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Sacred Music As Public Image For Holy Roman Emperor Ferdinand Iii


Sacred Music As Public Image For Holy Roman Emperor Ferdinand Iii
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Sacred Music As Public Image For Holy Roman Emperor Ferdinand Iii


Sacred Music As Public Image For Holy Roman Emperor Ferdinand Iii
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Author : Andrew H. Weaver
language : en
Publisher: Routledge
Release Date : 2016-04-08

Sacred Music As Public Image For Holy Roman Emperor Ferdinand Iii written by Andrew H. Weaver and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-08 with Music categories.


Ferdinand III played a crucial role both in helping to end the Thirty Years' War and in re-establishing Habsburg sovereignty within his hereditary lands, and yet he remains one of the most neglected of all Habsburg emperors. The underlying premise of Sacred Music as Public Image for Holy Roman Emperor Ferdinand III is that Ferdinand's accomplishments came not through diplomacy or strong leadership but primarily through a skillful manipulation of the arts, through which he communicated important messages to his subjects and secured their allegiance to the Catholic Church. An important locus for cultural activity at court, especially as related to the Habsburgs' political power, was the Emperor's public image. Ferdinand III offers a fascinating case study in monarchical representation, for the war necessitated that he revise the image he had cultivated at the beginning of his reign, that of a powerful, victorious warrior. Weaver argues that by focusing on the patronage of sacred music (rather than the more traditional visual and theatrical means of representation), Ferdinand III was able to uphold his reputation as a pious Catholic reformer and subtly revise his triumphant martial image without sacrificing his power, while also achieving his Counter-Reformation goal of unifying his hereditary lands under the Catholic church. Drawing upon recent methodological approaches to the representation of other early modern monarchs, as well as upon the theory of confessionalization, this book places the sacred vocal music composed by imperial musicians into the rich cultural, political, and religious contexts of mid-seventeenth-century Central Europe. The book incorporates dramatic productions such as opera, oratorio, and Jesuit drama (as well as works in other media), but the primary focus is the more numerous and more frequently performed Latin-texted paraliturgical genre of the motet, which has generally not been considered by scholars as a vehicle for monarchical representation. By examining the representation of this little-studied emperor during a crucial time in European history, this book opens a window into the unique world view of the Habsburgs, allowing for a previously untold narrative of the end of the Thirty Years' War as seen through the eyes of this important ruling family.



Sacred Music As Public Image For Holy Roman Emperor Ferdinand Iii


Sacred Music As Public Image For Holy Roman Emperor Ferdinand Iii
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Author : Andrew H. Weaver
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2012

Sacred Music As Public Image For Holy Roman Emperor Ferdinand Iii written by Andrew H. Weaver and has been published by Ashgate Publishing, Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Music categories.


Ferdinand III played a crucial role both in helping to end the Thirty Years' War and in re-establishing Habsburg sovereignty within his hereditary lands. Ferdinand's accomplishments came not through diplomacy or strong leadership but through a skillful manipulation of the arts. Drawing upon recent methodological approaches to the representation of other early modern monarchs as well as upon the theory of confessionalization, Andrew Weaver places the sacred vocal music composed by imperial musicians into the rich cultural, political, and religious contexts of mid-seventeenth-century Central Europe.



Music Piety And Political Power In 17th Century Salzburg


Music Piety And Political Power In 17th Century Salzburg
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Author : Kimberly Beck Hieb
language : en
Publisher: Taylor & Francis
Release Date : 2024-08-20

Music Piety And Political Power In 17th Century Salzburg written by Kimberly Beck Hieb and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-08-20 with Music categories.


Music, Piety, and Political Power in 17th-Century Salzburg traces the role of sacred music in the service of politics at the archbishopric of Salzburg, one of many jurisdictions that made up the Holy Roman Empire in the second half of the 17th century. The author reveals that the use of music to present political, cultural, and religious meanings was not limited to cross-confessional communities, the Imperial capital of Vienna, or other early modern metropolitan centers such as Munich and Paris. Presenting music as a powerful cultural artifact that informs our understanding of the religious and political relationships shaping the history of central Europe, this study expands our understanding of the history of music, absolutism, and Catholicism in the 17th century and will be of interest to scholars working in those areas.



A Companion To Music At The Habsburg Courts In The Sixteenth And Seventeenth Centuries


A Companion To Music At The Habsburg Courts In The Sixteenth And Seventeenth Centuries
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Author :
language : en
Publisher: BRILL
Release Date : 2020-09-25

A Companion To Music At The Habsburg Courts In The Sixteenth And Seventeenth Centuries written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-25 with History categories.


A Companion to Music at the Habsburgs Courts in the Sixteenth and Seventeenth Centuries, edited by Andrew H. Weaver, is the first in-depth survey of Habsburg musical patronage over a broad timeframe. Bringing together existing research and drawing upon primary sources, the authors, all established experts, provide overviews of the musical institutions, the functions of music, the styles and genres cultivated, and the historical, political, and cultural contexts for music at the Habsburg courts. The wide geographical scope includes the imperial courts in Vienna and Prague, the royal court in Madrid, the archducal courts in Graz and Innsbruck, and others. This broad view of Habsburg musical activities affirms the dynasty’s unique position in the cultural life of early modern Europe. Contributors are Lawrence Bennett, Charles E. Brewer, Drew Edward Davies, Paula Sutter Fichtner, Alexander J. Fisher, Christine Getz, Beth L. Glixon, Jeffrey Kurtzman, Virginia Christy Lamothe, Honey Meconi, Sara Pecknold, Jonas Pfohl, Pablo L. Rodríguez, Steven Saunders, Herbert Seifert, Louise K. Stein, and Andrew H. Weaver.



The Musical Discourse Of Servitude


The Musical Discourse Of Servitude
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Author : Harry White
language : en
Publisher:
Release Date : 2020

The Musical Discourse Of Servitude written by Harry White and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with Music categories.


The Musical Discourse of Servitude presents a new theory of how the late baroque musical imagination developed by comparing the compositions of Johann Joseph Fux, J. S. Bach, and G. F. Handel.



Music In Elizabethan Court Politics


Music In Elizabethan Court Politics
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Author : Katherine Butler (Music tutor)
language : en
Publisher: Boydell & Brewer Ltd
Release Date : 2015

Music In Elizabethan Court Politics written by Katherine Butler (Music tutor) and has been published by Boydell & Brewer Ltd this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with Biography & Autobiography categories.


Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.



Fruits Of The Cross


Fruits Of The Cross
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Author : Robert L. Kendrick
language : en
Publisher: Univ of California Press
Release Date : 2018-11-27

Fruits Of The Cross written by Robert L. Kendrick and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-11-27 with Music categories.


In this first detailed study of seventeenth-century sepolcri—sacred operas written for court performance on Holy Thursday and Good Friday—Robert L. Kendrick delves into the political and artistic world of Habsburg Vienna, in which music and ritual combined on the stage to produce a thoroughly original art form based on devotion to Christ’s Tomb. Through the use of allegorical characters, the musical dramas ranged from the devotionally intense, to the theologically complex, to the ugly anti-Jewish, but played a unique role in making Passion piety relevant to wider cultural concerns. Fruits of the Cross suggests that understanding the sepolcri has implications for the theatricalization of devotion, the power of allegory, the role of queenship in court ideology, the interplay between visuality and music, and not least the intellectual centrality of music theater to court self-understanding.



Lutheran Music And The Thirty Years War


Lutheran Music And The Thirty Years War
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Author : Derek L. Stauff
language : en
Publisher: Oxford University Press
Release Date : 2025-02-11

Lutheran Music And The Thirty Years War written by Derek L. Stauff and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2025-02-11 with Music categories.


This book takes a new look at sacred music written in present-day central Germany during the Thirty Years War (1618-48), and in doing so reveals distinct connections between religious works and the historical and political contexts in which they emerged. As author Derek L. Stauff asserts, specific Lutheran biblical motets and sacred concertos engage with the war's events, people, and politics in more detailed and meaningful ways than previously imagined. Composers working in Saxony, like Heinrich Schütz, Johann Hermann Schein, Tobias Michael, and Andreas Hammerschmidt, crafted these connections by deftly selecting biblical texts that specifically resonated with the war, by setting their texts in ways that amplify these resonances, and by performing this music in politically meaningful contexts. As a result, their music could take on a variety of war-related meanings: some pieces represent the Lutheran church and community, stoking fears about Catholic political aggression and religious persecution, warning Lutherans of the grave peril in which their church was foundering, and comforting believers with promises of God's protection. Other works celebrate contemporary political and military alignments, such as the Swedish-Saxon alliance (1631-35) and its victory at the Battle of Breitenfeld (1631), and close scrutiny of a few musical pieces reveals hidden or implicit critique of a controversial decree like the Edict of Restitution (1628) or of the excesses of Swedish troops. Stauff investigates the scriptural texts at the root of this repertoire, drawing on theological and devotional writings to show how early modern Lutherans connected these texts to the war and its political disputes. He also reconstructs the political contexts in which some works were performed or published; while his analyses focus chiefly on Saxony--especially Leipzig--they also remain relevant to other Lutheran regions of the Holy Roman Empire. In a repertoire that might all too easily appear to uniformly preach peace and protest war, or to float timelessly in a liturgical space undisturbed by contemporary affairs, Stauff decisively shows how Lutheran composers actively reflected on and responded to the war, as well as the political and religious struggles underpinning it, through their sacred music.



Early Modern Court Culture


Early Modern Court Culture
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Author : Erin Griffey
language : en
Publisher: Routledge
Release Date : 2021-11-29

Early Modern Court Culture written by Erin Griffey and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-11-29 with History categories.


Through a thematic overview of court culture that connects the cultural with the political, confessional, spatial, material and performative, this volume introduces the dynamics of power and culture in the early modern European court. Exploring the period from 1500 to 1750, Early Modern Court Culture is cross-cultural and interdisciplinary, providing insights into aspects of both community and continuity at courts as well as individual identity, change and difference. Culture is presented as not merely a vehicle for court propaganda in promoting the monarch and the dynasty, but as a site for a complex range of meanings that conferred status and virtue on the patron, maker, court and the wider community of elites. The essays show that the court provided an arena for virtue and virtuosity, intellectual and social play, demonstration of moral authority and performance of social, gendered, confessional and dynastic identity. Early Modern Court Culture moves from political structures and political players to architectural forms and spatial geographies; ceremonial and ritual observances; visual and material culture; entertainment and knowledge. With 35 contributions on subjects including gardens, dress, scent, dance and tapestries, this volume is a necessary resource for all students and scholars interested in the court in early modern Europe.



Convent Music And Politics In Eighteenth Century Vienna


Convent Music And Politics In Eighteenth Century Vienna
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Author : Janet K. Page
language : en
Publisher: Cambridge University Press
Release Date : 2014-04-24

Convent Music And Politics In Eighteenth Century Vienna written by Janet K. Page and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-04-24 with Music categories.


Janet K. Page explores the interaction of music and piety, court and church, as seen through the relationship between the Habsburg court and Vienna's convents. In the first full-length study of its kind, she reveals a golden age of convent music in Vienna and the convents' surprising engagement with contemporary politics.