Feminist Film Theory And Pretty Woman


Feminist Film Theory And Pretty Woman
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Feminist Film Theory And Pretty Woman


Feminist Film Theory And Pretty Woman
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Author : Mari Ruti
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2016-10-20

Feminist Film Theory And Pretty Woman written by Mari Ruti and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-10-20 with Performing Arts categories.


In Feminist Film Theory and Pretty Woman, Mari Ruti traces the development of feminist film theory from its foundational concepts such as the male gaze, female spectatorship, and the masquerade of femininity to 21st-century analyses of neoliberal capitalism, consumerism, postfeminism, and the revival of “girly” femininity as a cultural ideal. By interpreting Pretty Woman as a movie that defies easy categorization as either feminist or antifeminist, the book counters the all-too-common critical dismissal of romantic comedies as mindless drivel preoccupied with trivial “feminine” concerns such as love and shopping. The book's lucid presentation of the key concerns of feminist film theory, along with its balanced reading of Pretty Woman, shed light on a Hollywood genre often overlooked by film critics: the romantic comedy.



Neo Feminist Cinema


Neo Feminist Cinema
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Author : Hilary Radner
language : en
Publisher: Routledge
Release Date : 2010-11-01

Neo Feminist Cinema written by Hilary Radner and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-11-01 with Performing Arts categories.


What lies behind current feminist discontent with contemporary cinema? Through a combination of cultural and industry analysis, Hilary Radner’s Neo-Feminist Cinema: Girly Films, Chick Flicks and Consumer Culture shows how the needs of conglomerate Hollywood have encouraged an emphasis on consumer culture within films made for women. By exploring a number of representative "girly films," including Pretty Woman, Legally Blonde, Maid in Manhattan, The Devil Wears Prada, and Sex and the City: The Movie, Radner proposes that rather than being "post-feminist," as is usually assumed, such films are better described as "neo-feminist." Examining their narrative format, as it revolves around the story of an ambitious unmarried woman who defines herself through consumer culture as much as through work or romance, Radner argues that these films exemplify neo-liberalist values rather than those of feminism. As such, Neo-Feminist Cinema offers a new explanation as to why feminist-oriented scholars and audiences who are seeking more than "labels and love" from their film experience have viewed recent "girly films" as a betrayal of second-wave feminism, and why, on the other hand, such films have proven to be so successful at the box office.



Feminist Film Studies


Feminist Film Studies
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Author : Karen Hollinger
language : en
Publisher: Routledge
Release Date : 2012

Feminist Film Studies written by Karen Hollinger and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Literary Criticism categories.


This comprehensive textbook provides an accessible overview of the field of women and film, complemented by an analyses of key texts that illustrate major topics in the field. The text covers a wide range of areas in which women's representation and involvement in film are paramount issues.



A Fine Romance


A Fine Romance
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Author : Patricia Mellencamp
language : en
Publisher: Temple University Press
Release Date : 1995

A Fine Romance written by Patricia Mellencamp and has been published by Temple University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Art categories.


"Feminist film theory will soon be a quarter of a century old. It has known the euphoria of the 1970s, experienced the contradictions of the 1980s, and glimpsed the reversals and political gains, which include women of color, of the 1990s." But, Patricia Mellencamp asks, what is the next move? In this challenging look at twenty years of feminist film theory, Mellencamp elaborates on its rich history, drawing on her personal academic life, and offering inventive readings of a remarkable variety of films: recent Hollywood releases like Forest Gump, Pulp Fiction, Thelma and Louise, Basic Instinct, and Silence of the Lambs, and features and independent films made by women, such as The Piano, Angie, Orlando, Bedevil, Daughters of the Dust, Privilege, and Forbidden Love. With a clever sense of irony and wit, Mellencamp poses a question from which her analysis takes off: What did Rapunzel, Cinderella and Snow White forget to tell Thelma and Louise? According to Mellencamp, they forgot what comes after "the end," after the wedding to the prince. So many women's stories, often by choice, stop after the prince whisks the princess away to live happily ever after. This book asks, what does "happily" mean for women? And what does "ever after" cost women? This creative call to shift film feminism's infamous "gaze" from sex and bodies to money and work ascertains where film feminism has been and what it needs to progress. Rather than recycling and regaining the same ground, Mellencamp urges film feminism to explore and claim new territory. Author note: Patricia Mellencamp is Professor of Film and Cultural Theory, Department of Art History, the University of Wisconsin at Milwaukee. She has published several books, including High Anxiety: Catastrophe, Scandal, Ageand Indiscretions: Avant-garde Film, Video, and Feminism.



Feminist Film Theory


Feminist Film Theory
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Author : Sue Thornham
language : en
Publisher: NYU Press
Release Date : 1999-04

Feminist Film Theory written by Sue Thornham and has been published by NYU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999-04 with Performing Arts categories.


For the past twenty-five years, cinema has been a vital terrain on which feminist debates about culture, representation, and identity have been fought. This anthology charts the history of those debates, bringing together the key, classic essays in feminist film theory. Feminist Film Theory maps the impact of major theoretical developments on this growing field-from structuralism and psychoanalysis in the 1970s, to post-colonial theory, queer theory, and postmodernism in the 1990s. Covering a wide range of topics, including oppressive images, "woman" as fetishized object of desire, female spectatorship, and the cinematic pleasures of black women and lesbian women, Feminist Film Theory is an indispensable reference for scholars and students in the field. Contributors include Judith Butler, Carol J. Clover, Barbara Creed, Michelle Citron, Mary Ann Doane, Teresa De Lauretis, Jane Gaines, Christine Gledhill, Molly Haskell, bell hooks, Claire Johnston, Annette Kuhn, Julia Lesage, Judith Mayne, Tania Modleski, Laura Mulvey, B. Ruby Rich, Kaja Silverman, Sharon Smith, Jackie Stacey, Janet Staiger, Anna Marie Taylor, Valerie Walkerdine, and Linda Williams.



Feminism And Film Theory


Feminism And Film Theory
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Author : Constance Penley
language : en
Publisher: Routledge
Release Date : 2013-07-04

Feminism And Film Theory written by Constance Penley and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-07-04 with Social Science categories.


First published in 1988. Feminism and Film Theory traces the major issues in feminist film theory as they have evolved over the last decade. Comprised of essays that are classics of this intellectually sophisticated area of cultural studies, Feminism and Film Theory makes available much sought after essays that are often difficult to find. Empha­sizing the polemical challenge of feminism to film theory, this anthology forces us to reconsider film theory's most basic ideas about genre, narrative, image, spec­tatorship, and audience. The essays offer a model for a politically engaged critique of contemporary thought. Feminism and Film Theory will be of great interest to students and scholars concerned with film, critical theory, art and media, cultural studies, or feminism.



Feminist Film Studies


Feminist Film Studies
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Author : Janet McCabe
language : en
Publisher: Columbia University Press
Release Date : 2005-01-19

Feminist Film Studies written by Janet McCabe and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-01-19 with Performing Arts categories.


An introduction to feminist film theory as a discourse from the early seventies to the present. McCabe traces the broad ranging theories produced by feminist film scholarship, from formalist readings and psychoanalytical approaches to debates initiated by cultural studies, race and queer theory.



Feminism And Film Theory


Feminism And Film Theory
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Author : Constance Penley
language : en
Publisher: Psychology Press
Release Date : 1988

Feminism And Film Theory written by Constance Penley and has been published by Psychology Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with History categories.


First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.



Issues In Feminist Film Criticism


Issues In Feminist Film Criticism
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Author : Patricia Erens
language : en
Publisher: Indiana University Press
Release Date : 1990

Issues In Feminist Film Criticism written by Patricia Erens and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with Performing Arts categories.


"This anthology makes it abundantly clear that feminist film criticism is flourishing and has developed dramatically since its inception in the early 1970s." —Journal of Aesthetics and Art Criticism Erens brings together a wide variety of writings and methodologies by U.S. and British feminist film scholars. The twenty-seven essays represent some of the most influential work on Hollywood film, women's cinema, and documentary filmmaking to appear during the past decade and beyond. Contributors include Lucie Arbuthnot, Linda Artel, Pam Cook, Teresa de Lauretis, Mary Ann Doane, Elizabeth Ellsworth, Lucy Fischer, Jane Gaines, Mary C. Gentile, Bette Gordon, Florence Jacobowitz, Claire Johnston, E. Ann Kaplan, Annette Kuhn, Julia Lesage, Judith Mayne, Sonya Michel, Tania Modleski, Laura Mulvey, B. Ruby Rich, Gail Seneca, Kaja Silverman, Lori Spring, Jackie Stacey, Maureen Turim, Diane Waldman, Susan Wengraf, Linda Williams, and Robin Wood.



International Perspectives On Feminism And Sexism In The Film Industry


International Perspectives On Feminism And Sexism In The Film Industry
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Author : Sar?, Gül?ah
language : en
Publisher: IGI Global
Release Date : 2019-11-22

International Perspectives On Feminism And Sexism In The Film Industry written by Sar?, Gül?ah and has been published by IGI Global this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-11-22 with Social Science categories.


Gender studies has maintained its status as a heavily researched field. However, women and their role in cinema is a vastly understudied topic that deals with various aspects of feminism and sexism. The function of women in the film industry has evolved over time and proven to be an interesting area of research regarding the transition from sexual icons to respected professionals. Feminism is a widely researched subject, yet its specific application within cinema is an area that has yet to be studied. International Perspectives on Feminism and Sexism in the Film Industry is an essential reference source that examines the representation of women in cinema and provides a feminist approach to various aspects of the film industry including labor, production, and the cultural impact of women in motion pictures. Featuring research on topics such as violence against women, feminist film theory, and psychoanalysis, this book is ideally designed for directors, industry professionals, writers, screenwriters, activists, professors, students, administrators, and researchers in fields that include film studies, gender studies, mass media, and communications.