplinary study examines the commercial mediation of royalism through print and visual culture from the second half of the seventeenth century. The rapidly growing marketplace of books, periodicals, pictures, and material objects brought the spectacle of monarchy to a wide audience, saturating spaces of daily life in later Stuart and early Hanoverian England. Images of the royal family, including portrait engravings, graphic satires, illustrations, medals and miniatures, urban signs, playing cards, and coronation ceramics were fundamental components of the political landscape and the emergent public sphere. Koscak considers the affective subjectivities made possible by loyalist commodities; how texts and images responded to anxieties about representation at moments of political uncertainty; and how individuals decorated, displayed, and interacted with pictures of rulers. Despite the fractious nature of party politics and the appropriation of royal representations for partisan and commercial ends, print media, images, and objects materialized emotional bonds between sovereigns and subjects as the basis of allegiance and obedience. They were read and re-read, collected and exchanged, kept in pockets and pasted to walls, and looked upon as repositories of personal memory, national history, and political reverence.



Visual Rhetoric And Early Modern English Literature


Visual Rhetoric And Early Modern English Literature
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Author : Katherine Acheson
language : en
Publisher: Routledge
Release Date : 2016-12-05

Visual Rhetoric And Early Modern English Literature written by Katherine Acheson and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-05 with Literary Criticism categories.


Early modern printed books are copiously illustrated with charts, diagrams, and other kinds of images that represent systems of thought and ways of doing things. Visual Rhetoric and Early Modern English Literature shows how these images fostered what Elizabeth Eisenstein called brainwork related to concepts of space, truth, art, and nature, and reveals their importance to poetry by Andrew Marvell and John Milton, and Aphra Behn’s Oroonoko. The genres of illustration considered in this book include military strategy and tactics, garden design, instrumentation, Bibles, scientific schema, drawing instruction, natural history, comparative anatomy, and Aesop’s Fables. The argument produces unique insights into the ways in which visual rhetoric affected verbal expression, and the book develops novel methods of using printed images as evidence in the interpretation of the rich, strange, and beautiful literature of early modern England.



Perspective As A Problem In The Art History And Literature Of Early Modern England


Perspective As A Problem In The Art History And Literature Of Early Modern England
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Author : Mark Lussier
language : en
Publisher: Edwin Mellen Press
Release Date : 1992

Perspective As A Problem In The Art History And Literature Of Early Modern England written by Mark Lussier and has been published by Edwin Mellen Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with Art categories.


The thrust of these symposium papers engaged the development of perspective in early modern England, an evolution in thought and practice that crossed disciplinary lines to be felt in the art, literature, and history of England. Individual papers explore perspectives on representation (e.g., history in fiction and fiction in history); development of frames for historical and literary narratives and their impact on point of view; implications of co-ordinate developments in painting and narrative, such as simultaneous introduction of fixed-point perspective and third person narrative; and the relationship between fact and fiction as they were defined in early modern England. The essays seek to alter current perspectives on the origins of the early modern period, connecting insights into intellectual developments to their embodiment in the art, literature, and history of the period.



Picturing The Past


Picturing The Past
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Author : Rosemary Mitchell
language : en
Publisher: OUP Oxford
Release Date : 2000-07-13

Picturing The Past written by Rosemary Mitchell and has been published by OUP Oxford this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-07-13 with History categories.


This monograph is a wide-ranging and sophisticated analysis of representations in text and image of the English past between 1830 and 1870. It consists of a series of inter-related case-studies of illustrated history books, ranging from editions of David Humes History of England to W. H. Ainsworths The Tower of London (1840). It contributes to present debates on nationalism, highlighting the complex and variable nature of cultural constructions of identity. Simultaneously, if offers an overall interpretation of historiographical change in early and mid-Victorian Britain, focusing in particular on the transition from picturesque reconstructions of the English past to the scientific approaches of the professional historian. Genuinely interdisciplinary, Picturing the Past presents new perspectives on traditional studies of Victorian historiography, literature, and illustration. It explores relationships between text and image, author, illustrator, and publisher, in the production of illustrated historical texts, often drawing on neglected material in publishers archives. The tendency to analyse text and image, fiction and non-fiction, popular and elite publications in isolation from each other is challenged in the interests of a more complex and nuanced portrait of the middle-class Victorian historical consciousness.