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Forms And Design In Music


Forms And Design In Music
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Forms And Design In Music


Forms And Design In Music
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Author : Henry Heathcote Statham
language : en
Publisher:
Release Date : 1893

Forms And Design In Music written by Henry Heathcote Statham and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1893 with categories.




Basic Forms In Music


Basic Forms In Music
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Author : Charles W. Walton
language : en
Publisher: Alfred Music
Release Date : 2005-05-03

Basic Forms In Music written by Charles W. Walton and has been published by Alfred Music this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-05-03 with Music categories.


Musical forms are illustrated through representative literature of all periods. Includes complete examples as well as suggestions for further listening and analytical experiences.



Lessons In Music Form


Lessons In Music Form
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Author : Percy Goetschius
language : en
Publisher: DigiCat
Release Date : 2022-05-28

Lessons In Music Form written by Percy Goetschius and has been published by DigiCat this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-05-28 with Music categories.


In "Lessons in Music Form," Percy Goetschius offers a comprehensive exploration of the structures that govern musical composition. Drawing upon his profound understanding of music theory, Goetschius presents a systematic analysis of various musical forms, including binary, ternary, and sonata forms. His didactic style blends rigorous theoretical framework with practical examples, making it accessible for both students and seasoned composers. Set against the backdrop of late 19th to early 20th-century musical trends, the book also reflects the evolving nature of musical language during this transformative period in music history. Goetschius, a prominent American composer and music educator, was instrumental in shaping contemporary music pedagogy. His own experiences as a composer and his mentorship under prominent figures allowed him to recognize the need for a structured approach to understanding music form. This insight, coupled with his dedication to teaching, inspired him to produce a text that was not simply theoretical but aimed at fostering creativity among his students. This book is highly recommended for music students, educators, and composers seeking a deeper comprehension of musical structures. Goetschius's scholarly approach combined with practical applications makes "Lessons in Music Form" an invaluable resource that enriches the reader's musical education and creative expression.



Models Of The Principal Musical Forms


Models Of The Principal Musical Forms
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Author : Percy Goetschius
language : en
Publisher:
Release Date : 1895

Models Of The Principal Musical Forms written by Percy Goetschius and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1895 with Musical form categories.




Lessons In Music Form


Lessons In Music Form
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Author : Percy Goetschius
language : en
Publisher:
Release Date : 1968

Lessons In Music Form written by Percy Goetschius and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1968 with categories.




Musical Form Forms Formenlehre


Musical Form Forms Formenlehre
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Author : William Earl Caplin
language : en
Publisher: Leuven University Press
Release Date : 2009

Musical Form Forms Formenlehre written by William Earl Caplin and has been published by Leuven University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Art categories.


In Musical Form, Forms, and Formenlehre, three eminent music theorists reflect on the fundamentals of "musical form." They discuss how to analyze form in music and question the relevance of analytical theories and methods in general. They illustrate their basic concepts andc oncerns by offering some concrete analyses of works by Mozart (Idomeneo Overture, Jupiter Symphony) and Beethoven (First and Pastoral Symphony, Egmont Overture, and Die Ruinen von Athen Overture). The volume is divided into three parts, focusing on Caplin's "theory of formal functions," Hepokoski's concept of "dialogic form," and Webster's method of "multivalent analysis" respectively. Each part begins with a basic essay by one of the three authors. Subsequently, the two opposing authors comment on issues and analyses they consider to be problematic or underdeveloped, in a style that ranges from the gently critical to the overtly polemical. Finally, the author of the initial essay is given the opportunity to reply to the comments, and to further refine his own fundamental ideas on musical form.



Musical Form And Analysis


Musical Form And Analysis
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Author : Glenn Spring
language : en
Publisher: Waveland Press
Release Date : 2013-08-29

Musical Form And Analysis written by Glenn Spring and has been published by Waveland Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-08-29 with Music categories.


Understanding the way music unfolds to the listener is a major key for unlocking the secrets of the composer’s art. Musical Form and Analysis, highly regarded and widely used for two decades, provides a balanced theoretical and philosophical approach that helps upper-level undergraduate music majors understand the structures and constructions of major musical forms. Spring and Hutcheson present all of the standard topics expected in such a text, but their approach offers a unique conceptual thrust that takes readers beyond mere analytical terminology and facts. Evocative rather than encyclopedic, the text is organized around three elements at work at all levels of music: time, pattern, and proportion. Well-chosen examples and direct, well-crafted assignments reinforce techniques. A 140-page anthology of music for in-depth analysis provides a wide range of carefully selected works.



Anthology Of Musical Forms Structure Style Expanded Edition


Anthology Of Musical Forms Structure Style Expanded Edition
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Author : Leon Stein
language : en
Publisher: Alfred Music
Release Date : 1999-11-27

Anthology Of Musical Forms Structure Style Expanded Edition written by Leon Stein and has been published by Alfred Music this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999-11-27 with Music categories.


Structure and Style, first published in 1962 and expanded in 1979, fills the need for new ways of analysis that put 20th-century music in perspective. It spans forms in use before 1600 through forms and techniques in use today. Anthology of Musical Forms provides musical examples of forms treated in Structure and Style. Some examples are analyzed throughout. Most are left for the student to analyze. These books reflect Leon Stein's impressive background as student, musician, and composer. Stein studied composition with Leo Sowerby, Frederick Stock (conductor of the Chicago Symphony) and orchestration with Eric DeLamarter, his assistant. He earned M. Mus and Ph.D degrees at DePaul University and was associated with its School of Music as director of the Graduate Division and chairman of the Department of Theory and Composition until his retirement in 1976. He has composed a wide variety of works, including compositions for orchestra, chamber combinations, two operas, and a violin concerto.



Form In Music


Form In Music
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Author : Stewart Macpherson
language : en
Publisher: Read Books Ltd
Release Date : 2013-04-18

Form In Music written by Stewart Macpherson and has been published by Read Books Ltd this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04-18 with Music categories.


Contents Include: Accent, Time and Rhythm Phrases and Sentences The Half-Phrase, or Section Rythmic Extension and Contraction The Construction of Complete Movements-The Simple Binary, or Two-Part Form The Simple Ternary, or Three-Part Form The Binary and Ternary Forms(Continued) The Evolution of the Ternary Idea: The Minuet and Trio-The Episodical Form The Evolution of the Trenary Idea(Continued)The Older, Or Simple, Rondo The Evolution of the Trenary Idea(Continued) Sonata-Form-The Exposition-First Subject and Transition Sonita-The Development, or Free Fantasia Form(Continued): Sonita-Form(Continued) The Recapitulation and Coda-The Introduction Departures from the Normal Type of Sonata-Form:(i)modified Sonata-Form (ii) The Modern or Sonata-Rondo The Variation Form The Sonata as a Whole Fugue Canon (i) The Symphony:(ii) The Overture :(iii) Concerted Chamber-Music The Cocerto (i) Dance Forms The Evolution of Sonata-Form Modern Tendencies Programme-Music, The Symphonic Poem, etc Glossary General Index Keywords: Sonata Form Evolution Ternary Minuet And Trio Rondo Recapitulation Chamber Music Dance Forms I Dance Coda Fugue Contraction Departures Fantasia Tendencies Exposition Sentences Accent Rhythm Phrases



Form Program And Metaphor In The Music Of Berlioz


Form Program And Metaphor In The Music Of Berlioz
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Author : Stephen Rodgers
language : en
Publisher: Cambridge University Press
Release Date : 2009-03-05

Form Program And Metaphor In The Music Of Berlioz written by Stephen Rodgers and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-03-05 with Music categories.


Few aspects of Berlioz's style are more idiosyncratic than his handling of musical form. This book, the first devoted solely to the topic, explores how his formal strategies are related to the poetic and dramatic sentiments that were his very reason for being. Rodgers draws upon Berlioz's ideas about musical representation and on the ideas that would have influenced him, arguing that the relationship between musical and extra-musical narrative in Berlioz's music is best construed as metaphorical rather than literal - 'intimate' but 'indirect' in Berlioz's words. Focusing on a type of varied-repetitive form that Berlioz used to evoke poetic ideas such as mania, obsession, and meditation, the book shows how, far from disregarding form when pushing the limits of musical evocation, Berlioz harnessed its powers to convey these ideas even more vividly.