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Four Sacred Cantatas

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Four Sacred Cantatas

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Author : Daniel Eberlin
language : de
Publisher: A-R Editions, Inc.
Release Date : 2013-01-01

Four Sacred Cantatas written by Daniel Eberlin and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-01-01 with Music categories.

Enthält: Ich kan nit mehr ertragen diesen Jammer ; Allmächtiger, heyliger, ewiger Gott , Ich will in aller Noht ; Vae misero, qui Deum meum.

Dietrich Buxtehude

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Author : Francis E. Little
language : en
Publisher:
Release Date : 1970

Dietrich Buxtehude written by Francis E. Little and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1970 with Solo cantatas, Sacred (High voice) categories.

Three Sacred Cantatas

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Author : Georg von Bertouch
language : de
Publisher: A-R Editions, Inc.
Release Date : 2008-01-01

Three Sacred Cantatas written by Georg von Bertouch and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-01-01 with Music categories.

Georg von BertouchThree Sacred CantatasEdited by Michael W. NordbakkeB 151ISBN 0-89579-633-3 (10-digit)(2008) xvii + 1278 pp. $105.00 ISBN 978-0-89579-633-2 (13-digit) B151P1Parts (vn. 1; vn. 2; alto viol 1; alto viol 2; bass viol; b.c.) $15.00B151P2Parts ( b.c.) $5.00B151P3Parts (vn. 1; vn. 2; vn. 3; alto viol; tenor viol; bass viol; b.c.) $25.00Georg von Bertouch (1668-1743), a German-born musician and military officer who spent the last twenty-five years of his life in Norway, is largely remembered for his sonatas in each of the twenty-four keys, finished in 1738 (B144). But statements made by Mattheson indicate that Bertouch produced an extensive body of sacred compositions as well. Only three cantatas, composed before 1694, are known to survive; the manuscripts, which are part of the Bokemeyer collection, are held in the Staatsbibliothek zu Berlin. Two of these works are solo cantatas for a single voice, while the remaining one is a large-scale chorale cantata based on "Wachet auff." Both solo cantatas end with a joyful Alleluia movement and were obviously written for professional singers with considerable lung capacity. The chorale cantata, too, makes substantial demands on the soloists. Contrasting sections, tone-painting and occasional chromatic writing are features that should arouse the interest of singers and scholars studying seventeenth-century northern German vocal music.