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Futures Of Enlightenment Poetry


Futures Of Enlightenment Poetry
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Futures Of Enlightenment Poetry


Futures Of Enlightenment Poetry
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Author : Dustin D. Stewart
language : en
Publisher: Oxford University Press
Release Date : 2020-10-30

Futures Of Enlightenment Poetry written by Dustin D. Stewart and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-10-30 with Literary Criticism categories.


This book offers a revisionist account of poetry and embodiment from Milton to Romanticism. Scholars have made much of the period's theories of matter, with some studies equating the eighteenth century's modernity with its materialism. Yet the Enlightenment in Britain also brought bold new arguments for the immateriality of spirit and evocative claims about an imminent spirit realm. Protestant religious writing was of two minds about futurity, swinging back and forth between patience for the resurrected body and desire for the released soul. This ancient pattern carried over, the book argues, into understandings of poetry as a modern devotional practice. A range of authors agreed that poems can provide a foretaste of the afterlife, but they disagreed about what kind of future state the imagination should seek. The mortalist impulse—exemplified by John Milton and by Romantic poets Anna Letitia Barbauld and William Wordsworth—is to overcome the temptation of disembodiment and to restore spirit to its rightful home in matter. The spiritualist impulse—driving eighteenth-century verse by Mark Akenside, Elizabeth Singer Rowe, and Edward Young—is to break out of bodily repetition and enjoy the detached soul's freedom in advance. Although the study isolates these two tendencies, each needed the other as a source in the Enlightenment, and their productive opposition didn't end with Romanticism. The final chapter identifies an alternative Romantic vision that keeps open the possibility of a disembodied poetics, and the introduction considers present-day Anglophone writers who put it into practice.



Futures Of Enlightenment Poetry


Futures Of Enlightenment Poetry
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Author : Dustin D. Stewart
language : en
Publisher: Oxford University Press (UK)
Release Date : 2020

Futures Of Enlightenment Poetry written by Dustin D. Stewart and has been published by Oxford University Press (UK) this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with Literary Criticism categories.


Explores the creative work of writers and theologians who used their poetic writings as a means to explore and envisage scenarios of embodiment and existence that extended to life after bodily death.



The Oxford History Of Poetry In English


The Oxford History Of Poetry In English
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Author : Laura L. Knoppers
language : en
Publisher: Oxford University Press
Release Date : 2024-08-08

The Oxford History Of Poetry In English written by Laura L. Knoppers and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-08-08 with Literary Criticism categories.


Beginning with the last years of the reign of Elizabeth I and ending late in the seventeenth century, this volume traces the growth of the literary marketplace, the development of poetic genres, and the participation of different writers in a century of poetic continuity, change, and transformation.



Future Sacred


Future Sacred
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Author : Julie J. Morley
language : en
Publisher: Simon and Schuster
Release Date : 2019-02-12

Future Sacred written by Julie J. Morley and has been published by Simon and Schuster this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-02-12 with Body, Mind & Spirit categories.


Reveals how our survival depends on embracing complexity consciousness and relating to nature and all life as sacred • Rejects the “survival of the fittest” narrative in favor of sacred symbiosis, creative cooperation, interdependence and complex thinking • Provides examples from complexity studies, cultural history, philosophy, indigenous spirituality, biomimicry, and ecology to show how nature’s intelligence and creativity abound everywhere • Documents how indigenous cultures lived in relative harmony with nature because they perceived themselves as part of the “ordered whole” of all life In Future Sacred, Julie J. Morley offers a new perspective on the human connection to the cosmos by unveiling the connected creativity and sacred intelligence of nature. She rejects the “survival of the fittest” narrative--the idea that survival requires strife--and offers symbiosis and cooperation as nature’s path forward. She shows how an increasingly complex world demands increasingly complex consciousness. Our survival depends upon embracing “complexity consciousness,” understanding ourselves as part of nature, as well as relating to nature as sacred. Morley begins by documenting how indigenous cultures lived in relative harmony with nature because they perceived themselves as part of the “ordered whole” of all life--until modernity introduced dualistic thinking, thus separating mind from matter, and humans from nature. The author deconstructs the fallacy behind social and neo-Darwinism and the materialist theories of “dead matter” versus those that offer a connection with the sentient mind of nature. She presents evidence from complexity studies, cultural history, philosophy, indigenous spirituality, biomimicry, and ecology, highlighting the idea that nature’s intelligence and creativity abound everywhere--from cells to cetaceans, from hydrogen to humans, from sunflowers to solar panels--and that all sentient beings contribute to the evolution of life as a whole, working together in sacred symbiosis. Morley concludes that our sacred future depends on compassionately understanding and integrating multiple intelligences, seeing relationships and interdependence as fundamental and sacred, as well as honoring the experiences of all sentient beings. Instead of “mastery over nature,” we must shift toward synergy with nature--and with each other as diverse expressions of nature’s creativity.



Churchyard Poetics


Churchyard Poetics
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Author : James Metcalf
language : en
Publisher: Oxford University Press
Release Date : 2025-01-06

Churchyard Poetics written by James Metcalf and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2025-01-06 with Poetry categories.


The familiar literary-critical category of 'graveyard poetry' has made the eighteenth-century churchyard a commonplace in the period's cultural imaginary: a location in which melancholy, religious poets get lost in imaginative reveries or didactic visions of the afterlife. By contrast, Churchyard Poetics: Landscape, Labour, and the Legacy of Genre shows how the churchyard takes on a new shape and a fresh importance for a counter-tradition of women and labouring-class poets, for whom this landscape is a resting place with no closure. In work by Mary Leapor, Ann Yearsley, Charlotte Smith, and John Clare-but also for Robert Blair, Thomas Gray, and William Wordsworth-the churchyard emerges as a contested space of social life through a shared focus on the body as the instrument of labour. Churchyard Poetics focuses on how these poets use genres like georgic, pastoral, topographical poetry, and elegy to locate the churchyard in a broader terrain of laborious life, disarranged in the press towards industrial capitalism. Managing the material of their violently reordered world through genre and other aesthetic strategies, these poets articulate the pressures on working bodies and the associated structures of feeling attendant on the experience of history at its sharpest edge. The poems examined in Churchyard Poetics thus strain against without resolving the ideal the churchyard is made to express: that collective life is reassuringly organised around places of burial and remembrance. Declining continuity or consolation, the poets at the centre of this book refigure the churchyard as a traumatised landscape and unearth from its wounded ground an affective archive of social injury-of bodies compelled into service by new regimes of labour and dispatched to the churchyard when their usefulness runs out.



The Oxford History Of Poetry In English


The Oxford History Of Poetry In English
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Author :
language : en
Publisher: Oxford University Press
Release Date : 2024-08-08

The Oxford History Of Poetry In English written by and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-08-08 with Literary Criticism categories.


The Oxford History of Poetry in English (OHOPE) is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. OHOPE both synthesizes existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the fourteen volumes. By taking as its purview the full seventeenth century, 1603-1700, this volume re-draws the existing literary historical map and expands upon recent rethinking of the canon. Placing the revolutionary years at the centre of a century of poetic transformation, and putting the Restoration back into the seventeenth century, the volume registers the transformative effects on poetic forms of a century of social, political, and religious upheaval. It considers the achievements of a number of women poets, not yet fully integrated into traditional literary histories. It assimilates the vibrant literature of the English Revolution to what came before and after, registering its long-term impact. It traces the development of print culture and of the literary marketplace, alongside the continued circulation of poetry in manuscript. It places John Milton, Andrew Marvell, Margaret Cavendish, and Katherine Philips and other mid-century poets into the full century of specifically literary development. It traces continuity and change, imitation and innovation in the full-century trajectory of such poetic genres as sonnet, elegy, satire, georgic, epigram, ode, devotional lyric, and epic. The volume's attention to poetic form builds on the current upswing in historicist formalism, allowing a close focus on poetry as an intensely aesthetic and social literary mode. Designed for maximum classroom utility, the organization is both thematic and (in the authors section) chronological. After a comprehensive Introduction, organizational sections focus on Transitions; Materiality, Production, and Circulation; Poetics and Form; Genres; and Poets.



Versions Of The Past Visions Of The Future


Versions Of The Past Visions Of The Future
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Author : Lars Ole Sauerberg
language : en
Publisher: Springer
Release Date : 2016-07-27

Versions Of The Past Visions Of The Future written by Lars Ole Sauerberg and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-07-27 with Literary Criticism categories.


With the canon debate, prominent in literary criticism since the early 1970s, as the sounding board, the study aims at investigating and discussing in critical perspective the function of considerations to do with canon for literary criticism at the formation stage. It focuses on the interaction between a critic's canonical preferences ('versions of the past') and his desire for improved cultural and/or aesthetic conditions ('visions of the future') in the criticism of Eliot, Leavis, Frye and Bloom.



The Unfinished Enlightenment


The Unfinished Enlightenment
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Author : Joanna Stalnaker
language : en
Publisher: Cornell University Press
Release Date : 2011-05-02

The Unfinished Enlightenment written by Joanna Stalnaker and has been published by Cornell University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-05-02 with Literary Criticism categories.


In The Unfinished Enlightenment, Joanna Stalnaker offers a fresh look at the French Enlightenment by focusing on the era's vast, collective attempt to compile an ongoing and provisional description of the world. Through a series of readings of natural histories, encyclopedias, scientific poetry, and urban topographies, the book uncovers the deep epistemological and literary tensions that made description a central preoccupation for authors such as Buffon, Bernardin de Saint-Pierre, Diderot, Delille, and Mercier. Stalnaker argues that Enlightenment description was the site of competing truth claims that would eventually resolve themselves in the modern polarity between literature and science. By the mid-nineteenth century, the now habitual association between description and the novel was already firmly anchored in French culture, but just a century earlier, in the diverse network of articles on description in Diderot and d'Alembert's Encyclopédie and in the works derived from it, there was not a single mention of the novel. Instead, we find articles on description in natural history, geometry, belles-lettres, and poetry. Stalnaker builds on the premise that the tendency to view description as the inevitable (and subservient) partner of narration—rather than as a universal tool for making sense of knowledge in all fields—has obscured the central place of description in Enlightenment discourse. As a result, we have neglected some of the most original and experimental works of the eighteenth century.



Philosophical Connections


Philosophical Connections
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Author : Chris Townsend
language : en
Publisher: Cambridge University Press
Release Date : 2022-05-19

Philosophical Connections written by Chris Townsend and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-05-19 with Literary Criticism categories.


Neoclassical and Romantic verse cultures are often assumed to sit in an oppositional relationship to one another, with the latter amounting to a hostile reaction against the former. But there are in fact a good deal of continuities between the two movements, ones that strike at the heart of the evolution of verse forms in the period. This Element proposes that the mid-eighteenth-century poet Mark Akenside, and his hugely influential Pleasures of Imagination, represent a case study in the deep connections between Neoclassicism and Romanticism. Akenside's poem offers a vital illustration of how verse was a rival to philosophy in the period, offering a new perspective on philosophic problems of appearance, or how the world 'seems to be'. What results from this is a poetic form of knowing: one that foregrounds feeling over fact, that connects Neoclassicism and Romanticism, and that Akenside called the imagination's 'pleasures'.



Singing By Herself


Singing By Herself
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Author : Amelia Worsley
language : en
Publisher: Cornell University Press
Release Date : 2024-08-15

Singing By Herself written by Amelia Worsley and has been published by Cornell University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-08-15 with History categories.


Singing by Herself reinterprets the rise of literary loneliness by foregrounding the female and feminized figures who have been overlooked in previous histories of solitude. Many of the earliest records of the terms "lonely" and "loneliness" in British literature describe solitaries whose songs positioned them within the tradition of female complaint. Amelia Worsley shows how these feminized solitaries, for whom loneliness was both a space of danger and a space of productive retreat, helped to make loneliness attractive to future lonely poets, despite the sense of suspicion it evoked. Although loneliness today is often associated with states of atomized interiority, soliloquy, and self-enclosure, this study of eighteenth-century poetry disrupts the presumed association between isolation, singular speech, and bounded models of poetic subjectivity. In five chapters focused on lonely poet figures in the works of John Milton, Anne Finch, Alexander Pope, Thomas Gray, and Charlotte Smith—which also take account of the wider eighteenth-century fascination with literary loneliness—Singing by Herself shows how poets increasingly associated the new literary mode of being alone with states of disembodiment, dispersal, and echoic self-doubling. Seemingly solitary lonely voices often dissolve into polyvocal, allusive community, Worsley argues, when in dialogue with each other and also with classical figures of feminized lament such as Sappho, Echo, and Philomela. The book's provocative reflections on lyric mean that it will have a broad appeal to scholars interested in the history of poetry and poetics, as well as to those who study the literary history of gender, affect, and emotion.