European Music 1520 1640
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European Music 1520 1640
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Author : James Haar
language : en
Publisher: Boydell & Brewer Ltd
Release Date : 2014
European Music 1520 1640 written by James Haar and has been published by Boydell & Brewer Ltd this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Literary Criticism categories.
Chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain), genre studies (Mass, motet, madrigal, chanson, instrumental music, opera), as well as essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, the concepts of "Renaissance" and "Baroque").
European Music 1520 1640
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Author : James Haar
language : en
Publisher:
Release Date : 2006
European Music 1520 1640 written by James Haar and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Music categories.
European Music 1520 1640
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Author : James Haar
language : en
Publisher: Boydell Press
Release Date : 2006
European Music 1520 1640 written by James Haar and has been published by Boydell Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Music categories.
The sixteenth and early seventeenth centuries - the so-called Golden Age of Polyphony - represent a time of great change and development in European music, with the flourishing of Orlando di Lasso, Palestrina, Byrd, Victoria, Monteverdi and Schütz among others. The thirty chapters of this book, contributed by established scholars on subjects within their fields of expertise, deal with polyphonic music - sacred and secular, vocal and instrumental - during this period. The volume offers chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain); genre studies (Mass, motet, madrigal, chanson, instrumental music, opera); and is completed with essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, concepts of 'Renaissance' and 'Baroque'). It thus provides a complete overview of the music and its context. Contributors: GARY TOMLINSON, JAMES HAAR, TIM CARTER, GIULIO ONGARO, NOEL O'REGAN, ALLAN ATLAS, ANTHONY CUMMINGS, RICHARD FREEDMAN, JEANICE BROOKS, DAVID TUNLEY, KATE VAN ORDEN, KRISTINE FORNEY, IAIN FENLON, KAROL BERGER, PETER BERGQUIST, DAVID CROOK, ROBIN LEAVER, CRAIG MONSON, TODD BORGERDING, LOUISE K. STEIN, GIUSEPPE GERBINO, ROGER BRAY, JONATHAN WAINWRIGHT, VICTOR COELHO, KEITH POLK
The Making Of European Music In The Long Eighteenth Century
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Author : D. R. M. Irving
language : en
Publisher: Oxford University Press
Release Date : 2024-09-03
The Making Of European Music In The Long Eighteenth Century written by D. R. M. Irving and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-09-03 with Music categories.
Musical representations of Europe in myth and allegory are well known, but when and under what circumstances did the words "European" and "music" become linked together? What did the resulting term mean in music before 1800 and how did it evolve into the label "Western music," which features so prominently in pedagogical and scholarly discourses? In The Making of European Music in the Long Eighteenth Century, author D. R. M. Irving traces the emergence of such large-scale categories in Western European thought. Beginning in the 1670s, Jesuit missionaries in China began to refer to "European music," and for the next hundred years the term appeared almost exclusively in comparison with musics from other parts of the world. It entered common use from the 1770s, and in the 1830s became synonymous with a new concept of "Western music." Western European writers also associated these terms with notions of "progress" and "perfection." Meanwhile, changing ideas about "modern" Europe's cultural relationship with classical antiquity, together with theories that systematically and condescendingly racialized people from other continents, influenced the ways that these scholars imagined and interpreted musical pasts around the globe. Irving weaves his analyses throughout the book's historical examinations, suggesting that "European music" originates from self-fashioning in contexts of intercultural comparison outside the continent, rather than from the resolution of national aesthetic differences within it. He shows that "Western music" as understood today arose in line with the growth of Orientalism and increasing awareness of musics of "the East." All such reductive terms often imply homogeneity and essentialism, and Irving asks what a reassessment of their beginnings might mean for music history. Taken as a whole, the book shows how a renewed critique of primary sources can help dismantle historiographical constructs that arose within narratives of musical pasts involving Europe.
The Polyphonic Mass In Early Lutheran Central Europe
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Author : DR. ALANNA. ROPCHOCK TIERNO
language : en
Publisher: Boydell & Brewer
Release Date : 2024-09-24
The Polyphonic Mass In Early Lutheran Central Europe written by DR. ALANNA. ROPCHOCK TIERNO and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-09-24 with History categories.
Investigates the reception and performance history of the polyphonic mass in Lutheran Central Europe from ca. 1540-1600. The five-movement polyphonic Mass Ordinary emerged from the cultural and liturgical practices of medieval Roman Catholicism and became the pre-eminent large-scale musical genre of early modern Europe. By the end of the sixteenth century, the polyphonic mass remained a core musical genre among Catholics despite gaining widespread popularity within a new institution fundamentally opposed to the Catholic Church and best known for its cultivation of vernacular liturgical music: the Lutheran church. This book investigates the reception and performance history of the polyphonic mass in Lutheran Central Europe from ca. 1540-1600. Through careful source analysis, this study presents examples of polyphonic masses composed in both Lutheran and Catholic contexts that contradict the conventional conception of the Mass Ordinary as a fixed five-movement cycle with unaltered Latin texts. The book draws on sixteenth-century liturgical documents such as Lutheran church orders and hundreds of primary printed and manuscript sources of polyphonic masses; some of these items are well-known in Renaissance musicology source studies while others have received little to no scholarly attention. The book's findings invite reconsideration of how the Mass Ordinary genre is defined, allow for a discussion whether the polyphonic mass should be considered a bi-confessional genre, and present a cohesive examination of early modern liturgical music in the Germanic and western Slavic regions. It offers interesting reading to scholars and students of European Renaissance and religious music, as well as Reformation studies more generally.
A Critical Companion To Medieval Motets
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Author : Jared C. Hartt
language : en
Publisher: Boydell & Brewer
Release Date : 2018
A Critical Companion To Medieval Motets written by Jared C. Hartt and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with Business & Economics categories.
First full comprehensive guide to one of the most important genres of music in the Middle Ages.
Hymns And Hymnody Historical And Theological Introductions Volume 2
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Author : Mark A. Lamport
language : en
Publisher: BoD – Books on Demand
Release Date : 2020-01-01
Hymns And Hymnody Historical And Theological Introductions Volume 2 written by Mark A. Lamport and has been published by BoD – Books on Demand this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-01-01 with Religion categories.
Hymns and the music the church sings in worship are tangible means of expressing worship. And while worship is one of, if not the central functions of the church along with mission, service, education, justice, and compassion, and occupies a prime focus of our churches, a renewed sense of awareness to our theological presuppositions and cultural cues must be maintained to ensure a proper focus in worship. Hymns and Hymnody: Historical and Theological Introductions is a sixty-chapter, three-volume introductory textbook describing the most influential hymnists, liturgists, and musical movements of the church. This academically grounded resource evaluates both the historical and theological perspectives of the major hymnists and composers who have impacted the church over the course of twenty centuries. Volume 1 explores the early church and concludes with the Renaissance era hymnists. Volume 2 begins with the Reformation and extends to the eighteenth-century hymnists and liturgists. Volume 3 engages nineteenth century hymnists to the contemporary movements of the twenty-first century. Each chapter contains these five elements: historical background, theological perspectives communicated in their hymns/compositions, contribution to liturgy and worship, notable hymns, and bibliography. The mission of Hymns and Hymnody is (1) to provide biographical data on influential hymn writers for students and interested laypeople, and (2) to provide a theological analysis of what these composers have communicated in the theology of their hymns. We believe it is vital for those involved in leading the worship of the church to recognize that what they communicate is in fact theology. This latter aspect, we contend, is missing—yet important—in accessible formats for the current literature.
Absolute Music
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Author : Mark Evan Bonds
language : en
Publisher: Oxford University Press, USA
Release Date : 2014
Absolute Music written by Mark Evan Bonds and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Music categories.
What we think music is shapes how we hear it. This book traces the history of the idea of pure - 'absolute' - music from Pythagoras to the present, with special emphasis on efforts to reconcile the irreducible essence of the art with its profound effects on the human spirit. The core of this study focuses on the period 1850-1935, beginning with the collision between Richard Wagner and the Viennese critic Eduard Hanslick.
The Routledge Research Companion To Johann Sebastian Bach
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Author : Robin Leaver
language : en
Publisher: Routledge
Release Date : 2016-11-25
The Routledge Research Companion To Johann Sebastian Bach written by Robin Leaver and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-11-25 with Music categories.
The Ashgate Research Companion to Johann Sebastian Bach provides an indispensable introduction to the Bach research of the past thirty-fifty years. It is not a lexicon providing information on all the major aspects of Bach's life and work, such as the Oxford Composer Companion: J. S. Bach. Nor is it an entry-level research tool aimed at those making a beginning of such studies. The valuable essays presented here are designed for the next level of Bach research and are aimed at masters and doctoral students, as well as others interested in coming to terms with the current state of Bach research. Each author covers three aspects within their specific subject area; firstly, to describe the results of research over the past thirty-fifty years, concentrating on the most significant and controversial, such as: the debate over Smend's NBA edition of the B minor Mass; Blume's conclusions with regard to Bach's religion in the wake of the 'new' chronology; Rifkin's one-to-a-vocal-part interpretation; the rediscovery of the Berlin Singakademie manuscripts in Kiev; the discovery of hitherto unknown manuscripts and documents and the re-evaluation of previously known sources. Secondly, each author provides a critical analysis of current research being undertaken that is exploring new aspects, reinterpreting earlier assumptions, and/or opening-up new methodologies. For example, Martin W. B. Jarvis has suggested that Anna Magdalena Bach composed the cello suites and contributed to other works of her husband - another controversial hypothesis, whose newly proposed forensic methodology requires investigation. On the other hand, research into Bach's knowledge of the Lutheran chorale tradition is currently underway, which is likely to shed more light on the composer's choices and usage of this tradition. Thirdly, each author identifies areas that are still in need of investigation and research.
Listening To Confraternities
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Author : Tess Knighton
language : en
Publisher: BRILL
Release Date : 2024-12-30
Listening To Confraternities written by Tess Knighton and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-12-30 with Music categories.
Listening to Confraternities offers new perspectives on the contribution of guild and devotional confraternities to the urban phonosphere based on original research and an interdisciplinary approach. Historians of art, architecture, culture, sound, music and the senses consider the ways in which, through their devotional practices, confraternities acted as patrons of music, created their identity through sound and were involved in the everyday musical experience of major cities in early modern Europe. Confraternities have been studied from many different angles, but only rarely as acoustic communities that communicated through sound and whose musical activities delimited the urban spaces in which they were active. Contributors: Nicholas Terpstra, Emanuela Vai, Ana López Suero, Henry Drummond, Ascensión Mazuela-Anguita, Ferrán Escrivà-Llorca, Noel O’Regan, Magnus Williamson, Xavier Torres Sans, Erika Honisch, Alexander Fisher, Konrad Eisenbichler, Daniele Filippi, Dylan Reid, Elisa Lessa, Antonio Ruiz Caballero, Juan Ruiz Jiménez, Sergi González González, and Tess Knighton.