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From Birdland N Y 1956

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From Birdland N Y 1956

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Author : Bud Powell
language : en
Publisher:
Release Date :

From Birdland N Y 1956 written by Bud Powell and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.

Ellingtonia

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Author : W. E. Timner
language : en
Publisher: Scarecrow Press
Release Date : 2000-01-01

Ellingtonia written by W. E. Timner and has been published by Scarecrow Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-01-01 with Music categories.

More than a discography, this book compiles the complete recorded music of Duke Ellington and his sidemen, including studio recordings, movie soundtracks, concerts, dance dates, radio broadcasts, telecasts, and private recordings, creating an easy to use reference source for Jazz collectors and scholars.

Jazz Records

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Author : Jørgen Grunnet Jepsen
language : en
Publisher:
Release Date : 1970

Jazz Records written by Jørgen Grunnet Jepsen and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1970 with Jazz categories.

Myself When I Am Real

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Author : Gene Santoro
language : en
Publisher: Oxford University Press
Release Date : 2001-11-29

Myself When I Am Real written by Gene Santoro and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-11-29 with Music categories.

Charles Mingus was one of the most innovative jazz musicians of the 20th Century, and ranks with Ives and Ellington as one of America's greatest composers. By temperament, he was a high-strung and sensitive romantic, a towering figure whose tempestuous personal life found powerfully coherent expression in the ever-shifting textures of his music. Now, acclaimed music critic Gene Santoro strips away the myths shrouding "Jazz's Angry Man," revealing Mingus as more complex than even his lovers and close friends knew. A pioneering bassist and composer, Mingus redefined jazz's terrain. He penned over 300 works spanning gutbucket gospel, Colombian cumbias, orchestral tone poems, multimedia performance, and chamber jazz. By the time he was 35, his growing body of music won increasing attention as it unfolded into one pioneering musical venture after another, from classical-meets-jazz extended pieces to spoken-word and dramatic performances and television and movie soundtracks. Though critics and musicians debated his musical merits and his personality, by the late 1950s he was widely recognized as a major jazz star, a bellwether whose combined grasp of tradition and feel for change poured his inventive creativity into new musical outlets. But Mingus got headlines less for his art than for his volatile and often provocative behavior, which drew fans who wanted to watch his temper suddenly flare onstage. Impromptu outbursts and speeches formed an integral part of his long-running jazz workshop, modeled partly on dramatic models like Orson Welles' Mercury Theatre. Keeping up with the organized chaos of Mingus's art demanded gymnastic improvisational skills and openness from his musicians-which is why some of them called it "the Sweatshop." He hired and fired musicians on the bandstand, attacked a few musicians physically and many more verbally, twice threw Lionel Hampton's drummer off the stage, and routinely harangued chattering audiences, once chasing a table of inattentive patrons out of the FIVE SPOT with a meat cleaver. But the musical and mental challenges this volcanic man set his bands also nurtured deep loyalties. Key sidemen stayed with him for years and even decades. In this biography, Santoro probes the sore spots in Mingus's easily wounded nature that helped make him so explosive: his bullying father, his interracial background, his vulnerability to women and distrust of men, his views of political and social issues, his overwhelming need for love and acceptance. Of black, white, and Asian descent, Mingus made race a central issue in his life as well as a crucial aspect of his music, becoming an outspoken (and often misunderstood) critic of racial injustice. Santoro gives us a vivid portrait of Mingus's development, from the racially mixed Watts where he mingled with artists and writers as well as mobsters, union toughs, and pimps to the artistic ferment of postwar Greenwich Village, where he absorbed and extended the radical improvisation flowing through the work of Allen Ginsberg, Jackson Pollock, and Charlie Parker. Indeed, unlike Most jazz biographers, Santoro examines Mingus's extra-musical influences--from Orson Welles to Langston Hughes, Farwell Taylor, and Timothy Leary--and illuminates his achievement in the broader cultural context it demands. Written in a lively, novelistic style, Myself When I Am Real draws on dozens of new interviews and previously untapped letters and archival materials to explore the intricate connections between this extraordinary man and the extraordinary music he made.

Jazz Records 1942 1965

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Author : Jørgen Grunnet Jepsen
language : en
Publisher:
Release Date : 1970

Jazz Records 1942 1965 written by Jørgen Grunnet Jepsen and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1970 with Jazz categories.

You Just Fight For Your Life

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Author : Frank Büchmann-Møller
language : en
Publisher: Praeger
Release Date : 1990-01-22

You Just Fight For Your Life written by Frank Büchmann-Møller and has been published by Praeger this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990-01-22 with Biography & Autobiography categories.

A Danish musician here presents the most accurate, comprehensive work on a major figure in American jazz: Lester Willis Young (1909-1959), better known as `Pres' or `Prez,' from the nickname `President' given to him by Billie Holiday. Based on interviews with Young's colleagues and friends, and often presenting his own vulgar scatological words, the book faithfully chronicles the ups and downs of his life and career. Despite his alcoholism, drug addiction, syphillis, epilepsy, and emotional disturbances, Young became the outstanding tenor saxophonist of his time and a dominant, profound influence on the development of bop and progressive (`cool') jazz in the 1940s. His solos with the bands of Fletcher Henderson and Count Basie and his collaboration with Holiday are recalled in this outstanding biography. Publishers Weekly [This is] the big, warm book about Lester Young that swing lovers have been waiting for, written by a Danish jazz musician. This is a rich authentic life of one of the three greatest tenor players who ever lived, much of it told in vivid quotation from eyewitnesses. Kirkus this is the first thoroughgoing biography of one of America's greatest musicians; its fascination for at least jazz aficionados is magnetic....Along with Porter's magisterial work of musical analysis, Lester Young, this is the book to have on the most influential jazzman between Armstrong and Parker. Booklist A fascinating and invaluable compilation of raw material...a straightforward, accurate narrative. The New York Times By far the most comprehensive work available on the extraordinary Lester Young, You Just Fight For Your Life is the jazz enthusiast's dream come true. Meticulously researched and teeming with previously unpublished information, this book accurately recreates the life and character of one of the world's greatest jazz musicians. Historian Frank Buchmann-Moller crafts a full length biography exclusively for Lester Young fans focusing on Young's philosophy of life, his exceptional ability as a bandleader, and his sharp wit. Through the examination of army psychiatric reports, interviews with fellow musicians, and concert reviews, You Just Fight For Your Life tells the story of this gifted yet troubled musician. Beginning with his childhood, the book accurately chronicles the many bands in which Lester Young played prior to joining Count Basie in 1936. Through countless interviews with Young's peers, the book recounts the Basie years and the spicy stories of life on the road. The author includes new information about Young's own first band and follows this with details of his military experience. The final chapters deal with his years as featured soloist. Two appendices list all of Young's jobs from 1919-59 and his own bands chronologically as well as all musicians with whom he played. Now Lester Young followers have a full length biography valuable not only as a reference but for its recreation of a fascinating life.

The Mercury Labels The 1945 1956 Era

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Author : Michel Ruppli
language : en
Publisher: Greenwood
Release Date : 1993

The Mercury Labels The 1945 1956 Era written by Michel Ruppli and has been published by Greenwood this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993 with Music categories.

Mercury Records was founded in 1945 and soon became a major force in jazz and blues, classical, rock, and country recording. This five-volume discography provides a listing of all recordings made or issued by the Mercury label and its subsidiaries (Blue Rock, Cumberland, Emarcy, Fontana, Limelight, Philips, Smash, and Wing) as well as leased and purchased materials and recordings by independent labels distributed by Mercury. Much of the discography is devoted to recording session listings, which include details on personnel, recording dates, and master and issue numbers. Each volume ends with an artist index, which includes all the names appearing in the session listings of the volume. In addition to providing details on stereo/mono master number equivalences, and information on various formats, the fifth volume concludes with a general artist index, including all the names which appear in the earlier volumes. This discography is invaluable to all who seek details on the music and artists recorded in the second half of the twentieth century.