Feminism Film Fascism


Feminism Film Fascism
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Feminism Film Fascism


Feminism Film Fascism
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Author : Susan E. Linville
language : en
Publisher: University of Texas Press
Release Date : 2010-01-01

Feminism Film Fascism written by Susan E. Linville and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-01-01 with Performing Arts categories.


German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn. In this pathfinding study, Susan Linville challenges the accepted wisdom of these books by focusing on a cultural realm in which mourning for the Nazi past and opposing the patriarchal and authoritarian nature of postwar German culture are central concerns—namely, women's feminist auto/biographical films of the 1970s and 1980s. After a broad survey of feminist theory, Linville analyzes five important films that reflect back on the Third Reich through the experiences of women of different ages—Marianne Rosenbaum's Peppermint Peace, Helma Sanders-Brahms's Germany, Pale Mother, Jutta Brückner's Hunger Years, Margarethe von Trotta's Marianne and Juliane, and Jeanine Meerapfel's Malou. By juxtaposing these films with the accepted theories on German culture, Linville offers a fresh appraisal not only of the films' importance but especially of their challenge to misogynist interpretations of the German failure to grieve for the horrors of its Nazi past.



Gender And German Cinema Volume Ii


Gender And German Cinema Volume Ii
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Author : Sandra Frieden
language : en
Publisher: Bloomsbury Publishing PLC
Release Date : 1993-11-14

Gender And German Cinema Volume Ii written by Sandra Frieden and has been published by Bloomsbury Publishing PLC this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993-11-14 with Performing Arts categories.


Volume I - Gender and Representation in New German CinemaVolume II - German Film History / German History on FilmInternational film has received some of its most original impulses from German film makers however the works by women directors in German speaking countries have been largely ignored in spite of the important social, political and historical issues they have raised. This is the first work to consider the broad spectrum of German cinema through the category of gender. These volumes will be standard handbooks in film studies for many years to come.



Thinking Fascism


Thinking Fascism
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Author : Erin G. Carlston
language : en
Publisher: Stanford University Press
Release Date : 1998

Thinking Fascism written by Erin G. Carlston and has been published by Stanford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Literary Criticism categories.


This book analyzes three works by sexually marginal women sometimes grouped as the "Sapphic Modernists"?Djuna Barnes's Nightwood (1936), Marguerite Yourcenar's Denier du rêve (1934), and Virginia Woolf's Three Guineas (1938)?that engage, directly or indirectly, with fascist politics and ideology.



Facing Fascism And Confronting The Past


Facing Fascism And Confronting The Past
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Author : Elke P. Frederiksen
language : en
Publisher: SUNY Press
Release Date : 2000-06-01

Facing Fascism And Confronting The Past written by Elke P. Frederiksen and has been published by SUNY Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-06-01 with Literary Criticism categories.


Examines German women's literary and cultural representations of the Nazi era.



Fascism A Very Short Introduction


Fascism A Very Short Introduction
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Author : Kevin Passmore
language : en
Publisher: OUP Oxford
Release Date : 2014-05-29

Fascism A Very Short Introduction written by Kevin Passmore and has been published by OUP Oxford this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-05-29 with Political Science categories.


What is fascism? Is it revolutionary? Or is it reactionary? Can it be both? Fascism is notoriously hard to define. How do we make sense of an ideology that appeals to streetfighters and intellectuals alike? That is overtly macho in style, yet attracts many women? That calls for a return to tradition while maintaining a fascination with technology? And that preaches violence in the name of an ordered society? In the new edition of this Very Short Introduction, Kevin Passmore brilliantly unravels the paradoxes of one of the most important phenomena in the modern world—tracing its origins in the intellectual, political, and social crises of the late nineteenth century, the rise of fascism following World War I, including fascist regimes in Italy and Germany, and the fortunes of 'failed' fascist movements in Eastern Europe, Spain, and the Americas. He also considers fascism in culture, the new interest in transnational research, and the progress of the far right since 2002. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.



Divine Decadence


Divine Decadence
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Author : Linda Mizejewski
language : en
Publisher: Princeton University Press
Release Date : 2014-07-14

Divine Decadence written by Linda Mizejewski and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-14 with Performing Arts categories.


As femme fatale, cabaret siren, and icon of Camp, the Christopher Isherwood character Sally Bowles has become this century's darling of "divine decadence"--a measure of how much we are attracted by the fiction of the "shocking" British/American vamp in Weimar Berlin. Originally a character in a short story by Isherwood, published in 1939, "Sally" has appeared over the years in John Van Druten's stage play I Am a Camera, Henry Cornelius's film of the same name, and Joe Masteroff's stage musical and Bob Fosse's Academy Award-winning musical film, both entitled Cabaret. Linda Mizejewski shows how each successive repetition of the tale of the showgirl and the male writer/scholar has linked the young man's fascination with Sally more closely to the fascination of fascism. In every version, political difference is read as sexual difference, fascism is disavowed as secretly female or homosexual, and the hero eventually renounces both Sally and the corruption of the coming regime. Mizejewski argues, however, that the historical and political aspects of this story are too specific--and too frightening--to explain in purely psychoanalytic terms. Instead, Divine Decadence examines how each text engages particular cultural issues and anxieties of its era, from postwar "Momism" to the Vietnam War. Sally Bowles as the symbol of "wild Weimar" or Nazi eroticism represents "history" from within the grid of many other controversial discourses, including changing theories of fascism, the story of Camp, vicissitudes of male homosexual representations and discourses, and the relationships of these issues to images of female sexuality. To Mizejewski, the Sally Bowles adaptations end up duplicating the fascist politics they strain to condemn, reproducing the homophobia, misogyny, fascination for spectacle, and emphasis of sexual difference that characterized German fascism. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.



Women Gender And Fascism In Europe 1919 45


Women Gender And Fascism In Europe 1919 45
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Author : Kevin Passmore
language : en
Publisher: Manchester University Press
Release Date : 2003

Women Gender And Fascism In Europe 1919 45 written by Kevin Passmore and has been published by Manchester University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with History categories.


Investigates the role of women and gender in fascist and non-fascist movements of the extreme right. The text re-examines the nature of the extreme right in the light of research in the field of women's and gender studies, offering an accessible overview of developments in Europe.



Sexual Revolution


Sexual Revolution
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Author : Laurie Penny
language : en
Publisher:
Release Date : 2022

Sexual Revolution written by Laurie Penny and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022 with Fascism categories.




Fascism In Film


Fascism In Film
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Author : Marcia Landy
language : en
Publisher: Princeton University Press
Release Date : 2014-07-14

Fascism In Film written by Marcia Landy and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-14 with Performing Arts categories.


Through her study of the narrative themes and strategies of Italian commercial sound films of the fascist era, Marcia Landy shows that cultural life under fascism was not monopolized by official propaganda. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.



Feminism The Left And Postwar Literary Culture


Feminism The Left And Postwar Literary Culture
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Author : Kathlene McDonald
language : en
Publisher: Univ. Press of Mississippi
Release Date : 2012-07-02

Feminism The Left And Postwar Literary Culture written by Kathlene McDonald and has been published by Univ. Press of Mississippi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-07-02 with Literary Criticism categories.


This book traces the development of a Left feminist consciousness as women became more actively involved in the American Left during and immediately following World War II. McDonald argues that women writers on the Left drew on the rhetoric of antifascism to critique the cultural and ideological aspects of women's oppression. In Left journals during World War II, women writers outlined the dangers of fascist control for women and argued that the fight against fascism must also be about ending women's oppression. After World War II, women writers continued to use this antifascist framework to call attention to the ways in which the emerging domestic ideology in the United States bore a frightening resemblance to the fascist repression of women in Nazi Germany. This critique of American domestic ideology emphasized the ways in which black and working-class women were particularly affected and extended to an examination of women's roles in personal and romantic relationships. Underlying this critique was the belief that representations of women in American culture were part of the problem. To counter these dominant cultural images, women writers on the Left depicted female activists in contemporary antifascist and anticolonial struggles or turned to the past, for historical role models in the labor, abolitionist, and antisuffrage movements. This depiction of women as models of agency and liberation challenged some of the conventions about femininity in the postwar era. The book provides a historical overview of women writers who anticipated issues about women's oppression and the intersections of gender, race, and class that would become central tenants of feminist literary criticism and black feminist criticism in the 1970s and 1980s. It closely considers works by writers both well-known and obscure, including Lorraine Hansberry, Alice Childress, Martha Dodd, Sanora Babb, and Beth McHenry.