Film And The End Of Empire


Film And The End Of Empire
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Film And The End Of Empire


Film And The End Of Empire
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Author : Lee Grieveson
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-07-25

Film And The End Of Empire written by Lee Grieveson and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-25 with Performing Arts categories.


In these two volumes of original essays, scholars from around the world address the history of British colonial cinema stretching from the emergence of cinema at the height of imperialism, to moments of decolonization andthe ending of formal imperialism in the post-Second World War.



Film And The End Of Empire


Film And The End Of Empire
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Author : Lee Grieveson
language : en
Publisher:
Release Date : 2011

Film And The End Of Empire written by Lee Grieveson and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Documentary films categories.


In these two volumes of original essays, scholars from around the world address the history of British colonial cinema stretching from the emergence of cinema at the height of imperialism, to moments of decolonization andthe ending of formal imperialism in the post-Second World War.



Empire And Film


Empire And Film
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Author : Lee Grieveson
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-07-25

Empire And Film written by Lee Grieveson and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-25 with Performing Arts categories.


'This important new volume reconstructs the forms of production, distribution and exhibition of films made in and about the colonies. It then ties them to wider theoretical issues about film and liberalism, spectacle and political economy, representation and rule. The result is one of the first volumes to examine how imperial rule is intimately tied to the emergence of documentary as a form and, indeed, how the history of cinema is at the same time the history of Empire.' BRIAN LARKIN, Barnard College 'This superb collection of new scholarship shows how cinema both communicated and aided the imperialist agenda throughout the twentieth century. In doing so, it shows film can be understood as one of the tools of empire, as much as the technology of weaponry or modes of administration: a means of education and indoctrination in the colonies and at home.' TOM GUNNING, University of Chicago At its height in 1919, the British Empire claimed 58 countries, 400 million subjects, and 14 million square miles of ground. Empire and Film brings together leading international scholars to examine the integral role cinema played in the control, organisation, and governance of this diverse geopolitical space. The essays reveal the complex interplay between the political and economic control essential to imperialism and the emergence and development of cinema in the late nineteenth and first half of the twentieth century. Contributors address how the production, distribution and exhibition of film were utilised by state and industrial and philanthropic institutions to shape the subject positions of coloniser and colonised; to demarcate between 'civilised' and 'primitive' and codify difference; and to foster a political economy of imperialism that was predicated on distinctions between core and periphery. The generic forms of colonial cinema were, consequently, varied: travelogues mapped colonial spaces; actuality films re-presented spectacles of royal authority and imperial conquest and conflict; home movies rendered colonial self-representation; state-financed newsreels and documentaries fostered political and economic control and the 'education' of British and colonial subjects; philanthropic and industrial organisations sponsored films to expand Western models of capitalism; British and American film companies made films of imperial adventure. These films circulated widely in Britain and the empire, and were sustained through the establishment of imperial networks of distribution and exhibition, including in particular innovative mobile exhibition circuits and non-theatrical spaces like schools, museums and civic centres. Empire and Film is a significant revision to the historical and conceptual frameworks of British cinema history, and is a major contribution to the history of cinema as a global form that emerged amid, and in dialogue with, the global flows of imperialism. The book is produced in conjunction with a major website housing freely available digitised archival films and materials relating to British colonial cinema, www.colonialfilm.org.uk, and a companion volume entitled Film and the End of Empire.



Cinema At The End Of Empire


Cinema At The End Of Empire
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Author : Priya Jaikumar
language : en
Publisher: Duke University Press
Release Date : 2006-05-03

Cinema At The End Of Empire written by Priya Jaikumar and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-05-03 with Business & Economics categories.


DIVHistory of the relationship between government regulation of the film industry in the UK and the the developing film industry in India between the 1920s and 1940s./div



The Oxford Handbook Of The Ends Of Empire


The Oxford Handbook Of The Ends Of Empire
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Author : Martin Thomas
language : en
Publisher: Oxford Handbooks
Release Date : 2019-02-06

The Oxford Handbook Of The Ends Of Empire written by Martin Thomas and has been published by Oxford Handbooks this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-02-06 with History categories.


This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.



The Fall Of The Roman Empire


The Fall Of The Roman Empire
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Author : Martin M. Winkler
language : en
Publisher: John Wiley & Sons
Release Date : 2012-12-18

The Fall Of The Roman Empire written by Martin M. Winkler and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-12-18 with History categories.


The essays collected in this book present the first comprehensive appreciation of The Fall of the Roman Empire from historical, historiographical, and cinematic perspectives. The book also provides the principal classical sources on the period. It is a companion to Gladiator: Film and History (Blackwell, 2004) and Spartacus: Film and History (Blackwell, 2007) and completes a triad of scholarly studies on Hollywood’s greatest films about Roman history. A critical re-evaluation of the 1964 epic film The Fall of the Roman Empire, directed by Anthony Mann, from historical, film-historical, and contemporary points of view Presents a collection of scholarly essays and classical sources on the period of Roman history that ancient and modern historians have considered to be the turning point toward the eventual fall of Rome Contains a short essay by director Anthony Mann Includes a map of the Roman Empire and film stills, as well as translations of the principal ancient sources, an extensive bibliography, and a chronology of events



Films For The Colonies


Films For The Colonies
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Author : Tom Rice
language : en
Publisher: University of California Press
Release Date : 2019-10-01

Films For The Colonies written by Tom Rice and has been published by University of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-10-01 with Performing Arts categories.


Films for the Colonies examines the British Government’s use of film across its vast Empire from the 1920s until widespread independence in the 1960s. Central to this work was the Colonial Film Unit, which produced, distributed, and, through its network of mobile cinemas, exhibited instructional and educational films throughout the British colonies. Using extensive archival research and rarely seen films, Films for the Colonies provides a new historical perspective on the last decades of the British Empire. It also offers a fresh exploration of British and global cinema, charting the emergence and endurance of new forms of cinema culture from Ghana to Jamaica, Malta to Malaysia. In highlighting the integral role of film in managing and maintaining a rapidly changing Empire, Tom Rice offers a compelling and far-reaching account of the media, propaganda, and the legacies of colonialism.



End Of Empire


End Of Empire
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Author : Brian Lapping
language : en
Publisher:
Release Date : 1989

End Of Empire written by Brian Lapping and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989 with Fiction categories.




British Culture And The End Of Empire


British Culture And The End Of Empire
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Author : Stuart Ward
language : en
Publisher: Manchester University Press
Release Date : 2001

British Culture And The End Of Empire written by Stuart Ward and has been published by Manchester University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with History categories.


The demise of the British Empire in the three decades following the Second World War is a theme that has been well traversed in studies of post-war British politics, economics and foreign relations. Yet there has been strikingly little attention to the question of how these dramatic changes in Britain's relationships with the wider world were reflected in British culture. This volume addresses this central issue, arguing that the social and cultural impact of decolonisation had as significant an effect on the imperial centre as on the colonial periphery. Far from being a matter of indifference or resigned acceptance as is often suggested, the fall of the British Empire came as a profound shock to the British national imagination, and resonated widely in British popular culture.



Colour Films In Britain


Colour Films In Britain
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Author : Sarah Street
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-07-25

Colour Films In Britain written by Sarah Street and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-25 with Performing Arts categories.


How did the coming of colour change the British film industry? Unlike sound, the arrival of colour did not revolutionise the industry overnight. For British film-makers and enthusiasts, colour was a controversial topic. While it was greeted by some as an exciting development – with scope for developing a uniquely British aesthetic – others were deeply concerned. How would audiences accustomed to seeing black-and-white films – which were commonly regarded as being superior to their garish colour counterparts – react? Yet despite this initial trepidation, colour captivated many British inventors and film-makers. Using different colour processes, these innovators produced films that demonstrated remarkable experimentation and quality. Sarah Street's illuminating study is the first to trace the history of colour in British cinema, and analyses the use of colour in a range of films, both fiction and non-fiction, including The Open Road, The Glorious Adventure, This is Colour, Blithe Spirit, This Happy Breed, Black Narcissus, The Red Shoes, The Tales of Hoffmann and Moulin Rouge. Beautifully illustrated with full colour film stills, this important study provides fascinating insights into the complex process whereby the challenges and opportunities of new technologies are negotiated within creative practice. The book also includes a Technical Appendix by Simon Brown (Kingston University, UK), which provides further details of the range of colour processes used by British film-makers.