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Fourteen Motets From The Court Of Ferdinand Ii Of Hapsburg


Fourteen Motets From The Court Of Ferdinand Ii Of Hapsburg
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Fourteen Motets From The Court Of Ferdinand Ii Of Hapsburg


Fourteen Motets From The Court Of Ferdinand Ii Of Hapsburg
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Author : Steven Saunders
language : la
Publisher: A-R Editions, Inc.
Release Date : 1995-01-01

Fourteen Motets From The Court Of Ferdinand Ii Of Hapsburg written by Steven Saunders and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995-01-01 with Motets categories.


Enthält Werke von Giovanni Valentini, Giovanni Priuli, Giovanni Giacomo Arrigoni.



A Companion To Music At The Habsburg Courts In The Sixteenth And Seventeenth Centuries


A Companion To Music At The Habsburg Courts In The Sixteenth And Seventeenth Centuries
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Author :
language : en
Publisher: BRILL
Release Date : 2020-09-25

A Companion To Music At The Habsburg Courts In The Sixteenth And Seventeenth Centuries written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-25 with Music categories.


A Companion to Music at the Habsburgs Courts in the Sixteenth and Seventeenth Centuries, edited by Andrew H. Weaver, is the first in-depth survey of the Habsburg family’s musical patronage over a broad span of time.



Sacred Music As Public Image For Holy Roman Emperor Ferdinand Iii


Sacred Music As Public Image For Holy Roman Emperor Ferdinand Iii
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Author : Andrew H. Weaver
language : en
Publisher: Routledge
Release Date : 2016-04-08

Sacred Music As Public Image For Holy Roman Emperor Ferdinand Iii written by Andrew H. Weaver and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-08 with Music categories.


Ferdinand III played a crucial role both in helping to end the Thirty Years' War and in re-establishing Habsburg sovereignty within his hereditary lands, and yet he remains one of the most neglected of all Habsburg emperors. The underlying premise of Sacred Music as Public Image for Holy Roman Emperor Ferdinand III is that Ferdinand's accomplishments came not through diplomacy or strong leadership but primarily through a skillful manipulation of the arts, through which he communicated important messages to his subjects and secured their allegiance to the Catholic Church. An important locus for cultural activity at court, especially as related to the Habsburgs' political power, was the Emperor's public image. Ferdinand III offers a fascinating case study in monarchical representation, for the war necessitated that he revise the image he had cultivated at the beginning of his reign, that of a powerful, victorious warrior. Weaver argues that by focusing on the patronage of sacred music (rather than the more traditional visual and theatrical means of representation), Ferdinand III was able to uphold his reputation as a pious Catholic reformer and subtly revise his triumphant martial image without sacrificing his power, while also achieving his Counter-Reformation goal of unifying his hereditary lands under the Catholic church. Drawing upon recent methodological approaches to the representation of other early modern monarchs, as well as upon the theory of confessionalization, this book places the sacred vocal music composed by imperial musicians into the rich cultural, political, and religious contexts of mid-seventeenth-century Central Europe. The book incorporates dramatic productions such as opera, oratorio, and Jesuit drama (as well as works in other media), but the primary focus is the more numerous and more frequently performed Latin-texted paraliturgical genre of the motet, which has generally not been considered by scholars as a vehicle for monarchical representation. By examining the representation of this little-studied emperor during a crucial time in European history, this book opens a window into the unique world view of the Habsburgs, allowing for a previously untold narrative of the end of the Thirty Years' War as seen through the eyes of this important ruling family.



A History Of Baroque Music


A History Of Baroque Music
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Author : George J. Buelow
language : en
Publisher: Indiana University Press
Release Date : 2004-11-23

A History Of Baroque Music written by George J. Buelow and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-11-23 with Music categories.


"A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.



Motets By Emperor Ferdinand Iii And Other Musicians From The Habsburg Court 1637 1657


Motets By Emperor Ferdinand Iii And Other Musicians From The Habsburg Court 1637 1657
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Author : Ferdinand III (Holy Roman Emperor)
language : la
Publisher: A-R Editions, Inc.
Release Date : 2012-01-01

Motets By Emperor Ferdinand Iii And Other Musicians From The Habsburg Court 1637 1657 written by Ferdinand III (Holy Roman Emperor) and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-01-01 with Music categories.




Capricci 1622 Part 2


Capricci 1622 Part 2
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Author : Bellerofonte Castaldi
language : en
Publisher: A-R Editions, Inc.
Release Date : 2006-01-01

Capricci 1622 Part 2 written by Bellerofonte Castaldi and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-01-01 with Music categories.


Pagination: xx + 163 pp.



Collected Vocal Music Part 2


Collected Vocal Music Part 2
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Author : William Lawes
language : en
Publisher: A-R Editions, Inc.
Release Date : 2002-01-01

Collected Vocal Music Part 2 written by William Lawes and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-01-01 with Choruses, Sacred (Mixed voices) with continuo categories.




Twelve Solos For A Violin Or Oboe With Basso Continuo


Twelve Solos For A Violin Or Oboe With Basso Continuo
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Author : William Babell
language : en
Publisher: A-R Editions, Inc.
Release Date : 2005-01-01

Twelve Solos For A Violin Or Oboe With Basso Continuo written by William Babell and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-01-01 with Music categories.


Pagination: xvii + 82 pp.Parts (violin) available as B140P



Lyra Viol Duets


Lyra Viol Duets
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Author : Thomas Ford
language : en
Publisher: A-R Editions, Inc.
Release Date : 1998-01-01

Lyra Viol Duets written by Thomas Ford and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998-01-01 with Music categories.


Enth.: Tabulatur und Transkr.



Selected Verse Anthems


Selected Verse Anthems
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Author : John Blow
language : en
Publisher: A-R Editions, Inc.
Release Date : 2009-01-01

Selected Verse Anthems written by John Blow and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-01-01 with Music categories.


The eight verse anthems in this edition constitute the only full scores of works in Blow's hand that survive in this abundant genre. The scores are located in two manuscripts that are now parts of the collections at Christ Church, Oxford, and the Fitzwilliam Museum, Cambridge. The Oxford manuscript includes five anthems from the 1670s, and each displays a variety of structural and musical-rhetoric procedures, making them ideal representatives of Blow's multifaceted early style. The Cambridge manuscript dates from ca. 1704 and contains three late works on a much larger scale. As a group, the later anthems require considerably greater virtuosity from the solo singers, and individual verse sections grow both longer and more numerous. As representative examples within a much larger repertoire, the works selected for this edition help to reveal important facets in the career of the first person to hold the title, Composer of the Chapel Royal.