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Es Lebe Die Oper


Es Lebe Die Oper
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Es Lebe Die Oper


Es Lebe Die Oper
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Author : N. O. Scarpi
language : de
Publisher:
Release Date : 1972

Es Lebe Die Oper written by N. O. Scarpi and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1972 with Opera categories.




Die Oper Ist Tot Es Lebe Die Oper


Die Oper Ist Tot Es Lebe Die Oper
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Author :
language : de
Publisher:
Release Date : 2022-10-04

Die Oper Ist Tot Es Lebe Die Oper written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-10-04 with categories.




Es Lebe Die Oper


Es Lebe Die Oper
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Author : Fritz Bondy
language : en
Publisher:
Release Date : 1972

Es Lebe Die Oper written by Fritz Bondy and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1972 with categories.




Monatsschrift F R Das Deutsche Geistesleben


Monatsschrift F R Das Deutsche Geistesleben
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Author :
language : en
Publisher:
Release Date : 1902

Monatsschrift F R Das Deutsche Geistesleben written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1902 with categories.




John Gay S The Beggar S Opera 1728 2004


John Gay S The Beggar S Opera 1728 2004
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Author : Uwe Böker
language : en
Publisher: Rodopi
Release Date : 2006

John Gay S The Beggar S Opera 1728 2004 written by Uwe Böker and has been published by Rodopi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Literary Criticism categories.


When Richard Steele remarked that the greatest Evils in human Society are such as no Law can come at, he was not able to forsee the spectacular success of John Gay's satire of society, the administration of law and crime, politics, the Italian opera and other topics. Gay's The Beggar's Opera, with its mixture of witty dialogue and popular songs, was imitated by 18th century writers, criticized by those on the seats of power, but remained a favourite of the English theatre public ever since. With N. Playfair's 1920 revival and B. Brecht's and K. Weill's 1928 Dreigroschenoper, Gay's play has been a starting-point for dramatists such as V. Havel (Zebrácká opera, 1975), W. Soyinka (Opera Wonyosi, 1977), Ch. Buarque (Ópera do Malandro, 1978), D. Fo (L'opera dello sghignazzo, 1981), A. Ayckbourn (A Chorus of Disapproval, 1984), as well as others such as Latouche, Hacks, Fassbinder, Dear, Wasserman, and Lepage. Apart from contributions by international scholars analysing the above-named plays, the editors' introduction covers other dramatists that have payed hommage to Gay. This interdisciplinary collection of essays is of particular interest for scholars working in the field of drama/theatre studies, the eighteenth century, contemporary drama, postcolonial studies, and politics and the stage.



Unsettling Opera


Unsettling Opera
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Author : David J. Levin
language : en
Publisher: University of Chicago Press
Release Date : 2008-11-15

Unsettling Opera written by David J. Levin and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-11-15 with Music categories.


What happens when operas that are comfortably ensconced in the canon are thoroughly rethought and radically recast on stage? What does a staging do to our understanding of an opera, and of opera generally? While a stage production can disrupt a work that was thought to be established, David J. Levin here argues that the genre of opera is itself unsettled, and that the performance of operas, at its best, clarifies this condition by bringing opera’s restlessness and volatility to life. Unsettling Opera explores a variety of fields, considering questions of operatic textuality, dramaturgical practice, and performance theory. Levin opens with a brief history of opera production, opera studies, and dramatic composition, and goes on to consider in detail various productions of the works of Wagner, Mozart, Verdi, and Alexander Zemlinsky. Ultimately, the book seeks to initiate a dialogue between scholars of music, literature, and performance by addressing questions raised in each field in a manner that influences them all.



Morality And Viennese Opera In The Age Of Mozart And Beethoven


Morality And Viennese Opera In The Age Of Mozart And Beethoven
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Author : Martin Nedbal
language : en
Publisher: Taylor & Francis
Release Date : 2016-09-13

Morality And Viennese Opera In The Age Of Mozart And Beethoven written by Martin Nedbal and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-09-13 with Music categories.


This book explores how the Enlightenment aesthetics of theater as a moral institution influenced cultural politics and operatic developments in Vienna between the mid-eighteenth and early nineteenth centuries. Moralistic viewpoints were particularly important in eighteenth-century debates about German national theater. In Vienna, the idea that vernacular theater should cultivate the moral sensibilities of its German-speaking audiences became prominent during the reign of Empress Maria Theresa, when advocates of German plays and operas attempted to deflect the imperial government from supporting exclusively French and Italian theatrical performances. Morality continued to be a dominant aspect of Viennese operatic culture in the following decades, as critics, state officials, librettists, and composers (including Gluck, Mozart, and Beethoven) attempted to establish and define German national opera. Viennese concepts of operatic didacticism and national identity in theater further transformed in response to the crisis of Emperor Joseph II’s reform movement, the revolutionary ideas spreading from France, and the war efforts in facing Napoleonic aggression. The imperial government promoted good morals in theatrical performances through the institution of theater censorship, and German-opera authors cultivated intensely didactic works (such as Die Zauberflöte and Fidelio) that eventually became the cornerstones for later developments of German culture.



The German Opera Libretto Since 1945


The German Opera Libretto Since 1945
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Author : Karen Renée Bansbach
language : en
Publisher:
Release Date : 1975

The German Opera Libretto Since 1945 written by Karen Renée Bansbach and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1975 with Libretto categories.




The Lessing Yearbook


The Lessing Yearbook
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Author : Richard E. Schade
language : en
Publisher: Wayne State University Press
Release Date : 1998

The Lessing Yearbook written by Richard E. Schade and has been published by Wayne State University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Literary Criticism categories.


The Lessing Yearbook, the official publication of the Lessing Society, is a valuable source of information on German culture, literature, and thought of the eighteenth century. Articles are in German or English.



A Stage For Debate


A Stage For Debate
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Author : Martin Wagner
language : en
Publisher: University of Toronto Press
Release Date : 2023-05-26

A Stage For Debate written by Martin Wagner and has been published by University of Toronto Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-05-26 with Literary Criticism categories.


A Stage for Debate presents a detailed analysis of the repertoire of the leading German-language stage of the nineteenth century, Vienna’s Burgtheater. The book explores the extent to which the Burgtheater repertoire contributed to important political and cultural debates on individual liberty, the role of women in society, and the understanding of national and regional identity. The relevance of the Burgtheater as a forum for political debate is assessed not by the degree to which the performed plays transgressed established norms, but by the range of positions that were voiced on a given topic. Martin Wagner investigates the roughly 1,000 plays from across Europe that were introduced to the Burgtheater’s repertoire between 1814 and 1867 by combining a general overview with detailed interpretations of especially successful plays. Wagner reveals that the Burgtheater was significantly more involved in contemporary debates than the stereotype of this stage as an artistically refined but apolitical institution suggests. Drawing from theatre studies and German and Austrian studies more broadly, A Stage for Debate revises the history of one of Europe’s leading theatres.