Film Violence
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The Fascination Of Film Violence
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Author : Henry Bacon
language : en
Publisher: Springer
Release Date : 2015-04-07
The Fascination Of Film Violence written by Henry Bacon and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-04-07 with Performing Arts categories.
The Fascination of Film Violence is a study of why fictional violence is such an integral part of fiction film. How can something dreadful be a source of art and entertainment? Explanations are sought from the way social and cultural norms and practices have shaped biologically conditioned violence related traits in human behavior.
Violence And American Cinema
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Author : J. David Slocum
language : en
Publisher: Routledge
Release Date : 2013-09-13
Violence And American Cinema written by J. David Slocum and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09-13 with Performing Arts categories.
American cinema has always been violent, and never more so than now: exploding heads, buses that blow up if they stop, racial attacks, and general mayhem. From slapstick's comic violence to film noir, from silent cinema to Tarantino, violence has been an integral part of America on screen. This new volume in a successful series analyzes violence, examining its nature, its effects, and its cinematic and social meaning.
Classical Film Violence
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Author : Stephen Prince
language : en
Publisher: Rutgers University Press
Release Date : 2003
Classical Film Violence written by Stephen Prince and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Performing Arts categories.
Examines the interplay between the aesthetics and the censorship of violence in classic Hollywood films from 1930 to 1968, the era of the Production Code, when filmmakers were required to have their scripts approved before they could start production. A stylistic history of American screen violence that is grounded in industry documentation. [back cover].
Film Violence
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Author : Jim Kendrick
language : en
Publisher: Columbia University Press
Release Date : 2010-04-26
Film Violence written by Jim Kendrick and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-04-26 with Performing Arts categories.
A concise and accessible introduction to the role of violence from the silent era to the present, this volume illustrates the breadth and depth of screen bloodshed in historical, cultural, and industrial contexts. After considering problems of definition, the book offers a systematic history of film violence and examines three of the most popular violent genres: western, horror, and action. It concludes with a case study on the centrality of film violence to the directors of the New American Cinema, such as Francis Ford Coppola, Martin Scorsese, and Steven Spielberg, offering a strong example of how violence, history, ideology, and genre are deeply intertwined.
Reel Knockouts
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Author : Martha McCaughey
language : en
Publisher: University of Texas Press
Release Date : 2010-01-01
Reel Knockouts written by Martha McCaughey and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-01-01 with Performing Arts categories.
When Thelma and Louise outfought the men who had tormented them, women across America discovered what male fans of action movies have long known—the empowering rush of movie violence. Yet the duo's escapades also provoked censure across a wide range of viewers, from conservatives who felt threatened by the up-ending of women's traditional roles to feminists who saw the pair's use of male-style violence as yet another instance of women's co-option by the patriarchy. In the first book-length study of violent women in movies, Reel Knockouts makes feminist sense of violent women in films from Hollywood to Hong Kong, from top-grossing to direct-to-video, and from cop-action movies to X-rated skin flicks. Contributors from a variety of disciplines analyze violent women's respective places in the history of cinema, in the lives of viewers, and in the feminist response to male violence against women. The essays in part one, "Genre Films," turn to film cycles in which violent women have routinely appeared. The essays in part two, "New Bonds and New Communities," analyze movies singly or in pairs to determine how women's movie brutality fosters solidarity amongst the characters or their audiences. All of the contributions look at films not simply in terms of whether they properly represent women or feminist principles, but also as texts with social contexts and possible uses in the re-construction of masculinity and femininity.
Violence In The Films Of Stephen King
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Author : Michael J. Blouin
language : en
Publisher: Rowman & Littlefield
Release Date : 2021-07-29
Violence In The Films Of Stephen King written by Michael J. Blouin and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-07-29 with Performing Arts categories.
In Violence in the Films of Stephen King, contributors analyze the theme of violence in the film adaptations of Stephen King’s work—ranging from the earliest films in the King canonto his most recent iterations—through a variety of lenses. Investigating the diverse and varying roles that violence continues to play as both the level of violence and the gendered depictions of violence have evolved, many of the contributors come to the conclusion that King’s films have grown more violent over time. This book also examines the fine line between necessary violence and sensationalist violence, discussing the complexity of determining what constitutes violence with a narrative and ethical significance versus violence intended solely to titillate, repulse, or otherwise draw an emotional reaction from viewers. Scholars of film studies, horror studies, literary studies, and gender studies will find this book particularly useful.
Savage Cinema
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Author : Stephen Prince
language : en
Publisher: University of Texas Press
Release Date : 2010-01-01
Savage Cinema written by Stephen Prince and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-01-01 with Performing Arts categories.
More than any other filmmaker, Sam Peckinpah opened the door for graphic violence in movies. In this book, Stephen Prince explains the rise of explicit violence in the American cinema, its social effects, and the relation of contemporary ultraviolence to the radical, humanistic filmmaking that Peckinpah practiced. Prince demonstrates Peckinpah's complex approach to screen violence and shows him as a serious artist whose work was tied to the social and political upheavals of the 1960s. He explains how the director's commitment to showing the horror and pain of violence compelled him to use a complex style that aimed to control the viewer's response. Prince offers an unprecedented portrait of Peckinpah the filmmaker. Drawing on primary research materials—Peckinpah's unpublished correspondence, scripts, production memos, and editing notes—he provides a wealth of new information about the making of the films and Peckinpah's critical shaping of their content and violent imagery. This material shows Peckinpah as a filmmaker of intelligence, a keen observer of American society, and a tragic artist disturbed by the images he created. Prince's account establishes, for the first time, Peckinpah's place as a major filmmaker. This book is essential reading for those interested in Peckinpah, the problem of movie violence, and contemporary American cinema.
The Fascination Of Film Violence
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Author : Henry Bacon
language : en
Publisher: Springer
Release Date : 2015-04-07
The Fascination Of Film Violence written by Henry Bacon and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-04-07 with Performing Arts categories.
The Fascination of Film Violence is a study of why fictional violence is such an integral part of fiction film. How can something dreadful be a source of art and entertainment? Explanations are sought from the way social and cultural norms and practices have shaped biologically conditioned violence related traits in human behavior.
Screening Violence 1
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Author : Stephen Prince
language : en
Publisher: A&C Black
Release Date : 2001-01-01
Screening Violence 1 written by Stephen Prince and has been published by A&C Black this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-01-01 with Philosophy categories.
Following the release in 1967 of "Bonnie and Clyde" and "The Dirty Dozen", violence has been seen as a defining feature of the modern film. Is it art or exploitation? Danger or liberation? This volume provides an exmination of the history and effects of graphic violence on film.
Aesthetic Violence And Women In Film
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Author : Joseph H. Kupfer
language : en
Publisher: Routledge
Release Date : 2018-03-05
Aesthetic Violence And Women In Film written by Joseph H. Kupfer and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-03-05 with Social Science categories.
Aesthetic Violence and Women in Film is a highly readable and timely analysis of the intersection of two recent cinematic trends in martial arts films: aesthetic violence and warrior women. Joseph Kupfer establishes specific categories of aesthetic film violence, including hyper-violence, a visual style that emphasizes the sensuous surface of physical destruction and surreal violence, when spectacular imagery and gravity-defying dance replace blood and gore. He then goes on to outline the ascendancy during the past decades of female characters to the status of hero in action films. Interweaving these two subjects, the book reveals how women warriors instigate and animate the models of aesthetic violence introduced. The hyper-violence of Kill Bill celebrates the triumphs of the Bride, whose maiming and dismemberment of enemies produce brilliant red plumes and silvered geysers of blood. The surrealistic violence in Crouching Tiger, Hidden Dragon and The House of Flying Daggers creatively elevates violence from earthbound mayhem to an enchanting aerial display of female-dominated acrobatics. Both film-stories are driven by the plight and aspirations of female combatants, suggesting an affinity between women and the transfiguration of fighting wrought by surrealistic violence. By elevating the significance of violence in action films and linking it together with the growing popularity of central female characters in this genre, Aesthetic Violence and Women in Film will be of interest to students and scholars in film studies, popular culture, gender studies, aesthetics, and social philosophy.