Filmosophy About Framptons Radically New Way Of Understanding Cinema
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Filmosophy About Framptons Radically New Way Of Understanding Cinema
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Author : Martin Thiele
language : en
Publisher: GRIN Verlag
Release Date : 2009
Filmosophy About Framptons Radically New Way Of Understanding Cinema written by Martin Thiele and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Motion pictures categories.
Seminar paper from the year 2009 in the subject Film Science, grade: 1,3, University of Potsdam, course: Film + Philosophy = Filmosophy, language: English, abstract: Because the times in film production change, a change in reception is also necessary. In Frampton's theory, film is no longer a photographic reproduction of a past performance. This is not simply be-cause nowadays there are countless assumed realistic film images which were never shot as they are presented later. Frampton concedes that film uses material of the real world but finally - and hence his theory is one of reception - this material becomes its own world with its own processes and even its own thoughts. To draw a consistent picture of his theory he developed a kind of unique language to speak about film.
Filmosophy
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Author : Daniel Frampton
language : en
Publisher: Wallflower Press
Release Date : 2006
Filmosophy written by Daniel Frampton and has been published by Wallflower Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Performing Arts categories.
'Filmosophy' is a manifesto for a radically philosophical way of understanding cinema. The book coalesces 20th century ideas of film as thought into a practical theory of 'film-thinking', arguing that film style conveys poetic ideas through a constant dramatic 'intent' about the characters, spaces, and events of film.
Filmosophy
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Author : Daniel Frampton
language : en
Publisher: Columbia University Press
Release Date : 2006-12-12
Filmosophy written by Daniel Frampton and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-12-12 with Performing Arts categories.
Filmosophy is a provocative new manifesto for a radically philosophical way of understanding cinema. It coalesces twentieth-century ideas of film as thought (from Hugo Münsterberg to Gilles Deleuze) into a practical theory of "film-thinking," arguing that film style conveys poetic ideas through a constant dramatic "intent" about the characters, spaces, and events of film. Discussing contemporary filmmakers such as Béla Tarr and the Dardenne brothers, this timely contribution to the study of film and philosophy will provoke debate among audiences and filmmakers alike. FILMOSOPHY ® is a registered U.S. trademark owned by Valentin Stoilov (www.filmosophy.com) for educational services in the field of motion picture history theory and production. Mr. Stoilov is not the source or origin of this book and has not sponsored or endorsed it or its author.
Talking Movies
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Author : Jason Wood
language : en
Publisher: Wallflower Press
Release Date : 2006
Talking Movies written by Jason Wood and has been published by Wallflower Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Performing Arts categories.
'Talking Movies' is a collection of interviews with some of the most audacious and respected contemporary filmmakers of the present generation.
Cinema Politics Philosophy
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Author : Nico Baumbach
language : en
Publisher: Columbia University Press
Release Date : 2018-10-30
Cinema Politics Philosophy written by Nico Baumbach and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-10-30 with Performing Arts categories.
Almost fifty years ago, Jean-Louis Comolli and Jean Narboni published the manifesto “Cinema/Ideology/Criticism,” helping to set the agenda for a generation of film theory that used cinema as a means of critiquing capitalist ideology. In recent decades, film studies has moved away from politicized theory, abandoning the productive ways in which theory understands the relationship between cinema, politics, and art. In Cinema/Politics/Philosophy, Nico Baumbach revisits the much-maligned tradition of seventies film theory to reconsider: What does it mean to call cinema political? In this concise and provocative book, Baumbach argues that we need a new philosophical approach that sees cinema as both a mode of thought and a form of politics. Through close readings of the writings on cinema by the contemporary continental philosophers Jacques Rancière, Alain Badiou, and Giorgio Agamben, he asks us to rethink both the legacy of ideology critique and Deleuzian film-philosophy. He explores how cinema can condition philosophy through its own means, challenging received ideas about what is seeable, sayable, and doable. Cinema/Politics/Philosophy offers fundamental new ways to think about cinema as thought, art, and politics.
Lacanian Perspectives On Blade Runner 2049
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Author : Calum Neill
language : en
Publisher: Springer Nature
Release Date : 2020-12-18
Lacanian Perspectives On Blade Runner 2049 written by Calum Neill and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-12-18 with Psychology categories.
This book provides a collection of Lacanian responses to Denis Villeneuve’s Blade Runner 2049 from leading theorists in the field. Like Ridley Scott’s original Blade Runner film, its sequel is now poised to provoke philosophical and psychoanalytic arguments, and to provide illustrations and inspiration for questions of being and the self, for belief and knowledge, the human and the post-human, amongst others. This volume forms the vanguard of responses from a Lacanian perspective, satisfying the hunger to extend the theoretical considerations of the first film in the various new directions the second film invites. Here, the contributors revisit the implications of the human-replicant relationship but move beyond this to consider issues of ideology, politics, and spectatorship. This exciting collection will appeal to an educated film going public, in addition to students and scholars of Lacanian psychoanalysis, psychoanalytic theory, cultural studies, film theory, philosophy and applied psychoanalysis.
Thinking Reality And Time Through Film
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Author : José Manuel Martins
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2017-03-07
Thinking Reality And Time Through Film written by José Manuel Martins and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-03-07 with Performing Arts categories.
Over the last few decades, film has increasingly become an issue of philosophical reflection from an ontological and epistemological perspective, and the claim “doing philosophy through film” has raised extensive discussion about its meaning. The mechanical reproduction of reality is one of the most prominent philosophical questions raised by the emergence of film at the end of the nineteenth century, inquiring into the ontological nature of both reality and film. Yet the nature of this audio-photographic and moving reproduction of reality constitutes an ontological puzzle, which has widely been disregarded as a main line of enquiry with direct consequences for philosophy. Regarding this background, this volume brings together the best papers from the Lisbon Conference on Philosophy and Film: Thinking Reality and Time through Film, held in 2014. What they all have in common is the discussion of new aspects and approaches of how philosophy relates to film. Whether by philosophizing through concrete examples of films or whether looking at film’s ontological reliance on time and image, or its intra-active entanglement with reality or truth, this book explores grasp film’s nature philosophically, and provides new insights for the film philosopher and the filmmaker, as well as for the freshman fascinated by film for philosophical reasons.
My Kind Of Sound
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Author : Enrique Encabo
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2020-11-24
My Kind Of Sound written by Enrique Encabo and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-24 with Music categories.
This volume explores the importance and significance that music has in our lives. The relationship between music and identity is based on conceptions about meanings and identification, especially powerful when connected with youth and popular music. We narrate ourselves in a musical way and we must study ‘music as culture’ rather than ‘music in culture’. The contributions to this book attend to emerging phenomena such as the rise of the Reggaeton music around the world, the importance of music in anime media, and music industry changes and uncertainties in the new millennium. Music is art, but it is also an industry and a business, and the two are intertwined: through the sale of tickets, original formulas are obtained and, in the same way, products (not just musical, but multimedia) are born from alternative culture, eventually becoming mainstream. In addition, this book also takes into account iconic artists such as Nirvana, David Bowie or Miley Cyrus, and the important contribution of music to the narrative and success of popular TV series, analysing cases such as Babylon Berlin and Vikings. From Blade Runner (1982) to current television mainstream productions, the music-image alliance does not only satisfy and distract us, but also challenges us and forces us to rethink our view of the world.
Cinematic Chronotopes
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Author : Pepita Hesselberth
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2014-06-19
Cinematic Chronotopes written by Pepita Hesselberth and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-06-19 with Performing Arts categories.
The site of cinema is on the move. The extent to which technologically mediated sounds and images continue to be experienced as cinematic today is largely dependent on the intensified sense of being 'here,' 'now' and 'me' that they convey. This intensification is fundamentally rooted in the cinematic's potential to intensify our experience of time, to convey time's thickening, of which the sense of place, and a sense of self-presence are the correlatives. In this study, Pepita Hesselberth traces this thickening of time across four different spatio-temporal configurations of the cinematic: a multi-media exhibition featuring the work of Andy Warhol (1928-1987); the handheld aesthetics of European art-house films; a large-scale media installation by Rafael Lozano-Hemmer; and the usage of the trope of the flash-forward in mainstream Hollywood cinema. Only by juxtaposing these cases by looking at what they have in common, this study argues, can we grasp the complexity of the changes that the cinematic is currently undergoing.
The Techne Of Giving
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Author : Timothy C. Campbell
language : en
Publisher: Fordham Univ Press
Release Date : 2017-01-02
The Techne Of Giving written by Timothy C. Campbell and has been published by Fordham Univ Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-01-02 with Philosophy categories.
Over the last five years, corporations and individuals have given more money, more often, to charitable organizations than ever before. What could possibly be the downside to inhabiting a golden age of gift-giving? That question lies at the heart of Timothy Campbell’s account of contemporary giving and its social forms. In a milieu where gift-giving dominates, nearly everything given and received becomes the subject of a calculus—gifts from God, from benefactors, from those who have. Is there another way to conceive of generosity? What would giving and receiving without gifts look like? A lucid and imaginative intervention in both European philosophy and film theory, The Techne of Giving investigates how we hold the objects of daily life—indeed, how we hold ourselves—in relation to neoliberal forms of gift-giving. Even as instrumentalism permeates giving, Campbell articulates a resistant techne locatable in forms of generosity that fail to coincide with biopower’s assertion that the only gifts that count are those given and received. Moving between visual studies, Winnicottian psychoanalysis, Foucauldian biopower, and apparatus theory, Campbell makes a case for how to give and receive without giving gifts. In the conversation between political philosophy and classic Italian films by Visconti, Rossellini, and Antonioni, the potential emerges of a generous form of life that can cross between the visible and invisible, the fated and the free.