Fare Un Film Per Me Vivere

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Fare Un Film Per Me Vivere

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Author : Michelangelo Antonioni
language : it
Publisher:
Release Date : 1994

Fare Un Film Per Me Vivere written by Michelangelo Antonioni and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Performing Arts categories.

Film Sound In Italy

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Author : A. Sisto
language : en
Publisher: Springer
Release Date : 2014-03-13

Film Sound In Italy written by A. Sisto and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-03-13 with Performing Arts categories.

A critical engagement with cinema in Italy, this book examines the national archive of film based on sound and listening using a holistic audio-visual approach. Sisto shifts the sensory paradigm of film history and analysis from the optical to the sonic, demonstrating how this translates into a shift of canonical narratives and interpretations.

A Grammar Of Cinepoiesis

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Author : Silvia Carlorosi
language : en
Publisher: Lexington Books
Release Date : 2015-09-17

A Grammar Of Cinepoiesis written by Silvia Carlorosi and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-09-17 with Social Science categories.

Cinepoiesis, or cinema of poetry, strikes us as a strange combination, a phrase we initially read as an oxymoron. Poetry is often associated with the abstract and the evocative, while cinema suggests the concrete and the visible. Yet, various visual media use strong and often contradictory images, whose symbolic force and visual impact stimulate the public’s attention. Abstract and emblematic images surround us, and the poetic nature of these images lies in the way they speak beyond their apparent limits and stimulate connections on a subjective level. A prosaic world like the contemporary one, though, no longer seems to hold a place for poetry. We are inundated by the need to tell and to be told, the need to build our lives through narratives. But it is precisely here, in this contemporary landscape, that the cinema of poetry attempts to establish a space for itself, exchanging the productive and industrial apparatus for the poetic stimulus of a sensory experience. A Grammar of Cinepoiesis is a theoretical and practical guide to the cinema of poetry, to its tools and forms. It examines how the language of a “cinema of poetry” works both in its theoretical foundations and in its modes of representation, and how it takes shape in the exemplary practice of Italian authors such as Pier Paolo Pasolini, Michelangelo Antonioni, Federico Fellini, and the more recent Franco Piavoli and Matteo Garrone.

Secret Violences

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Author : Slawomir Maslon
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2023-04-06

Secret Violences written by Slawomir Maslon and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-04-06 with Performing Arts categories.

Although Michelangelo Antonioni became one of the icons of “modernist” cinema in the 1960s, his position in the pantheon of great directors has never been quite secure. Unlike his famous contemporaries, such asIngmar Bergman and Luchino Visconti, whose essential contribution to the art of cinema is hardly ever questioned, Antonioni's work has been repeatedly denigrated from many angles for both aesthetic and political reasons. Though the historical importance of some of Antonioni's films as an incarnation of certain attitudes and problems characteristic of the 1960s and 70s is not denied, they are often considered passé, artificial and boring. Contesting prevalent readings, which focus on existential and psychological motifs involving anxiety and the malady of sentiments, this book offers a re-evaluation of Antonioni's most important films interpreted as political cinema engaged with issues which are still crucial in the 21st century. Far from being politically neutral, Antonioni's oblique and “abstract” approach makes possible the prising open and devaluation of the morally and politically constrictive “organic” narrative structures. HIs approach overthrows the primacy of character and plot, on the one hand, by showing them to be emanations of the spectral materiality of capital, and, on the other hand, by allowing for an opening into the utopian dimension, implying engagement in the rethinking of our attachments to the world.

Film An International Bibliography

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Author : Malte Hagener
language : en
Publisher: Springer
Release Date : 2016-12-16

Film An International Bibliography written by Malte Hagener and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-16 with Performing Arts categories.

Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia.

Landscape And Memory In Post Fascist Italian Film

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Author : Giuliana Minghelli
language : en
Publisher: Routledge
Release Date : 2014-06-11

Landscape And Memory In Post Fascist Italian Film written by Giuliana Minghelli and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-06-11 with Performing Arts categories.

This study argues that neorealism’s visual genius is inseparable from its almost invisible relation to the Fascist past: a connection inscribed in cinematic landscapes. While largely a silent narrative, neorealism’s complex visual processing of two decades of Fascism remains the greatest cultural production in the service of memorialization and comprehension for a nation that had neither a Nuremberg nor a formal process of reconciliation. Through her readings of canonical neorealist films, Minghelli unearths the memorial strata of the neorealist image and investigates the complex historical charge that invests this cinema. This book is both a formal analysis of the new conception of the cinematic image born from a crisis of memory, and a reflection on the relation between cinema and memory. Films discussed include Ossessione (1943) Paisà (1946), Ladri di biciclette (1948), and Cronaca di un amore (1950).

Cinematic Rome

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Author : Richard Wrigley
language : en
Publisher: Troubador Publishing Ltd
Release Date : 2008

Cinematic Rome written by Richard Wrigley and has been published by Troubador Publishing Ltd this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Photography categories.

This collection is based on the papers given at a conference at the University of Nottingham in September 2005. The conference was intended to explore Rome as a site for the making of films, and also its changing role as a setting for cinematic narrative. The resulting collection of essays will contribute to the burgeoning genre of studies on cinema and the city, by focusing on one particularly rich case study both for the nature of the films discussed, and the complexities of the city and its representation. The volume will also reach beyond film studies in so far as the subject draws on and informs other approaches to Rome's cultural history (geography, art history, urban history, classics).The essays address topics ranging from the interwar period to the present. A diverse set of cinematic interactions and interventions are placed within the context of the evolving architectural, social and political fabric of Rome in a period of rapid and often traumatic historical change. Implicit in the conception of the conference was the idea that cinematic representations of the city inherit and rework established habits of visualisation used to produce images of the Eternal city. Three other tropes which constitute key elements in Rome's international reputation can be seen as being embedded in cinematic narratives. Firstly, the trope of transformation - artisic, narratives.Firstly, the trope of transformation -artisic, psychological, spiritual; secondly, the city's reputation as a cosmopolitan crossroad. Thirdly, Rome's status as a locus classicus for the juxtaposition of the ancient and the modern, which was given a new relevance and complexity in films which sought to focus on aspects of contemporary life, be it in the Fascist era, or the extreme contrasts of poverty and international bohemianism of the postwar era.

Jean Luc Godard S Political Filmmaking

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Author : Irmgard Emmelhainz
language : en
Publisher: Springer
Release Date : 2019-04-26

Jean Luc Godard S Political Filmmaking written by Irmgard Emmelhainz and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-04-26 with Performing Arts categories.

This book offers an examination of the political dimensions of a number of Jean-Luc Godard’s films from the 1960s to the present. The author seeks to dispel the myth that Godard’s work abandoned political questions after the 1970s and was limited to merely formal ones. The book includes a discussion of militant filmmaking and Godard’s little-known films from the Dziga Vertov Group period, which were made in collaboration with Jean-Pierre Gorin. The chapters present a thorough account of Godard’s investigations on the issue of aesthetic-political representation, including his controversial juxtaposition of the Shoah and the Nakba. Emmelhainz argues that the French director’s oeuvre highlights contradictions between aesthetics and politics in a quest for a dialectical image. By positing all of Godard’s work as experiments in dialectical materialist filmmaking, from Le Petit soldat (1963) to Adieu au langage (2014), the author brings attention to Godard’s ongoing inquiry on the role filmmakers can have in progressive political engagement.

A Companion To Italian Cinema

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Author : Frank Burke
language : en
Publisher: John Wiley & Sons
Release Date : 2017-04-17

A Companion To Italian Cinema written by Frank Burke and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-04-17 with Performing Arts categories.

Written by leading figures in the field, A Companion to Italian Cinema re-maps Italian cinema studies, employing new perspectives on traditional issues, and fresh theoretical approaches to the exciting history and field of Italian cinema. Offers new approaches to Italian cinema, whose importance in the post-war period was unrivalled Presents a theory based approach to historical and archival material Includes work by both established and more recent scholars, with new takes on traditional critical issues, and new theoretical approaches to the exciting history and field of Italian cinema Covers recent issues such as feminism, stardom, queer cinema, immigration and postcolonialism, self-reflexivity and postmodernism, popular genre cinema, and digitalization A comprehensive collection of essays addressing the prominent films, directors and cinematic forms of Italian cinema, which will become a standard resource for academic and non-academic purposes alike

The Cinema Of Me

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Author : Alisa Lebow
language : en
Publisher: Columbia University Press
Release Date : 2012-05-29

The Cinema Of Me written by Alisa Lebow and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-05-29 with Performing Arts categories.

When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play – the matter and the maker—thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.