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Eseguire L Inatteso Ontologia Della Musica E Improvvisazione


Eseguire L Inatteso Ontologia Della Musica E Improvvisazione
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Eseguire L Inatteso Ontologia Della Musica E Improvvisazione


Eseguire L Inatteso Ontologia Della Musica E Improvvisazione
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Author : Alessandro Bertinetto
language : it
Publisher: il glifo ebooks
Release Date : 2016-05-02

Eseguire L Inatteso Ontologia Della Musica E Improvvisazione written by Alessandro Bertinetto and has been published by il glifo ebooks this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-05-02 with Philosophy categories.


L'improvvisazione musicale è un processo in cui invenzione ed esecuzione coincidono. Questo libro ne spiega l'ontologia, esaminandone le proprietà e gli aspetti teorici. La tesi proposta, entrando nel vivo del dibattito filosofico e musicologico, è che attraverso l'improvvisazione si possa riconfigurare l'ontologia della musica, rendendola coerente con le pratiche artistiche e la loro esperienza estetica. Eseguendo l'inatteso, l'improvvisazione ci fa ascoltare l'inaudita bellezza della musica.



The Routledge Handbook Of Philosophy And Improvisation In The Arts


The Routledge Handbook Of Philosophy And Improvisation In The Arts
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Author : Alessandro Bertinetto
language : en
Publisher: Routledge
Release Date : 2021-07-22

The Routledge Handbook Of Philosophy And Improvisation In The Arts written by Alessandro Bertinetto and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-07-22 with Philosophy categories.


Over the last few decades, the notion of improvisation has enriched and dynamized research on traditional philosophies of music, theatre, dance, poetry, and even visual art. This Handbook offers readers an authoritative collection of accessible articles on the philosophy of improvisation, synthesizing and explaining various subjects and issues from the growing wave of journal articles and monographs in the field. Its 48 chapters, written specifically for this volume by an international team of scholars, are accessible for students and researchers alike. The volume is organized into four main sections: I Art and Improvisation: Theoretical Perspectives II Art and Improvisation: Aesthetical, Ethical, and Political Perspectives III Improvisation in Musical Practices IV Improvisation in the Visual, Narrative, Dramatic, and Interactive Arts Key Features: Treats improvisation not only as a stylistic feature, but also as an aesthetic property of artworks and performances as well as a core element of artistic creativity. Spells out multiple aspects of the concept of improvisation, emphasizing its relevance in understanding the nature of art. Covers improvisation in a wide spectrum of artistic domains, including unexpected ones such as literature, visual arts, games, and cooking. Addresses key questions, such as: - How can improvisation be defined and what is its role in different art forms? - Can improvisation be perceived as such, and how can it be aesthetically evaluated? - What is the relationship between improvisation and notions such as action, composition, expressivity, and authenticity? - What is the ethical and political significance of improvisation?



Philosophical Considerations On Contemporary Music


Philosophical Considerations On Contemporary Music
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Author : Giacomo Fronzi
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2017-01-06

Philosophical Considerations On Contemporary Music written by Giacomo Fronzi and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-01-06 with Music categories.


The musical universe of the 20th and 21st centuries is a force-field in which styles, instruments, personalities and stories can be found that are ascribable to conceptual frameworks that may differ greatly one from another. Such complexity cannot be traced back to single theories or all-encompassing interpretations, but may be tackled, philosophically, starting from certain characteristics. This book identifies nine such characteristics: namely, Extremes, Noise, Silence, Technology, Audience, Listening, Freedom, Disintegration, and New Media. Each of these permits us to open up unforeseen philosophical-cultural paths and interpret, in its multifarious variety, the developments of contemporary music, profoundly interwoven with the history of thought, culture and society.



The Normativity Of Musical Works A Philosophical Inquiry


The Normativity Of Musical Works A Philosophical Inquiry
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Author : Alessandro Arbo
language : en
Publisher: BRILL
Release Date : 2021-05-25

The Normativity Of Musical Works A Philosophical Inquiry written by Alessandro Arbo and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-05-25 with Art categories.


The essay advocates a theory of the musical work as a “social object” which is based on a trace informed by a normative value. Such a normativity is explored in relation to three ways of fixing the trace: orality, notation and phonography.



Performance Analysis


Performance Analysis
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Author : Madalena Soveral
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2018-12-10

Performance Analysis written by Madalena Soveral and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-12-10 with Music categories.


This collection of essays highlights different questions concerning music theory, interpretation, and performance. Organized into four chapters, the first section looks into interpretation from a hermeneutic perspective, whereas the second analyses the application of this knowledge in musical practice. The discussion turns, in the third part, to a new field of music theory broadly labelled as performance studies. Focused on physical and psychological events, this section broaches fundamental issues such as gesture, bodily movement, expression, emotion, a whole set of processes that act within the framework of performance. The final section addresses the artistic practices in the 21st century across present-day cultural contexts. Proposing a space for reflection in which one tries to imagine the relation between the scientific field and the interpretative process, this volume reflects the central issues of research in performance analysis, establishing connections between different disciplines, methodologies and research trends. It will be of essential interest to researchers, musicians and performers, and music students.



Operatic Pasticcios In 18th Century Europe


Operatic Pasticcios In 18th Century Europe
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Author : Berthold Over
language : en
Publisher: transcript Verlag
Release Date : 2021-04-30

Operatic Pasticcios In 18th Century Europe written by Berthold Over and has been published by transcript Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-04-30 with Art categories.


In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.



Kant S Critique Of Aesthetic Judgment In The 20th Century


Kant S Critique Of Aesthetic Judgment In The 20th Century
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Author : Stefano Marino
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2020-11-09

Kant S Critique Of Aesthetic Judgment In The 20th Century written by Stefano Marino and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-09 with Philosophy categories.


Kant’s Critique of Judgment represents one of the most important texts in modern philosophy. However, while its importance for 19th-century philosophy has been widely acknowledged, scholars have often overlooked its far-reaching influence on 20th-century thought. This book aims to account for the various interpretations of Kant’s notion of aesthetic judgment formulated in the last century. The book approaches the subject matter from both a historical and a theoretical point of view and in relation to different cultural contexts, also exploring in an unprecedented way its influence on some very up-to-date philosophical developments and trends. It represents the first choral and comprehensive study on this missing piece in the history of modern and contemporary philosophy, capable of cutting in a unique way across different traditions, movements and geographical areas. All main themes of Kant’s aesthetics are investigated in this book, while at the same time showing how they have been interpreted in very different ways in the 20th century. With contributions by Alessandro Bertinetto, Patrice Canivez, Dario Cecchi, Diarmuid Costello, Nicola Emery, Serena Feloj, Günter Figal, Tom Huhn, Hans-Peter Krüger, Thomas W. Leddy, Stefano Marino, Claudio Paolucci, Anne Sauvagnargues, Dennis J. Schmidt, Arno Schubbach, Scott R. Stroud, Thomas Teufel, and Pietro Terzi.



Glossary Of Morphology


Glossary Of Morphology
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Author : Federico Vercellone
language : en
Publisher: Springer Nature
Release Date : 2020-12-01

Glossary Of Morphology written by Federico Vercellone and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-12-01 with Philosophy categories.


This book is a significant novelty in the scientific and editorial landscape. Morphology is both an ancient and a new discipline that rests on Goethe's heritage and re-forms it in the present through the concepts of form and image. The latter are to be understood as structural elements of a new cultural grammar able to make the late modern world intelligible. In particular, compared to the original Goethean project, but also to C.P. Snow's idea of unifying the “two cultures”, the fields of morphological culture that are the object of this glossary have profoundly changed. The ever-increasing importance of the image as a polysemic form has made the two concepts absolutely transitive, so to speak. This is concomitant with the emergence of a culture that revolves around the image, attracting the verbal logos into its orbit. Incidentally, even the hermeneutic relationship between past and present relies more and more on the image, causing deep changes in cultural environments. Form and image are not just bridging concepts, as in the field of ancient morphology, but real transitive concepts that define the state of a culture. From the Internet to smartphones, television, advertising, etc., we are witnessing – as Horst Bredekamp observes – an immense mass of images that fill our time and affect the most diverse areas of our culture. The ancient connection between science and art recalled by Goethe emerges with unusual evidence thanks to intersecting patterns and expressive forms that are sometimes shared by different forms of knowledge. Creating a glossary and a culture of these intersections is the task of morphology, which thus enters into the boundaries between aesthetics, art, design, advertising, and sciences (from mathematics to computer science, to physics, and to biology), in order to provide the founding elements of a grammar and a syntax of the image. The latter, in its formal quality, both expressive and symbolic, is a fundamental element in the unification of the various kinds of knowledge, which in turn come to be configured, in this regard, also as styles of vision. The glossary is subdivided into contiguous sections, within a complex framework of cross-references. In addition to the two curators, the book features the collaboration of a team of scholars from the individual disciplines appearing in the glossary.



Grammatica Della Musica Grammatica Della Percezione


Grammatica Della Musica Grammatica Della Percezione
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Author : Domenica Lentini
language : it
Publisher: il glifo ebooks
Release Date : 2016-07-28

Grammatica Della Musica Grammatica Della Percezione written by Domenica Lentini and has been published by il glifo ebooks this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-07-28 with Philosophy categories.


L’idea di grammatica indica, nell’ambito della filosofia contemporanea, l’impalcatura di regole e norme che costituiscono le condizioni di possibilità di un fenomeno. Interrogarsi sulla grammatica della musica e sulla grammatica della percezione – come suggerisce il titolo della presente raccolta – significa dunque prendere in esame l’esperienza musicale andando in cerca delle sue strutture portanti e dei modi in cui parliamo di esse. I saggi raccolti in questo volume hanno l’obiettivo di illustrare come i diversi orientamenti dell’estetica musicale contemporanea (dall’ontologia alla fenomenologia della musica, passando per l’estetica analitica e la filosofia del linguaggio) affrontino il tema della grammatica, vale a dire come tentino di rendere conto delle diverse possibilità costitutive dell’ascolto, dell’esecuzione, della composizione, della percezione, della scrittura e della registrazione, tenendo conto dell’ampiezza e delle molteplici articolazioni di un fenomeno complesso come la pratica musicale.



Fra Due


Fra Due
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Author : Davide Sparti
language : it
Publisher: Mimesis
Release Date : 2023-04-07T00:00:00+02:00

Fra Due written by Davide Sparti and has been published by Mimesis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-04-07T00:00:00+02:00 with Literary Criticism categories.


La letteratura sull’improvvisazione si divide in due filoni, quello volto a definire l’improvvisazione e quello che si concentra sulle abilità necessarie per improvvisare meglio. Un terzo, cruciale aspetto di natura morale resta invece del tutto trascurato: il nostro coinvolgimento nei confronti del prossimo e l’atteggiamento con cui affrontiamo le attività cooperative. Questo libro è il primo lavoro che si concentra sull’improvvisazione da un punto di vista etico. Prendendo le mosse dal tango argentino e avvalendosi delle riflessioni filosofiche di Ludwig Wittgenstein, Davide Sparti considera infatti gli attori impegnati in forme di creatività congiunte – quali i ballerini di tango o i musicisti di jazz – come agenti morali. Cosa succede quando due persone improvvisano insieme? Cosa accade, durante l’improvvisazione, a chi improvvisa? L’aspetto etico rappresenta il piano soggiacente che la pratica dell’improvvisazione presuppone senza necessariamente rilevare, il suo punto cieco. Esaminando gli atteggiamenti assunti da chi è coinvolto in pratiche creative umane, Sparti riporta quindi la morale al suo punto di partenza: due individui esposti l’uno all’altro, indotti a confrontarsi con la necessità di riconoscere/eludere ciò che l’incontro esprime circa l’altro.