Fictional Minds And Interpersonal Relationships In George Eliot S The Mill On The Floss

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Fictional Minds And Interpersonal Relationships In George Eliot S The Mill On The Floss
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Author : Karam Nayebpour
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2018-10-01
Fictional Minds And Interpersonal Relationships In George Eliot S The Mill On The Floss written by Karam Nayebpour and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-10-01 with Literary Criticism categories.
George Eliot (1819-1880) is known for her psychoanalysis of the majority of her characters in her literary works. In her second novel, The Mill on the Floss (1860), she focuses on the fictional minds’ subjective first thoughts and intentions. She shows how their unsympathetic workings cause private and collective tragedy by the end of narrative. The novel has frequently been acclaimed by critics and readers alike. However, this book presents a re-evaluation of the text with the help of terminologies borrowed from cognitive narratology in order to shed new light on the significance of one-track minds in this narrative. The book explores the mental functioning of the individual fictional minds, and examines how different modes of mental activities influence the interpersonal relationships between and among the characters. Accordingly, the study argues that the main cause of tragedy in The Mill on the Floss stems from at least two factors. First, the central fictional minds primarily function on the basis of their self-centered thoughts and emotions, over which they usually do not have control. Second, the tragedy is an effect of the social minds’ or public opinion’s unforgetting, unforgiving, and unsympathetic perspectives of any unconventional behavior.
Fiction And Purpose In Utopia Rasselas The Mill On The Floss And Women In Love
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Author : Peter New
language : en
Publisher: Springer
Release Date : 1985-06-18
Fiction And Purpose In Utopia Rasselas The Mill On The Floss And Women In Love written by Peter New and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985-06-18 with Fiction categories.
George Eliot And Nineteenth Century Psychology
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Author : Michael Davis
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2006
George Eliot And Nineteenth Century Psychology written by Michael Davis and has been published by Ashgate Publishing, Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Literary Criticism categories.
This study of Eliot as a psychological novelist examines her writings in the context of a large volume of nineteenth-century scientific writing. Michael Davis aligns Eliot's work with the formulations of such key thinkers as Herbert Spencer, Charles Darwi
The Mind Of The Child
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Author : Sally Shuttleworth
language : en
Publisher: Oxford University Press
Release Date : 2010-07-08
The Mind Of The Child written by Sally Shuttleworth and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-07-08 with History categories.
In the 1840s novelists such as Brontë and Dickens began to explore the inner world of the child. Simultaneously the first psychiatric studies of childhood were appearing. Moving between literature and science, this book explores issues such as childhood fears, imaginary lands, sexuality, and the relation of the child to animal life
Acts Of Naming
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Author : Michael Ragussis
language : en
Publisher: Oxford University Press
Release Date : 1987-01-08
Acts Of Naming written by Michael Ragussis and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1987-01-08 with Literary Criticism categories.
Michael Ragussis re-reads the novelistic tradition by arguing the acts of naming--bestowing, revealing, or earning a name; taking away, hiding, or prohibiting a name; slandering, or protecting and serving it--lie at the center of fictional plots from the 18th century to the present. Against the background of philosophic approaches to naming, Acts of Naming reveals the ways in which systems of naming are used to appropriate characters in novels as diverse as Clarissa, Fanny Hill, Oliver Twist, Pierre, Tess of the d'Urbervilles, Remembrance of Things Past, and Lolita, and identifies unnaming and renaming as the locus of power in the family's plot to control the child, and more particularly, to rape the daughter. His analysis also treats additional works by Cooper, Brontë, Hawthorne, Eliot, Twain, Conrad, and Faulkner, extending the concept of the naming plot to reimagine the traditions of the novel, comparing American and British plots, female and male plots, inheritance and seduction plots, and so on. Acts of Naming ends with a theoretical exploration of the "magical" power of naming in different eras and in different, even competing, forms of discourse.
Women Musicians In Victorian Fiction 1860 1900
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Author : Phyllis Weliver
language : en
Publisher: Routledge
Release Date : 2018-02-06
Women Musicians In Victorian Fiction 1860 1900 written by Phyllis Weliver and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-02-06 with Literary Criticism categories.
This title was first publushed in 2000. Phyllis Weliver investigates representations of female musicians in British novels from 1860 to 1900 with regard to changing gender roles, musical practices and scientific discourses. During this time women were portrayed in complex and nuanced ways as they played and sang in family drawing rooms. Women in the 19th century were judged on their manners, appearance, language and other accomplishments such as sewing or painting, but music stood out as an area where women were encouraged to take centre stage and demonstrate their genteel education, graceful movements and self-expression. However within the novels of the Victorian were begining to move away from portraying the musical accomplishments of middle- and upper-class women as feminine and worthwhile towards depicting musical women as truly dangerous. This book explores the reasons for this reaction and the way labels and images were constructed to show extremes of behaviour, and it looks at whether the fiction was depicting the real trends in music at the time.
Thinking Without Thinking In The Victorian Novel
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Author : Vanessa L. Ryan
language : en
Publisher: JHU Press
Release Date : 2012-06-07
Thinking Without Thinking In The Victorian Novel written by Vanessa L. Ryan and has been published by JHU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-06-07 with Literary Criticism categories.
In Thinking without Thinking in the Victorian Novel, Vanessa L. Ryan demonstrates how both the form and the experience of reading novels played an important role in ongoing debates about the nature of consciousness during the Victorian era. Revolutionary developments in science during the mid- and late nineteenth century—including the discoveries and writings of Herbert Spencer, William Carpenter, and George Henry Lewes—had a vital impact on fiction writers of the time. Wilkie Collins, George Eliot, George Meredith, and Henry James read contributions in what we now call cognitive science that asked, "what is the mind?" These Victorian fiction writers took a crucial step, asking how we experience our minds, how that experience relates to our behavior and questions of responsibility, how we can gain control over our mental reflexes, and finally how fiction plays a special role in understanding and training our minds. Victorian fiction writers focus not only on the question of how the mind works but also on how it seems to work and how we ought to make it work. Ryan shows how the novelistic emphasis on dynamic processes and functions—on the activity of the mind, rather than its structure or essence—can also be seen in some of the most exciting and comprehensive scientific revisions of the understanding of "thinking" in the Victorian period. This book studies the way in which the mind in the nineteenth-century view is embedded not just in the body but also in behavior, in social structures, and finally in fiction.
A Craving Vacancy
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Author : Susan Ostrov Weisser
language : en
Publisher: NYU Press
Release Date : 1997
A Craving Vacancy written by Susan Ostrov Weisser and has been published by NYU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Literary Criticism categories.
Susan Ostrov Weisser scrutinizes sexuality by questioning the changing ideas of romantic love and femininity in Victorian England. Focusing her analysis on the works of Samuel Richardson, George Eliot, and Emily and Charlotte Bronte, Weisser reveals the complex relationship between conceptions of romantic passion and tenets of sexuality. She defines the Victorian period as a time when these ideas were shifting according to changing ideas of gender. With close attention to textual details, she introduces the concept of "Moral Femininity", placing it in useful opposition to the competing Victorian ideal of the "Lady".
The Imaginative Claims Of The Artist In Willa Cather S Fiction
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Author : Demaree C. Peck
language : en
Publisher: Susquehanna University Press
Release Date : 1996
The Imaginative Claims Of The Artist In Willa Cather S Fiction written by Demaree C. Peck and has been published by Susquehanna University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996 with Art categories.
In this, her first book, scholar Demaree C. Peck assigns Willa Cather her rightful place in our literary history. Challenging the assumption that women writers must draw their inspiration from a lineage of female predecessors, Peck portrays Willa Cather as a woman who self-consciously set out to write within a male literary tradition that she identified as Emersonian. Peck explores the psychological underpinnings of Cather's aesthetics to show that her theory of stylistic economy and simplicity was motivated by a desire to reorganize the elements of the artistic stage exclusively around her own romantic ego - that "inexplicable presence of the thing not named". Although Cather's protagonists appear in various disguises, clad as pioneers, lawyers, or priests, they are all incarnations of the artist who appropriates people and places as parts of consciousness. Cather's imaginative claimants seek to assimilate the world as a reflection of the self, in the way that their prototype, Emerson's poet-landlord, enjoys a figurative ownership of the landscape in reward for his integrating vision. The novels offer a series of ingenious masquerades beneath whose plots lurk variations of a single story impelled by the artist's quest to take imaginative possession of the world in order to recover the dominion of her soul. Unlike critics who have discussed Cather's novels as a series of discrete experiments, Peck charts the pursuit for imaginative possession as a continuous theme, thereby suggesting a coherence for Cather's art and career as a whole. Offering original interpretations of eight of Cather's novels in the light of previously undiscussed letters and other biographical materials, Peckexplores the relation between Cather's life and art to suggest that she created her central characters as surrogates whose imaginative accumulations could compensate her for various dispossessing experiences in her own life. Cather's novels operate according to the psychological laws of wish fulfillment. While Cather's romanticism has its historical origin in American transcendentalism, its psychological origin derives from the mythic domain of childhood. Cather's "kingdom of art" sanctions the dream projected upon childhood of an original omnipotence that could cheat fate and remain unsoiled by experience. Her novels enact a fantasy of return to primal wholeness. Peck suggests that the novels serve a restorative function not only for their author, but for Cather's readers as well. Cather's fiction is significant, Peck argues, because it performs an important psychological work for its audience.
The Ethical Vision Of George Eliot
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Author : Thomas Albrecht
language : en
Publisher: Routledge
Release Date : 2020-01-22
The Ethical Vision Of George Eliot written by Thomas Albrecht and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-01-22 with Literary Collections categories.
The Ethical Vision of George Eliot is one of the first monographs devoted entirely to the ethical thought of George Eliot, a profoundly significant, influential figure not only in nineteenth-century English and European literature, nineteenth-century women’s writing, the history of the novel, and Victorian intellectual culture, but also in the field of literary ethics. Ethics are a predominant theme in Eliot’s fictional and non-fictional writings. Her ethical insights and ideas are a defining element of her greatness as an artist and novelist. Through meticulous close readings of Eliot’s fiction, essays, and letters, The Ethical Vision of George Eliot presents an original, complex definition of her ethical vision as she developed it over the course of her career. It examines major novels like Adam Bede, Middlemarch, and Daniel Deronda; many of Eliot’s most significant essays; and devotes two entire chapters to Eliot’s final book Impressions of Theophrastus Such, an idiosyncratic collection of character sketches that Eliot scholars have heretofore generally overlooked or ignored. The Ethical Vision of George Eliot demonstrates that Eliot defined her ethical vision alternately in terms of revealing and strengthening a fundamental human communion that links us to other persons, however different and remote from ourselves; and in terms of recognizing and respecting the otherness of other persons, and of the universe more generally, from ourselves. Over the course of her career, Eliot increasingly transitions from the former towards the latter imperative, but she also considerably complicates her conception of otherness, and of what it means to be ethically responsible to it.