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Film As A Subversive Art


Film As A Subversive Art
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Film As A Subversive Art


Film As A Subversive Art
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Author : Amos Vogel
language : en
Publisher: C&T Publishing
Release Date : 2005

Film As A Subversive Art written by Amos Vogel and has been published by C&T Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Performing Arts categories.


Featuring over 300 rare film stills, this text analyzes how aesthetic, sexual, and ideological subversives use one of the most powerful art forms of our time to exchange or manipulate our conscious and unconscious, demystify visual taboos, destroy dated cinematic forms, and undermine existing value systems and institutions.



Film As A Subversive Art


Film As A Subversive Art
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Author : Amos Vogel
language : en
Publisher: Distributed Art Publishers (DAP)
Release Date : 2005

Film As A Subversive Art written by Amos Vogel and has been published by Distributed Art Publishers (DAP) this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Cinematography categories.


By Amos Vogel. Foreword by Scott MacDonald.



Film As A Subversive Art


Film As A Subversive Art
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Author : Amos Vogel
language : en
Publisher: Random House Incorporated
Release Date : 1976

Film As A Subversive Art written by Amos Vogel and has been published by Random House Incorporated this book supported file pdf, txt, epub, kindle and other format this book has been release on 1976 with Performing Arts categories.




Be Sand Not Oil


Be Sand Not Oil
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Author : Paul Cronin
language : en
Publisher: Austrian Film Museum
Release Date : 2014

Be Sand Not Oil written by Paul Cronin and has been published by Austrian Film Museum this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Film critics categories.


Amos Vogel was one of America's most innovative film historians and curators. An émigré from Austria who arrived in New York just before the Second World War, in 1947 he created Cinema 16, a pioneering film club aimed at audiences thirsty for work "that cannot be seen elsewhere," and in 1963 was instrumental in establishing the New York Film Festival. He later embarked on an ambitious teaching career, synthesizing decades of experience and directing his ideas towards students and, eventually, the wider public. In 1974 he published the culmination of his thoughts - along with an extraordinary collection of stills - in Film as a Subversive Art. On his death, the New York Times wrote that Vogel "exerted an influence on the history of film that few other non-filmmakers can claim." Be Sand, Not Oil is the first book about Vogel, and includes uncollected writings, an unpublished interview, and new essays documenting his never-ending quest for what Werner Herzog, his friend of many decades, has described as "adequate imagery."



Independent Cinema


Independent Cinema
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Author : D.K. Holm
language : en
Publisher: Oldcastle Books
Release Date : 2010-11-04

Independent Cinema written by D.K. Holm and has been published by Oldcastle Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-11-04 with Performing Arts categories.


Just what is 'independent' cinema? D. K. Holm aims to define a term all too carelessly used both by media commentators and marketers, and distinguish it from categories such as avant-garde, underground, experimental or 'art' films, with which it is often confused. By contrasting studio-era Hollywood with changes in the business since the 1970s, and the rise of companies such as Miramax and New Line, it shows the birth of a commercial environment in which the new independent cinema can emerge. Profiles of specific filmmakers suggest how diverse personalities use independent cinema for individual ends; directors such as James Mangold, who found indie cinema to be a stepping stone to more mainstream movies, Jill Sprecher, who uses its flexibility to explore philosophical ideas, and Guy Maddin, one of the few true independent filmmakers, whose films are beholden to his own unique vision rather than financiers or abstract audience markets.



The Subversive Imagination


The Subversive Imagination
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Author : Carol Becker
language : en
Publisher: Routledge
Release Date : 2014-02-04

The Subversive Imagination written by Carol Becker and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-02-04 with Art categories.


In The Subversive Imagination , professional writers, artists and cultural critics from around the world offer their views on the issue of the artist's responsibility to society. The contributors look beyond censorship and free speech issues and instead emphasize the subject of freedom. More specifically, the contributors question the ethical, mutual responsibilities between artists and the societies in which they live. The original essays address an eclectic range of subjects: censorship, multiculturalism, the transition from communism to capitalism in Eastern Europe, postmodernism, Salman Rushdie, and young black filmmakers' responsibility to the black community.



Keywords In Subversive Film Media Aesthetics


Keywords In Subversive Film Media Aesthetics
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Author : Robert Stam
language : en
Publisher: John Wiley & Sons
Release Date : 2015-09-08

Keywords In Subversive Film Media Aesthetics written by Robert Stam and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-09-08 with Performing Arts categories.


Keywords offers a conversational journey through the overlying terrains of politically engaged art and artistically engaged politics, combining a major statement on subversive aesthetics, a survey of radical film strategies, and a lexicon of over a thousand terms and concepts. No other book combines an ambitious essay on radical politics and aesthetics in film with a lexicon of terms and ideas, many of which are new and innovative Creates and illustrates over a thousand terms and concept, drawing its examples from a wide range of media Provides a broad timespan, covering the very ancient (Ramayana, Aristotle) to the most current (digital mashups, memes) Uniquely discusses the areas of film, television and the internet within one book No other book combines an ambitious essay on radical politics and aesthetics in film with a lexicon of terms and ideas, many of which are new and innovative



Subversive Strategies In Contemporary Chinese Art


Subversive Strategies In Contemporary Chinese Art
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Author : Mary Wiseman
language : en
Publisher: BRILL
Release Date : 2011-03-21

Subversive Strategies In Contemporary Chinese Art written by Mary Wiseman and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-03-21 with Philosophy categories.


How contemporary Chinese art is creating “a philosophy of life, a philosophy of politics, and a natural philosophy,” as artist Qiu Zhijie says it must, is explored in this collection of essays by philosophers and art historians from America and China.



Extreme Cinema


Extreme Cinema
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Author : Mattias Frey
language : en
Publisher: Rutgers University Press
Release Date : 2016-03-15

Extreme Cinema written by Mattias Frey and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-15 with Art categories.


Received an Honorable Mention for the 2017 British Association of Film, Television and Screen Studies (BAFTSS) Best Monograph Award From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines for their shockingly graphic depictions of sex and violence. Film critics and scholars alike often regard these movies as the work of visionary auteurs, hailing directors like Michael Haneke and Lars von Trier as heirs to a tradition of transgressive art. In this provocative new book, Mattias Frey offers a very different perspective on these films, exposing how they are also calculated products, designed to achieve global notoriety in a competitive marketplace. Paying close attention to the discourses employed by film critics, distributors, and filmmakers themselves, Extreme Cinema examines the various tightropes that must be walked when selling transgressive art films to discerning audiences, distinguishing them from generic horror, pornography, and Hollywood product while simultaneously hyping their salacious content. Deftly tracing the links between the local and the global, Frey also shows how the directors and distributors of extreme art house fare from both Europe and East Asia have significant incentives to exaggerate the exotic elements that would differentiate them from Anglo-American product. Extreme Cinema also includes original interviews with the programmers of several leading international film festivals and with niche distributors and exhibitors, giving readers a revealing look at how these institutions enjoy a symbiotic relationship with the “taboo-breakers” of art house cinema. Frey also demonstrates how these apparently transgressive films actually operate within a strict set of codes and conventions, carefully calibrated to perpetuate a media industry that fuels itself on provocation.



Independent Filmmaking Across Borders In Contemporary Asia


Independent Filmmaking Across Borders In Contemporary Asia
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Author : Ran Ma
language : en
Publisher:
Release Date : 2020

Independent Filmmaking Across Borders In Contemporary Asia written by Ran Ma and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with Independent films categories.


Independent Filmmaking across Borders in Contemporary Asia examines an array of auteur-driven fiction and documentary independent film projects that have emerged since the turn of the millennium from East and Southeast Asia, a strand of transnational filmmaking that converges with Asia's vibrant yet unevenly developed independent film movements amidst global neoliberalism. These projects bear witness to and are shaped by the ongoing historical processes of inter-Asia interaction characterized by geopolitical realignment, migration, and population displacement. This study threads together case studies of internationally acclaimed filmmakers, artists, and collectives such as Zhang Lu, Kuzoku, Li Ying, Takamine Go, Yamashiro Chikako, and Midi Z, all of whose transborder journeys and cinematic imaginations disrupt static identity affiliations built upon national, ethnic, or cultural differences. This border-crossing filmmaking can be viewed as both an aesthetic practice and a political act, reframing how people, places, and their interconnections can be perceived -- thereby opening up possibilities to reimagine Asia and its connections to globalization.