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Fragmentary Forms


Fragmentary Forms
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Fragmentary Forms


Fragmentary Forms
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Author : Freya Gowrley
language : en
Publisher: Princeton University Press
Release Date : 2024-11-12

Fragmentary Forms written by Freya Gowrley and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-11-12 with Art categories.


A beautifully illustrated global history of collage from the origins of paper to today While the emergence of collage is frequently placed in the twentieth century when it was a favored medium of modern artists, its earliest beginnings are tied to the invention of paper in China around 200 BCE. Subsequent forms occurred in twelfth-century Japan with illuminated manuscripts that combined calligraphic poetry with torn colored papers. In early modern Europe, collage was used to document and organize herbaria, plant specimens, and other systems of knowledge. In the eighteenth and nineteenth centuries, collage became firmly associated with the expression of intimate relations and familial affections. Fragmentary Forms offers a new, global perspective on one of the world’s oldest and most enduring means of cultural expression, tracing the rich history of collage from its ancient origins to its uses today as a powerful tool for storytelling and explorations of identity. Presenting an expansive approach to collage and the history of art, Freya Gowrley explores what happens when overlapping fragmentary forms are in conversation with one another. She looks at everything from volumes of pilgrims’ religious relics and Victorian seaweed albums to modernist papiers collés by Pablo Picasso and Georges Braque and quilts by Faith Ringgold exploring African-American identity. Gowrley examines the work of anonymous and unknown artists whose names have been lost to history, either by accident or through exclusion. Featuring hundreds of beautiful images, Fragmentary Forms demonstrates how the use of found objects is an important characteristic of this unique art form and shows how collage is an inclusive medium that has given voice to marginalized communities and artists across centuries and cultures.



New Forms Of Environmental Writing


New Forms Of Environmental Writing
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Author : Timothy C. Baker
language : en
Publisher: Bloomsbury Publishing
Release Date : 2022-05-19

New Forms Of Environmental Writing written by Timothy C. Baker and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-05-19 with Literary Criticism categories.


Surveying a wide range of contemporary poetry, fiction, and memoir by women writers, this book explores our most pressing environmental concerns and shows how these texts find innovative new ways to respond to our environmental crisis. Arguing for the centrality of individual encounter and fragmentary form in 21st-century literature, as well as themes of attention, care, and loss, Baker highlights the ways that fragmentary texts can be seen as a mode of resistance. These texts provide new ways to consider the role of individual agency and enmeshment in a more-than-human world. The author proposes a new model of 'gleaning' to encompass ideas of collection, assemblage, and relinquishment and draws on theoretical perspectives such as ecofeminism, new materialism and posthumanism. Examining works by writers including Sara Baume, Ali Smith, Elizabeth-Jane Burnett, Bhanu Kapil and Kathleen Jamie, Baker provides important new insights into understanding our planetary predicament.



Maurice Blanchot And Fragmentary Writing


Maurice Blanchot And Fragmentary Writing
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Author : Leslie Hill
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2012-07-05

Maurice Blanchot And Fragmentary Writing written by Leslie Hill and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-07-05 with Literary Criticism categories.


Writing in fragments is often held to be one of the most distinctive signature effects of Romantic, modern, and postmodern literature. But what is the fragment, and what may be said to be its literary, philosophical, and political significance? Few writers have explored these questions with such probing radicality and rigorous tenacity as the French writer and thinker Maurice Blanchot. For the first time in any language, this book explores in detail Blanchot's own writing in fragments in order to understand the stakes of the fragmentary within philosophical and literary modernity. It attends in detail to each of Blanchot's fragmentary works (Awaiting Forgetting, The Step Not Beyond, and The Writing of the Disaster) and reconstructs Blanchot's radical critical engagement with the philosophical and literary tradition, in particular with Hegel, Nietzsche, Heidegger, Heraclitus, Levinas, Derrida, Nancy, Mallarmé, Char, and others, and assesses Blanchot's account of politics, Jewish thought, and the Shoah, with a view to understanding the stakes of fragmentary writing in Blanchot and within philosophical and literary modernity in general.



Postmodernism Traditional Cultural Forms And African American Narratives


Postmodernism Traditional Cultural Forms And African American Narratives
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Author : W. Lawrence Hogue
language : en
Publisher: State University of New York Press
Release Date : 2013-11-12

Postmodernism Traditional Cultural Forms And African American Narratives written by W. Lawrence Hogue and has been published by State University of New York Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-11-12 with Literary Criticism categories.


This book explores how African American social and political movements, African American studies, independent scholars, and traditional cultural forms revisit and challenge the representation of the African American as deviant other. After surveying African American history and cultural politics, W. Lawrence Hogue provides original and insightful readings of six experimental/postmodern African American texts: John Edgar Wideman's Philadelphia Fire; Percival Everett's Erasure; Toni Morrison's Jazz; Bonnie Greer's Hanging by Her Teeth; Clarence Major's Reflex and Bone Structure; and Xam Wilson Cartiér's Muse-Echo Blues. Using traditional cultural and western forms, including the blues, jazz, voodoo, virtuality, radical democracy, Jungian/African American Collective Unconscious, Yoruba gods, black folk culture, and black working class culture, Hogue reveals that these authors uncover spaces with different definitions of life that still retain a wildness and have not been completely mapped out and trademarked by normative American culture. Redefining the African American novel and the African American outside the logic, rules, and values of western binary reason, these writers leave open the possibility of psychic liberation of African Americans in the West.



The Poetics Of Fragmentation In Contemporary British And American Fiction


The Poetics Of Fragmentation In Contemporary British And American Fiction
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Author : Vanessa Guignery
language : en
Publisher: Vernon Press
Release Date : 2019-12-02

The Poetics Of Fragmentation In Contemporary British And American Fiction written by Vanessa Guignery and has been published by Vernon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-12-02 with Literary Criticism categories.


The last decades have seen a revival of fragmentation in British and American works of fiction that deny linearity, coherence and continuity in favour of disruption, gaps and fissures. Authors such as Ali Smith, David Mitchell and David Shields have sought new ways of representing our global, media-saturated contemporary experience which differ from modernist and postmodernist experimentations from which the writers nevertheless draw inspiration. This volume aims to investigate some of the most important contributions to fragmentary literature from British and American writers since the 1990s, with a particular emphasis on texts released in the twenty-first century. The chapters within examine whether contemporary forms of literary fragmentation constitute a return to the modernist episteme or the fragmented literature of exhaustion of the 1960s, mark a continuity with postmodernist aesthetics or signal a deviation from past models and an attempt to reflect today’s accelerated culture of social media and over-communication. Contributors theorise and classify literary fragments, examine the relationship between fragmentation and the Zeitgeist (influenced by globalisation, media saturation and social networks), analyse the mechanics of multimodal and multimedial fictions, and consider the capacity of literary fragmentation to represent personal or collective trauma and to address ethical concerns. They also investigate the ways in which the architecture of the printed book is destabilised and how aesthetic processes involving fragmentation, bricolage and/or collage raise ontological, ethical and epistemological questions about the globalised contemporary world we live in and its relation to the self and the other. Besides the aforementioned authors, the volume makes reference to the works of J. G. Ballard, Julian Barnes, Mark Z. Danielewski, David Markson, Jonathan Safran Foer, David Foster Wallace, Jeanette Winterson and several others.



Fragmentary Modernism


Fragmentary Modernism
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Author : Nora Goldschmidt
language : en
Publisher: Oxford University Press
Release Date : 2024-02-29

Fragmentary Modernism written by Nora Goldschmidt and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-02-29 with Art categories.


Uncovers the complex networks of influence between modernism and classical scholarship in the first half of the twentieth century, re-evaluates the status of the classical fragment as a cultural product mediated by modernist art and writing, spotlights a key moment of reception which has shaped how we present and consume antiquity today.



Fragmentary Forms


Fragmentary Forms
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Author : FREYA. GOWRLEY
language : en
Publisher: Princeton University Press
Release Date : 2024-09-10

Fragmentary Forms written by FREYA. GOWRLEY and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-09-10 with Art categories.


A beautifully illustrated global history of collage from the origins of paper to today While the emergence of collage is frequently placed in the twentieth century when it was a favored medium of modern artists, its earliest beginnings are tied to the invention of paper in China around 200 BCE. Subsequent forms occurred in twelfth-century Japan with illuminated manuscripts that combined calligraphic poetry with torn colored papers. In early modern Europe, collage was used to document and organize herbaria, plant specimens, and other systems of knowledge. In the eighteenth and nineteenth centuries, collage became firmly associated with the expression of intimate relations and familial affections. Fragmentary Forms offers a new, global perspective on one of the world's oldest and most enduring means of cultural expression, tracing the rich history of collage from its ancient origins to its uses today as a powerful tool for storytelling and explorations of identity. Presenting an expansive approach to collage and the history of art, Freya Gowrley explores what happens when overlapping fragmentary forms are in conversation with one another. She looks at everything from volumes of pilgrims' religious relics and Victorian seaweed albums to modernist papiers collés by Pablo Picasso and Georges Braque and quilts by Faith Ringgold exploring African-American identity. Gowrley examines the work of anonymous and unknown artists whose names have been lost to history, either by accident or through exclusion. Featuring hundreds of beautiful images, Fragmentary Forms demonstrates how the use of found objects is an important characteristic of this unique art form and shows how collage is an inclusive medium that has given voice to marginalized communities and artists across centuries and cultures.



Fragments Of Union


Fragments Of Union
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Author : S. Manning
language : en
Publisher: Springer
Release Date : 2001-12-17

Fragments Of Union written by S. Manning and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-12-17 with History categories.


Fragments of Union , a new approach to comparative literary studies, is about forms of connections: between nations, literatures, individuals, words. It asks how, and why, connections get severed, and about the nature of the pieces that remain. Interdisciplinary readings of writings by Scots and Americans re-draw the literary map of both countries during the Enlightenment and Romantic periods. Political, philosophical, cultural and grammatical dimensions give its analysis sharp relevance to the new conditions presented by devolved government in Britain.



Anthropologies Of Revolution


Anthropologies Of Revolution
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Author : Igor Cherstich
language : en
Publisher: University of California Press
Release Date : 2020-06-02

Anthropologies Of Revolution written by Igor Cherstich and has been published by University of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-06-02 with Social Science categories.


A free open access ebook is available upon publication. Learn more at www.luminosoa.org. What can anthropological thinking contribute to the study of revolutions? The first book-length attempt to develop an anthropological approach to revolutions, Anthropologies of Revolution proposes that revolutions should be seen as concerted attempts to radically reconstitute the worlds people inhabit. Viewing revolutions as all-embracing, world-creating projects, the authors ask readers to move beyond the idea of revolutions as acts of violent political rupture, and instead view them as processes of societal transformation that penetrate deeply into the fabric of people’s lives, unfolding and refolding the coordinates of human existence.



Back And Forth


Back And Forth
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Author : Siddhartha Bose
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2015-02-27

Back And Forth written by Siddhartha Bose and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-02-27 with Literary Criticism categories.


This seminal book examines the dramatic implications of the grotesque in Romantic aesthetics. There are currently no book-length studies exploring the drama of the Romantic grotesque, a category that accentuates multiplicity and hybridity. The post-Kantian philosophy backing Friedrich Schlegel’s Romantic irony provides the most decisive rationalisation of this plurality through theatrical play, and forms the theoretical framework for this study. Poetry and philosophy are merged in Schlegel’s attempt to create Romantic modernity out of this self-conscious blurring of inherited perspectives and genres – a mixing and transgressing of past demarcations that simultaneously create the condition of the Romantic grotesque. The other writers examined in this book include A. W. Schlegel, Stendhal, Victor Hugo, and Baudelaire. The primary question is: how is the grotesque used to re-evaluate notions of aesthetic beauty? An answer emerges from a study of those thinkers in Schlegel’s tradition who evolve a modern, ironic regard for conventional literary proprieties. Furthermore, how does the grotesque rewrite ideas of poetic subjectivity and expression? Here, Back and Forth foregrounds the enormous importance of Shakespeare as the literary example supporting the new theories. Shakespearean drama, which crosses aesthetic borders, legitimises the grotesque while reflecting the blood and gore of a post-Revolutionary Europe. Consequently, in reviewing hybrid texts like the Schlegelian fragments, Stendhal’s Racine et Shakespeare, Hugo’s Préface de Cromwell, and Baudelaire’s De L’Essence du Rire, this book uses theories of continental Romanticism to reposition the significance of a vitally radical English aesthetic. Through this, Back and Forth claims that the Romantic revisioning of the Shakespearean grotesque helps create the ideas of post-Revolutionary modernity that are crucial to the larger projects of European Romanticism, and the ideas of modernity emerging from them.