The Musical Discourse Of Servitude


The Musical Discourse Of Servitude
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The Musical Discourse Of Servitude


The Musical Discourse Of Servitude
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Author : Harry White
language : en
Publisher: Oxford University Press
Release Date : 2020-09-14

The Musical Discourse Of Servitude written by Harry White and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-14 with Music categories.


Examining, for the first time, the compositions of Johann Joseph Fux in relation to his contemporaries Bach and Handel, The Musical Discourse of Servitude presents a new theory of the late baroque musical imagination. Author Harry White contrasts musical "servility" and "freedom" in his analysis, with Fux tied to the prevailing servitude of the day's musical imagination, particularly the hegemonic flowering of North Italian partimento method across Europe. In contrast, both Bach and Handel represented an autonomy of musical discourse, with Bach exhausting generic models in the mass and Handel inventing a new genre in the oratorio. A potent critique of Lydia Goehr's seminal The Imaginary Museum of Musical Works, The Musical Discourse of Servitude draws on Goehr's formulation of the "work-concept" as an imaginary construct which, according to Goehr, is an invention of nineteenth-century reception history. White locates this concept as a defining agent of automony in Bach's late works, and contextualized the "work-concept" itself by exploring rival concepts of political, religious, and musical authority which define the European musical imagination in the first half of the eighteenth century. A major revisionist statement about the musical imagination in Western art music, The Musical Discourse of Servitude will be of interest to scholars of the Baroque, particularly of Bach and Handel.



The Musical Discourse Of Servitude


The Musical Discourse Of Servitude
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Author : Harry White
language : en
Publisher: Oxford University Press, USA
Release Date : 2020

The Musical Discourse Of Servitude written by Harry White and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with Music categories.


"The Musical Discourse of Servitude examines the music of Johann Joseph Fux (c.1660-1741) in relation to that of Johann Sebastian Bach and George Frideric Handel. Its principal argument is that Fux's long indenture as a composer of church music in Vienna gains in meaning (and cultural significance) when situated along an axis that runs between the liturgical servitude of writing music for the imperial court service and the autonomy of musical imagination which transpires in the late works of Bach and Handel. To this end, The Musical Discourse of Servitude constructs a typology of the late baroque musical imagination which draws Fux, Bach and Handel into the orbit of North Italian compositional practice"--



The Well Tempered Festschrift


The Well Tempered Festschrift
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Author : Harry White
language : en
Publisher: Hollitzer Wissenschaftsverlag
Release Date : 2020-06-01

The Well Tempered Festschrift written by Harry White and has been published by Hollitzer Wissenschaftsverlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-06-01 with Music categories.


"The Well-Tempered Festschrift" is a reading of "Music Preferred: Essays in Musicology, Cultural History and Analysis in Honour of Harry White", edited by Lorraine Byrne Bodley and published by Hollitzer Verlag in 2018. "The Well-Tempered Festschrift" reflects on each of the essays in "Music Preferred" in turn, and it also accounts for the circumstances in which Harry White met the contributors to "Music Preferred" throughout the course of his working life. "The Well-Tempered Festschrift" is thus a musicological memoir as well as a detailed review of the contents of "Music Preferred", dedicated to the friends whose work is pictured within. It responds to the liber amicorum of "Music Preferred" with an answering echo that may well be unique in the annals of scholarly Festschriften.



The Schenker Project


The Schenker Project
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Author : Nicholas Cook
language : en
Publisher: Oxford University Press
Release Date : 2007-09-28

The Schenker Project written by Nicholas Cook and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-09-28 with Music categories.


Today we think of Heinrich Schenker, who lived in Vienna from 1884 until his death in 1935, as the most influential music theorist of the twentieth century. But he saw his theoretical writings as part of a comprehensive project for the reform of musical composition, performance, criticism, and education-and beyond that, as addressing fundamental cultural, social, and political problems of the deeply troubled age in which he lived. This book aims to explain Schenker's project through reading his key works within a series of period contexts. These include music criticism, the field in which Schenker first made his name; Viennese modernism, particularly the debate over architectural ornamentation; German cultural conservatism, which is the source of many of Schenker's most deeply entrenched values; and Schenker's own position as a Galician Jew who came to Vienna just as fully racialized anti-semitism was developing there. As well as presenting an unfamiliar perspective on the cultural and political ferment of fin-de-si?cle Vienna, this book reveals how deeply Schenker's theory is permeated by the social and political. It also raises issues concerning the meaning and value of music theory, and the extent to which today's music-theoretical agenda unwittingly reflects the values and concerns of a very different world.



Historical Dictionary Of Baroque Music


Historical Dictionary Of Baroque Music
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Author : Joseph P. Swain
language : en
Publisher: Rowman & Littlefield
Release Date : 2023-05-08

Historical Dictionary Of Baroque Music written by Joseph P. Swain and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-05-08 with Music categories.


Named a Library Journal Best Reference of 2023 - "Bravo! An invaluable source for scholars and concertgoers.” - Library Journal In the history of the Western musical tradition, the Baroque period traditionally dates from the turn of the 17th century to 1750. The beginning of the period is marked by Italian experiments in composition that attempted to create a new kind of secular musical art based upon principles of Greek drama, quickly leading to the invention of opera. The ending is marked by the death of Johann Sebastian Bach in 1750 and the completion of George Frideric Handel’s last English oratorio, Jephtha, the following year. The Historical Dictionary of Baroque Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on composers, instruments, cities, and technical terms. This book is an excellent resource for students, researchers, and anyone wanting to know more about baroque music.



Bach Against Modernity


Bach Against Modernity
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Author : Michael Marissen
language : en
Publisher: Oxford University Press
Release Date : 2023-04-07

Bach Against Modernity written by Michael Marissen and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-04-07 with Music categories.


Many scholars and music lovers hold that J.S. Bach is a modern figure, as his music seems to speak directly to the aesthetic, spiritual, or emotional concerns of today's listeners. But, by eighteenth-century standards, Bach and his music in fact reflected and forcefully promoted a premodern world and life view. In Bach against Modernity, author Michael Marissen offers a new look at Bach that considers problems of inattentiveness to historical considerations in academic and popular writing about Bach's relation to the present. He also puts forward interpretive reassessments of key individual works by Bach and examines problems in modern comprehension of the partly archaic German texts that Bach set to music. Lastly, he explores Bach's music in relation to premodern versus enlightened attitudes toward Jews and Judaism and enquires into the theological character of Bach's secular instrumental music. Throughout, the book provides overlooked or misunderstood evidence of Bach's private engagement with religious and social issues that he also addressed in his public vocal compositions. Marissen ultimately argues that, while we are free to make use of Bach and his music in whatever ways we find fitting, we ought also to guard against miscasting Bach in our own ideological image and proclaiming the authenticity of that image, and hence its prestige value, in support of our own agendas.



Europ Ische Musiker In Venedig Rom Und Neapel 1650 1750


Europ Ische Musiker In Venedig Rom Und Neapel 1650 1750
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Author : Anne-Madeleine Goulet
language : en
Publisher: Bärenreiter-Verlag
Release Date : 2018-11-07

Europ Ische Musiker In Venedig Rom Und Neapel 1650 1750 written by Anne-Madeleine Goulet and has been published by Bärenreiter-Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-11-07 with Music categories.


Der Abschlussband des deutsch-französischen ANR-DFG-Projekts MUSICI widmet sich der Musikermigration im Europa der Frühen Neuzeit mit einem kultur- und musikgeschichtlichen Blick auf Venedig, Rom und Neapel als Reiseziele und Wirkungsorte von Instrumentalisten, Sängern, Komponisten und Instrumentenbauern, die nicht von der italienischen Halbinsel stammten. Im Sinne einer "histoire croisée" werden Netzwerke, Integrations- und Austauschprozesse aufgedeckt, mit denen fremde Musiker zwischen musikalischem Alltag und herausragenden Festlichkeiten konfrontiert waren. Auf dieser Grundlage wird eine systematische Betrachtung der frühneuzeitlichen Musikermigration sowie eine Untersuchung musikalischer Stile jenseits nationaler Forschungstraditionen möglich.



Glazbene Kulture Na Jadranu U Razdoblju Klasicizma


Glazbene Kulture Na Jadranu U Razdoblju Klasicizma
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Author : Vjera Katalinić
language : en
Publisher:
Release Date : 2004

Glazbene Kulture Na Jadranu U Razdoblju Klasicizma written by Vjera Katalinić and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Classicism in music categories.




Bach Studies From Dublin


Bach Studies From Dublin
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Author : Anne Leahy
language : en
Publisher:
Release Date : 2004

Bach Studies From Dublin written by Anne Leahy and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with History categories.


Publisher and editors change over the course of the series.



Music And The Ineffable


Music And The Ineffable
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Author : Vladimir Jankélévitch
language : en
Publisher: Princeton University Press
Release Date : 2003-07-28

Music And The Ineffable written by Vladimir Jankélévitch and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-07-28 with Music categories.


Vladimir Jankélévitch left behind a remarkable uvre steeped as much in philosophy as in music. His writings on moral quandaries reflect a lifelong devotion to music and performance, and, as a counterpoint, he wrote on music aesthetics and on modernist composers such as Fauré, Debussy, and Ravel. Music and the Ineffable brings together these two threads, the philosophical and the musical, as an extraordinary quintessence of his thought. Jankélévitch deals with classical issues in the philosophy of music, including metaphysics and ontology. These are a point of departure for a sustained examination and dismantling of the idea of musical hermeneutics in its conventional sense. Music, Jankélévitch argues, is not a hieroglyph, not a language or sign system; nor does it express emotions, depict landscapes or cultures, or narrate. On the other hand, music cannot be imprisoned within the icy, morbid notion of pure structure or autonomous discourse. Yet if musical works are not a cipher awaiting the decoder, music is nonetheless entwined with human experience, and with the physical, material reality of music in performance. Music is "ineffable," as Jankélévitch puts it, because it cannot be pinned down, and has a capacity to engender limitless resonance in several domains. Jankélévitch's singular work on music was central to such figures as Roland Barthes and Catherine Clément, and the complex textures and rhythms of his lyrical prose sound a unique note, until recently seldom heard outside the francophone world.