Exploring Virtuosities Heinrich Wilhelm Ernst Nineteenth Century Musical Practices And Beyond


Exploring Virtuosities Heinrich Wilhelm Ernst Nineteenth Century Musical Practices And Beyond
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Exploring Virtuosities Heinrich Wilhelm Ernst Nineteenth Century Musical Practices And Beyond


Exploring Virtuosities Heinrich Wilhelm Ernst Nineteenth Century Musical Practices And Beyond
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Author : Christine Hoppe
language : de
Publisher: Georg Olms Verlag
Release Date : 2018-05-02

Exploring Virtuosities Heinrich Wilhelm Ernst Nineteenth Century Musical Practices And Beyond written by Christine Hoppe and has been published by Georg Olms Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-05-02 with Music categories.


Over the last decade, musicological interest in both the composing virtuoso of the nineteenth century and the phenomenon of virtuosity has increased. Moving beyond approaches to music solely in terms of works allowed for a range of perspectives on concepts of virtuosity to emerge. Such cultural theory-based approaches crucially put the traditional musicological image of the virtuoso into a broader context. Recent advances in performance studies, furthermore, emphasise the need to include factors such as staging, the audience, sound and space, and musical practices, in our understanding of the complex phenomenon of virtuosity. The present volume tries to meet the challenges raised by these multi-layered perspectives by varying the foci on virtuosity – from specific attention to individual virtuosi and considerations of virtuosity’s historical and social context to broader questions regarding innovations in the current landscape and future virtuoso phenomena. The broad range of topics centres on the composer and virtuoso Heinrich Wilhelm Ernst and his immediate sphere of influence. The contributions in the present volume not only reveal the complexity of the research field of virtuosity but also liberate Heinrich Wilhelm Ernst from the shadow of fixed, mainly non-musical, discourses on virtuosity around Paganini. The enclosed CD with recordings by Guillaume Tardif, Philippe Borer, Clive Brown and Friederike Spangenberg enriches these texts by including the dimension of sound.



Fantasies Of Improvisation


Fantasies Of Improvisation
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Author : Dana Andrew Gooley
language : en
Publisher: Oxford University Press
Release Date : 2018

Fantasies Of Improvisation written by Dana Andrew Gooley and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with Music categories.


The first history of keyboard improvisation in European music from the time of Beethoven through the later nineteenth century, Dana Gooley's Free Play: Fantasies of Improvisation in Nineteenth-Century Music describes the motives, intentions, and musical styles of the nineteenth century's leading improvisers, and traces the evolution of the performance practice into a glorified ideal.



Liszt And Virtuosity


Liszt And Virtuosity
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Author : Robert Doran
language : en
Publisher: Boydell & Brewer
Release Date : 2020

Liszt And Virtuosity written by Robert Doran and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with Biography & Autobiography categories.


A new and wide-ranging collection of essays by leading international scholars, exploring the concept and practices of virtuosity in Franz Liszt and his contemporaries.



The Creative Worlds Of Joseph Joachim


The Creative Worlds Of Joseph Joachim
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Author : Styra Avins
language : en
Publisher: Boydell & Brewer
Release Date : 2021

The Creative Worlds Of Joseph Joachim written by Styra Avins and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with Composers categories.


Examines Joseph Joachim's vital legacy through a range of philological, philosophical and critical approaches.Joseph Joachim (1831-1907), violinist, composer, teacher, and founding director of Berlin's Royal Academy of Music, was one of the most eminent and influential musicians of the long nineteenth century. Born in a tiny Jewish community on the Austro-Hungarian border, he rose to a position of unsurpassed prominence in European cultural life. This timely collection of essays explores important yet little-known aspects of Joachim's life and art. Studies of his Jewish background, early assimilation into Christian society, Felix Mendelssohn's mentorship, and the influence of Hungarian vernacular music on the formation of his musical style elucidate the roots of Joachim's identity. The later chapters focus on his personal and creative responses to the contentious and rapidly evolving cultural milieu in which he lived: his choice of instruments as his musical "voice," his performances as sites of (re)enchantment in the modern age, his pathbreaking British career, his calling and sway as a quartet player, his pedagogical legacy, his influence on the establishment of the musical canon, and several of his most distinctive and original compositions. With a wide variety of approaches-analytical, philological, archival, philosophical, and critical-this collection will prove enlightening to scholars, performers, and others interested in this brilliant artist and the musical aesthetics, culture, and styles of his time.ent in the modern age, his pathbreaking British career, his calling and sway as a quartet player, his pedagogical legacy, his influence on the establishment of the musical canon, and several of his most distinctive and original compositions. With a wide variety of approaches-analytical, philological, archival, philosophical, and critical-this collection will prove enlightening to scholars, performers, and others interested in this brilliant artist and the musical aesthetics, culture, and styles of his time.ent in the modern age, his pathbreaking British career, his calling and sway as a quartet player, his pedagogical legacy, his influence on the establishment of the musical canon, and several of his most distinctive and original compositions. With a wide variety of approaches-analytical, philological, archival, philosophical, and critical-this collection will prove enlightening to scholars, performers, and others interested in this brilliant artist and the musical aesthetics, culture, and styles of his time.ent in the modern age, his pathbreaking British career, his calling and sway as a quartet player, his pedagogical legacy, his influence on the establishment of the musical canon, and several of his most distinctive and original compositions. With a wide variety of approaches-analytical, philological, archival, philosophical, and critical-this collection will prove enlightening to scholars, performers, and others interested in this brilliant artist and the musical aesthetics, culture, and styles of his time.



Voices For Change In The Classical Music Profession


Voices For Change In The Classical Music Profession
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Author : Anna Bull
language : en
Publisher: Oxford University Press
Release Date : 2023

Voices For Change In The Classical Music Profession written by Anna Bull and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023 with Music categories.


"This volume advances understanding of the nature of current inequalities in the field of classical music production in the Global North, exploring why inequalities continue to exist, and asking what can be done to tackle ongoing exclusions. It constitutes an urgent intervention into these contemporary debates, drawing together ongoing and emergent analyses from scholars, activists and musicians in a variety of countries across Europe and North America to foreground both scholarly examination of these inequalities, alongside discussion of strategies and catalysts for change. Academic accounts investigate inequalities in higher education and the classical music industry, exploring racial, class and gender inequalities, 'authenticity', disability representation, changing the canon, and neoliberalism. The book also includes interviews with those working in the classical music industry where they reflect on issues of diversity and share insights and inspiration as well as good practice, putting into dialogue scholarly and industry-based accounts. Themes of the book include institutional legacies and possibilities for change; racial, gender and class inequalities and marginalised voices; and strategies for activism whether reflective practices, informal networks, or larger organisations leading change"--



Learning Jazz


Learning Jazz
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Author : Ken Prouty
language : en
Publisher: Univ. Press of Mississippi
Release Date : 2023-12-15

Learning Jazz written by Ken Prouty and has been published by Univ. Press of Mississippi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-12-15 with Music categories.


Learning Jazz: Jazz Education, History, and Public Pedagogy addresses a debate that has consumed practitioners and advocates since the music's early days. Studies on jazz learning typically focus on one of two methods: institutional education or the kinds of informal mentoring relationships long associated with the tradition. Ken Prouty argues that this distinction works against a common identity for audiences and communities. Rather, what happens within the institution impacts—and is impacted by—events and practices outside institutional contexts. While formal institutions are well-defined in educational and civic contexts, informal institutions have profoundly influenced the development of jazz and its discourses. Drawing on historical case studies, Prouty details significant moments in jazz history. He examines the ways that early method books capitalized on a new commercial market, commandeering public expertise about the music. Chapters also discuss critic Paul Eduard Miller and his attempts to develop a jazz canon, as well as the disconnect between the spotlighted “great men” and the everyday realities of artists. Tackling race in jazz education, Prouty explores the intersections between identity and assessment; bandleaders Stan Kenton and Maynard Ferguson; public school segregation; Jazz at Lincoln Center; and more. He further examines jazz’s “public pedagogy,” and the sometimes-difficult relationships between “jazz people” and the general public. Ultimately, Learning Jazz posits that there is room for both institutional and noninstitutional forces in the educational realm of jazz.



Heinrich Wilhelm Ernst Virtuoso Violinist


Heinrich Wilhelm Ernst Virtuoso Violinist
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Author : Mark Rowe
language : en
Publisher: Routledge
Release Date : 2017-07-05

Heinrich Wilhelm Ernst Virtuoso Violinist written by Mark Rowe and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


From 1840-57, Heinrich Ernst was one of the most famous and significant European musicians, and performed on stage, often many times, with Berlioz, Mendelssohn, Chopin, Liszt, Wagner, Alkan, Clara Schumann, and Joachim. It is a sign of his importance that, in 1863, Brahms gave two public performances in Vienna of his own and Ernst's music to raise money for the now mortally ill violinist. Berlioz described Ernst as 'one of the artists whom I love the most, and with whose talent I am most sympathetique', while Joachim was in no doubt that Ernst was 'the greatest violinist I ever heard; he towered above the others'. Many felt that he surpassed the expressive and technical achievements of Paganini, but Ernst, unlike his great predecessor, was also a tireless champion of public chamber music, and did more than any other early nineteenth-century violinist to make Beethoven's late quartets widely known and appreciated. Ernst was not only a great virtuoso but also an accomplished composer. He wrote two of the most popular pieces of the nineteenth century - the Elegy and the Carnival of Venice - and he is best known today for two solo pieces which represent the ne plus ultra of technical difficulty: the transcription of Schubert's Erlking, and the sixth of his Polyphonic Studies, the variations on The Last Rose of Summer. Perhaps he made his greatest contribution to music through his influence on Liszt's outstanding masterpiece, the B minor piano sonata. In 1849, Liszt conducted Ernst playing his own Concerto Pathque, a substantial single-movement work, in altered sonata form, using thematic transformation. Soon after this performance, Liszt wrote his Grosses Konzertsolo (1849-50), his first extended single-movement work, using altered sonata form, and thematic transformation. This is now universally acknowledged to be the immediate forerunner of the sonata, which refines and develops all these techniques. Liszt made his debt clear when, three years after completi



Heinrich Wilhelm Ernst


Heinrich Wilhelm Ernst
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Author : M.W. ROWE
language : en
Publisher:
Release Date : 2016

Heinrich Wilhelm Ernst written by M.W. ROWE and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with categories.




Geschichte Der Musikalischen Interpretation Im 19 Und 20 Jahrhundert Band 2 Institutionen Medien


Geschichte Der Musikalischen Interpretation Im 19 Und 20 Jahrhundert Band 2 Institutionen Medien
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Author : Thomas Ertelt
language : de
Publisher: Bärenreiter-Verlag
Release Date : 2021-07-14

Geschichte Der Musikalischen Interpretation Im 19 Und 20 Jahrhundert Band 2 Institutionen Medien written by Thomas Ertelt and has been published by Bärenreiter-Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-07-14 with Music categories.


Dies ist die erste große zusammenfassende Darstellung der Geschichte musikalischer Interpretation in den letzten beiden Jahrhunderten. Nachdem sich Band 1 Fragen der Ästhetik und Ideengeschichte zugewandt hat, geht es in Band 2 nun um die Institutionen und Medien. Diese bilden nicht nur einen lockeren Rahmen für musikalische Interpretation, sie bestimmen deren Geschichte vielmehr maßgeblich mit, ja fordern Interpretation im emphatischen Sinne geradezu heraus. - Öffentliches Konzert und Oper, Repertoire und Programmgestaltung, Auftrittsgepflogenheiten und Publikumsverhalten, Kritik und Marketing - Musikerausbildung - Dirigent und Dirigentin, Orchester und Orchestermusiker, Solist und Solistin - Editionen und Aufführungsmaterialien - Technische Medien - Interpretation jenseits der reinen Instrumentalmusik (Lied- und Kammermusikkultur, Oper / Musiktheater, Chorwesen, Kirchenmusik) Die Autorinnen und Autoren: Beatrix Borchard, Bettina Brandl-Risi, Wolfgang Dinglinger, Johannes Gebauer, Rebecca Grotjahn, Martin Günther, Wolfgang Hattinger, Michael Heinemann, Kai Köpp, Stephan Mösch, Peter Niedermüller, Clemens Risi, Christian Schaper, Gesine Schröder, Dörte Schmidt, Jo Wilhelm Siebert, Christiane Tewinkel, William Weber Welchen Einfluss etwa eine Institution auf die Interpretation und die künstlerische Arbeit ausüben kann, zeigen prominente historische Beispiele, z. B. nutzte Teodor Currentzis ein russisches Opernhaus als Experimentierfeld für seine höchst ungewöhnlichen Produktionen mit MusicAeterna und verband die Sprache historisch informierter Aufführungspraxis mit der Pose vom romantischen Geniekult.



Heine Jahrbuch 2019


Heine Jahrbuch 2019
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Author : Sabine Brenner-Wilczek
language : de
Publisher: Springer-Verlag
Release Date : 2019-09-30

Heine Jahrbuch 2019 written by Sabine Brenner-Wilczek and has been published by Springer-Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-09-30 with Literary Criticism categories.


Der 58. Jahrgang des Heine-Jahrbuchs enthält aktuelle Forschungsbeiträge zu Leben, Werk und Wirkungsgeschichte Heinrich Heines, Rezensionen und die neueste Bibliographie der Heine-Literatur. Außerdem dokumentiert er die Verleihung des Heine-Preises der Landeshauptstadt Düsseldorf von 2018: die Dankesrede des Preisträgers Leoluca Orlando und die Laudatio von Wim Wenders.