Experimental Cinema In The Digital Age


Experimental Cinema In The Digital Age
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Experimental Cinema In The Digital Age


Experimental Cinema In The Digital Age
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Author : Malcolm Le Grice
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-07-25

Experimental Cinema In The Digital Age written by Malcolm Le Grice and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-25 with Performing Arts categories.


Michael Le Grice, a pioneer of 'structural film' in the 1970s and whose first video and computer works were exhibited in the late 1960s, provides a collection of his most notable essays. The essays shed light on the work of other artists and film-makers and documents a period, especially the 70s, when artists' film was at the centre of polemical debate about the nature of avant-garde and the future of radical or experimental film. The book contributes to the contemporary debates about film, video, art and new technology.



Experimental Cinema In The Digital Age


Experimental Cinema In The Digital Age
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Author : Malcom Le Grice
language : es
Publisher:
Release Date : 2001

Experimental Cinema In The Digital Age written by Malcom Le Grice and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with categories.




Process Cinema


Process Cinema
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Author : Scott MacKenzie
language : en
Publisher: McGill-Queen's Press - MQUP
Release Date : 2019-07-11

Process Cinema written by Scott MacKenzie and has been published by McGill-Queen's Press - MQUP this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-11 with Performing Arts categories.


Handmade films stretch back to cinema's beginnings, yet until now their rich history has been neglected. Process Cinema is the first book to trace the development of handmade and hand-processed film in its historical and contemporary contexts, and from a global perspective. Mapping the genealogy of handmade film, and uncovering confluences, influences, and interstices between various international movements, sites, and practices, Process Cinema positions the resurgence of handmade and process cinema as a counter-practice to the rise of digital filmmaking. This volume brings together a range of renowned academics and artists to examine contemporary artisanal films, DIY labs, and filmmakers typically left out of the avant-garde canon, addressing the convergence between the analog and the digital in contemporary process cinema. Contributors investigate the history of process cinema – unscripted, improvisatory manipulation of the physicality of film – with chapters on pioneering filmmakers such as Len Lye and Marie Menken, while others discuss an international array of collectives devoted to processing films in artist-run labs from South Korea to Finland, Australia to Austria, and Greenland to Morocco, along with historical and contemporary practices in Canada and the United States. Addressing the turn to a new, sustainable creative ecology that is central to handmade films in the twenty-first century, and that defines today's reinvigorated film cultures, Process Cinema features some of the most beautiful handcrafted films and the most forward-thinking filmmakers within a global context.



Cinema In The Digital Age


Cinema In The Digital Age
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Author : Nicholas Rombes
language : en
Publisher: Columbia University Press
Release Date : 2017-12-19

Cinema In The Digital Age written by Nicholas Rombes and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-12-19 with Performing Arts categories.


Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes—blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera. With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)—both shot digitally—have disguised and erased their digital foundations. The book also explores new possibilities for writing about and theorizing film, such as randomization.



Experimental Cinema


Experimental Cinema
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Author : Wheeler W. Dixon
language : en
Publisher: Psychology Press
Release Date : 2002

Experimental Cinema written by Wheeler W. Dixon and has been published by Psychology Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Experimental films categories.


Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920s to the work of contemporary film and video artists.



A History Of 1970s Experimental Film


A History Of 1970s Experimental Film
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Author : P. Gaal-Holmes
language : en
Publisher: Springer
Release Date : 2015-03-17

A History Of 1970s Experimental Film written by P. Gaal-Holmes and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-03-17 with Performing Arts categories.


This comprehensive historical account demonstrates the rich diversity in 1970s British experimental filmmaking, acting as a form of reclamation for films and filmmakers marginalized within established histories. An indispensable book for practitioners, historians and critics alike, it provides new interpretations of this rich and diverse history.



The End Of Celluloid


The End Of Celluloid
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Author : Matt Hanson
language : en
Publisher: Rotovision
Release Date : 2004

The End Of Celluloid written by Matt Hanson and has been published by Rotovision this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Art categories.


Explores the diverse and inspirational works of filmakers such as Lars Von Trier, Spike Jonze and David Lynch, as well as computer game creators, music pioneers and commercial directors. The author highlights how new techniques and innovative talent are infiltrating the mainstream.



The Second Century Of Cinema


The Second Century Of Cinema
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Author : Wheeler Winston Dixon
language : en
Publisher: State University of New York Press
Release Date : 2000-02-28

The Second Century Of Cinema written by Wheeler Winston Dixon and has been published by State University of New York Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-02-28 with Performing Arts categories.


In a unique and perceptive look at the future of cinema, Wheeler Winston Dixon explores the possible effects of the digital age on the production and exhibition of films. Although Hollywood will seek to retain its dominance over the global presentation of entertainment, Dixon argues, a new vision of international access—a democracy of images—will finally inform the future structure of cinema in the twenty-first century.



Cinema In The Digital Age


Cinema In The Digital Age
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Author : Nicholas Rombes
language : en
Publisher: Columbia University Press
Release Date : 2009

Cinema In The Digital Age written by Nicholas Rombes and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Performing Arts categories.


Examines the fate of cinema in the digital era, paying special attention to both the technologies and their cultural meaning.



Cinema Expanded


Cinema Expanded
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Author : Jonathan Walley
language : en
Publisher: Oxford University Press
Release Date : 2020-07-01

Cinema Expanded written by Jonathan Walley and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-07-01 with Performing Arts categories.


Expanded cinema: avant-garde moving image works that claim new territory for the cinematic, beyond the bounds of familiar filmmaking practices and the traditional theatrical exhibition space. First emerging in the 1960s amidst seismic shifts in the arts, multi-screen films, live cinematic performance, light art, kinetic art, video, and computer-generated imagery - all placed under expanded cinema's umbrella - re-emerged at the dawn of the 2000s, opening a vast new horizon of possibility for the moving image, and perhaps even heralding the end of cinema as we know it. Cinema Expanded: Avant-Garde Film in the Age of Intermedia offers a bold new account of its subject, breaking from previous studies and from larger trends in film and art scholarship. Author Jonathan Walley argues that expanded cinema's apparent departure from the traditions and forms of cinema as we know it actually radically asserts cinema's nature and artistic autonomy. Walley also resituates expanded cinema within the context of avant-garde film history, linking it to a mode of filmmaking that has historically investigated and challenged the nature and limits of cinematic form. As an outgrowth of this tradition, expanded cinema offered a means for filmmakers within the avant-garde, regardless of their differing styles, formal concerns, and politics, to stake out cinema's unique aesthetic terrain - its ontology, its independence, its identity. In addition to reconsidering the better-known expanded cinema works of the 1960s and 70s by artists like Andy Warhol, Robert Whitman, and Nam June Paik, Cinema Expanded also provides the first scholarly accounts of scores of lesser-known works across more than 50 years. Making new arguments about avant-garde cinema in general and its complex meditations on the nature of cinema, it urgently addresses current and crucial debates about the fate of the moving image amidst a digital age of near-constant technological change.