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Filmfront Weimar


Filmfront Weimar
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Film Front Weimar


Film Front Weimar
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Author : Bernadette Kester
language : en
Publisher: Amsterdam University Press
Release Date : 2003

Film Front Weimar written by Bernadette Kester and has been published by Amsterdam University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Performing Arts categories.


How was Germany's experience of World War I depicted in film during the following years? Drawing on analysis of the films of the Weimar era--documentaries and feature films addressing the war's causes, life at the front, war at sea, and the home front--Bernadette Kester sketches out the historical context, including reviews and censors' reports, in which these films were made and viewed, and offers much insight into how Germans collectively perceived World War I during its aftermath and beyond.



Filmfront Weimar


Filmfront Weimar
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Author : Bernadette Catharina Maria Kester
language : nl
Publisher:
Release Date : 1998

Filmfront Weimar written by Bernadette Catharina Maria Kester and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with categories.




Filmfront Weimar


Filmfront Weimar
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Author : Bernadette Kester
language : nl
Publisher: Uitgeverij Verloren
Release Date : 1998

Filmfront Weimar written by Bernadette Kester and has been published by Uitgeverij Verloren this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Germany categories.


Engl. Zusammenfass.



Weimar Cinema And After


Weimar Cinema And After
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Author : Thomas Elsaesser
language : en
Publisher: Routledge
Release Date : 2013-04-15

Weimar Cinema And After written by Thomas Elsaesser and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04-15 with Performing Arts categories.


German cinema of the 1920s is still regarded as one of the 'golden ages' of world cinema. Films such as The Cabinet of Dr Caligari, Dr Mabuse the Gambler, Nosferatu, Metropolis, Pandora's Box and The Blue Angel have long been canonised as classics, but they are also among the key films defining an image of Germany as a nation uneasy with itself. The work of directors like Fritz Lang, F.W. Murnau and G.W. Pabst, which having apparently announced the horrors of fascism, while testifying to the traumas of a defeated nation, still casts a long shadow over cinema in Germany, leaving film history and political history permanently intertwined. Weimar Cinema and After offers a fresh perspective on this most 'national' of national cinemas, re-evaluating the arguments which view genres and movements such as 'films of the fantastic', 'Nazi Cinema', 'film noir' and 'New German Cinema' as typically German contributions to twentieth century visual culture. Thomas Elsaesser questions conventional readings which link these genres to romanticism and expressionism, and offers new approaches to analysing the function of national cinema in an advanced 'culture industry' and in a Germany constantly reinventing itself both geographically and politically. Elsaesser argues that German cinema's significance lies less in its ability to promote democracy or predict fascism than in its contribution to the creation of a community sharing a 'historical imaginary' rather than a 'national identity'. In this respect, he argues, German cinema anticipated some of the problems facing contemporary nations in reconstituting their identities by means of media images, memory, and invented traditions.



Filmfront Weimar


Filmfront Weimar
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Author : Bernadette Catharina Maria Kester
language : en
Publisher:
Release Date : 1998

Filmfront Weimar written by Bernadette Catharina Maria Kester and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Motion picture industry categories.




Filmfront Weimar Representations Van De Eerste Wereldoorlog In Duitse Films Uit De Weimarperiode 1919 1933


Filmfront Weimar Representations Van De Eerste Wereldoorlog In Duitse Films Uit De Weimarperiode 1919 1933
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Author : Bernadette Kester
language : en
Publisher:
Release Date : 1998

Filmfront Weimar Representations Van De Eerste Wereldoorlog In Duitse Films Uit De Weimarperiode 1919 1933 written by Bernadette Kester and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with categories.




A Companion To German Cinema


A Companion To German Cinema
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Author : Terri Ginsberg
language : en
Publisher: John Wiley & Sons
Release Date : 2012-02-13

A Companion To German Cinema written by Terri Ginsberg and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-02-13 with Performing Arts categories.


A Companion to German Cinema A Companion to German Cinema regards the shifting terrain of German filmmaking and film studies against their larger social contexts with twenty-two newly commissioned essays by well-established and younger scholars in the field. While several of these focus on classic topics such as Weimar cinema, Fifties cinema, New German Cinema and its legacy, and Holocaust film, the collection is distinguished by its focus on new developments and the innovative light they may shed on earlier practices. A Companion to German Cinema includes essays on Berlin Film, Neue Heimat Film, New Comedy, post-Wall documentaries, the post-Wende RAF genre, and Rabenmutter imagery, as well as on the persistently overlooked and under-theorized Indianerfilme, post-AIDS documentaries, sexploitation films, and new multicultural and transnational films produced in Germany under the auspices of the European Union. Organized into three “movements” representing the significance of these developments for their aesthetic theorization, A Companion to German Cinema challenges its readers to address critical gaps in the field with the aim of opening it further onto new terrains of intellectual engagement.



New Perspectives On The War Film


New Perspectives On The War Film
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Author : Clémentine Tholas
language : en
Publisher: Springer Nature
Release Date : 2019-09-14

New Perspectives On The War Film written by Clémentine Tholas and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-09-14 with Performing Arts categories.


New Perspectives on the War Film addresses the gap in the representation of many forgotten faces of war in mainstream movies and global mass media. The authors concentrate on the untold narratives of those who fought in combat and were affected by its brutal consequences. Chapters discuss the historically under-represented stories of individuals including women, African-American and Indigenous Soldiers. Issues of homosexuality and gender relations in the military, colonial subjects and child soldiers, as well as the changing nature of war via terrorism and bioterrorism are closely analyzed. The contributors demonstrate how these viewpoints have been consistently ignored in mainstream, blockbuster war sagas and strive to re-integrate these lost perspectives into current and future narratives.



A New History Of German Cinema


A New History Of German Cinema
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Author : Jennifer M. Kapczynski
language : en
Publisher: Boydell & Brewer
Release Date : 2012

A New History Of German Cinema written by Jennifer M. Kapczynski and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with History categories.


A dynamic, event-centered exploration of the hundred-year history of German-language film. This dynamic, event-centered anthology offers a new understanding of the hundred-year history of German-language film, from the earliest days of the Kintopp to contemporary productions like The Lives of Others. Eachof the more than eighty essays takes a key date as its starting point and explores its significance for German film history, pursuing its relationship with its social, political, and aesthetic moment. While the essays offer ampletemporal and topical spread, this book emphasizes the juxtaposition of famous and unknown stories, granting attention to a wide range of cinematic events. Brief section introductions provide a larger historical and film-historicalframework that illuminates the essays within it, offering both scholars and the general reader a setting for the individual texts and figures under investigation. Cross-references to other essays in the book are included at the close of each entry, encouraging readers not only to pursue familiar trajectories in the development of German film, but also to trace particular figures and motifs across genres and historical periods. Together, the contributionsoffer a new view of the multiple, intersecting narratives that make up German-language cinema. The constellation that is thus established challenges unidirectional narratives of German film history and charts new ways of thinkingabout film historiography more broadly. Jennifer Kapczynski is Associate Professor of German at Washington University, St. Louis, and Michael Richardson is Associate Professor of German at Ithaca College.



Cinematic Corpographies


Cinematic Corpographies
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Author : Eileen Rositzka
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2018-05-22

Cinematic Corpographies written by Eileen Rositzka and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-05-22 with Art categories.


Writing on the relationship between war and cinema has largely been dominated by an emphasis on optics and weaponised vision. However, as this analysis of the Hollywood war film will show, a wider sensory field is powerfully evoked in this genre. Contouring war cinema as representing a somatic experience of space, the study applies a term recently developed by Derek Gregory within the theoretical framework of Critical Geography. What he calls “corpography” implies a constant re-mapping of landscape through the soldier’s body. These assumptions can be used as a connection between already established theories of cartographic film narration and ideas of (neo)phenomenological film experience, as they also entail the involvement of the spectator’s body in sensuously grasping what is staged as a mediated experience of war. While cinematic codes of war have long been oriented almost exclusively to the visual, the notion of corpography can help to reframe the concept of film genre in terms of expressive movement patterns and genre memory, avoiding reverting to the usual taxonomies of generic texts.