Gender And Voice In Medieval French Literature And Song


Gender And Voice In Medieval French Literature And Song
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Gender And Voice In Medieval French Literature And Song


Gender And Voice In Medieval French Literature And Song
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Author : Rachel May Golden
language : en
Publisher: University Press of Florida
Release Date : 2021-10-12

Gender And Voice In Medieval French Literature And Song written by Rachel May Golden and has been published by University Press of Florida this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-10-12 with Literary Criticism categories.


This volume brings together literary and musical compositions of medieval France, including the Occitanian region, identifying the use of voice in these works as a way of articulating gendered identities. The contributors to this volume argue that because medieval texts were often read or sung aloud, voice is central for understanding the performance, transmission, and reception of work from the period across a wide variety of genres. These essays offer close readings of narrative and lyric poetry, chivalric romance, sermons, letters, political writing, motets, troubadour and trouvère lyric, crusade songs, love songs, and debate songs. Through literary, musical, and historiographical analyses, contributors highlight the voicing of gendered perspectives, expressions of sexuality, and power dynamics. The volume includes feminist readings, investigations of masculinity, queer theory, and intersectional approaches. The contributors interpret literary or musical works by Chrétien de Troyes, Aimeric de Peguilhan, Hue de la Ferté, the Chastelain de Couci, Jacques de Vitry, Christine de Pizan, Anne de Graville, Alain Chartier, and Giovanni Boccaccio, among others. Gender and Voice in Medieval French Literature and Song offers a valuable interdisciplinary approach and contributes to the history of women’s voices in the Middle Ages and Early Modern periods. It illuminates the critical role of voice in negotiating culture, celebrating and innovating traditions, advancing personal and political projects, and defining the literary and musical developments that shaped medieval France. Contributors: Lisa Colton | Emily J Hutchinson | Daisy Delogu | Tamara Bentley Caudill | Katherine Kong | Meghan Quinlan | Lydia M Walker | Rachel May Golden | Anna Kathryn Grau | Anne Adele Levitsky



Gender And Genre In Medieval French Literature


Gender And Genre In Medieval French Literature
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Author : Simon Gaunt
language : en
Publisher: Cambridge University Press
Release Date : 1995-05-11

Gender And Genre In Medieval French Literature written by Simon Gaunt and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995-05-11 with Language Arts & Disciplines categories.


Wide-ranging study of gender and the underlying ideologies of Old French and Occitan literature.



Poet Heroines In Medieval French Narrative


Poet Heroines In Medieval French Narrative
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Author : B. Findley
language : en
Publisher: Springer
Release Date : 2012-11-29

Poet Heroines In Medieval French Narrative written by B. Findley and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-11-29 with Literary Criticism categories.


Examining French literature from the medieval period, Findley revises our understanding of medieval literary composition as a largely masculine activity, suggesting instead that writing is seen in these texts as problematically gendered and often feminizing.



Female Voice Song And Women S Musical Agency In The Middle Ages


Female Voice Song And Women S Musical Agency In The Middle Ages
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Author :
language : en
Publisher: BRILL
Release Date : 2022-08-22

Female Voice Song And Women S Musical Agency In The Middle Ages written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-08-22 with History categories.


This collection presents fresh evidence and new perspectives on the diverse ways in which women created and interacted with cultures of song between c. 600 and c. 1500.



Gender Writing And Performance


Gender Writing And Performance
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Author : Helen J. Swift
language : en
Publisher: OUP Oxford
Release Date : 2008-02-28

Gender Writing And Performance written by Helen J. Swift and has been published by OUP Oxford this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-02-28 with Literary Criticism categories.


This book explores the poetics of literary defences of women written by men in late-medieval and early-modern France. It fills an important lacuna in studies of this polemic in imaginative literature by bridging the gap between Christine de Pizan and a later generation of women writers and male, Neo-Platonist writers who have recently all received due critical attention. Whereas male-authored defences composed between 1440 and 1538 have previously been dismissed as 'insincere' or 'mere intellectual games', Swift formulates reading strategies to overcome such critical stumbling blocks and engage with the particular rhetorical and historical contexts of these works. Edited and as yet unedited texts by Martin Le Franc, Jacques Milet, Pierre Michault, and Jean Bouchet-catalogues of women, allegorical narratives, and debate poems-are brought together and analysed in detail for the first time in order to explore, for example, how such works address the misogynistic spectre of Jean de Meun's Roman de la rose. The book seeks to understand the contemporary popularity of the case for women (la querelle des femmes) as literary subject matter. It investigates the publication history across this period, from manuscript to print, of Le Franc's Le Champion des dames. Swift further aims to show how these texts hold interest for modern audiences. A nexus of theoretical concerns centred on performance - Judith Butler's gender performativity, Derrida's re-working of Austin's linguistic performativity through spectrality, and dramatic performance - is enlisted to articulate the interpretative engagement expected by querelle writers of their audience. The reading strategies proposed foster a nuanced and enriched perspective on the question of a male author's 'sincerity' when writing in defence of women.



Gender Transgressions


Gender Transgressions
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Author : Karen J. Taylor
language : en
Publisher: Routledge
Release Date : 2015-12-22

Gender Transgressions written by Karen J. Taylor and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-12-22 with Literary Criticism categories.


This collection, comprising nine critical essays from prominent and emerging medievalists, seeks to explore the different ways in which French authors of the Middle Ages transgress normative social and cultural gender codes in their literary works Offering fresh approaches to texts that have long been subjected to polarized critical analyses, the essays challenge traditional interpretations of gender roles in Old French literature, especially in the thematic areas of sexual deviation and transgression. This corpus emerges as possessing multiple shades and subtleties of meaning, long buried or ignored by conventional approaches to these texts. This is a conclusion much more in accord with what we know about the ability of the medieval imagination to grasp multiple meaning from a single word or act. The collection provides many examples of this multi-layering of transgressive meaning. Through the detailed studies of gender transgressions such as incest, cross-dressing, rape and homoeroticism, the reader will come to understand the many facets of the literary expression of sexuality in selected Old French texts, products of a society that was at least as diverse and complex as our own. These studies will be of particular value to those interested in Old French and gender studies by dint of accessible analyses of texts both familiar and arcane. The provocative subject matter makes the studies original and eminently readable.



Song Landscape And Identity In Medieval Northern France


Song Landscape And Identity In Medieval Northern France
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Author : Jennifer Saltzstein
language : en
Publisher: Oxford University Press
Release Date : 2023-06-13

Song Landscape And Identity In Medieval Northern France written by Jennifer Saltzstein and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-06-13 with Music categories.


Song, Landscape, and Identity in Medieval Northern France offers a new perspective on how medieval song expressed relationships between people and their environments. Informed by environmental history and harnessing musicological and ecocritical approaches, author Jennifer Saltzstein draws connections between the nature imagery that pervades songs written by the trouvères of northern France to the physical terrain and climate of the lands on which their authors lived. In doing so, she analyzes the different ways in which composers' lived environments related to their songs and categorizes their use of nature imagery as realistic, aspirational, or nostalgic. Demonstrating a cycle of mutual impact between nature and culture, Saltzstein argues that trouvère songs influenced the ways particular groups of medieval people defined their identities, encouraging them to view themselves as belonging to specific landscapes. The book offers close readings of love songs, pastourelles, motets, and rondets from the likes of Gace Brulé, Adam de la Halle, Guillaume de Machaut, and many others. Saltzstein shows how their music-text relationships illuminate the ways in which song helped to foster identities tied to specific landscapes among the knightly classes, the clergy, aristocratic women, and peasants. By connecting social types to topographies, trouvère songs and the manuscripts in which they were preserved presented models of identity for later generations of songwriters, performers, listeners, patrons, and readers to emulate, thereby projecting into the future specific ways of being on the land. Written in the long thirteenth century during the last major era of climate change, trouvère songs, as Saltzstein demonstrates, shape our understanding of how identity formation has rested on relationships between nature, culture, and change.



Reassessing The Heroine In Medieval French Literature


Reassessing The Heroine In Medieval French Literature
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Author : Kathy M. Krause
language : en
Publisher: University Press of Florida
Release Date : 2019-03-26

Reassessing The Heroine In Medieval French Literature written by Kathy M. Krause and has been published by University Press of Florida this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-03-26 with Literary Criticism categories.


"These innovative essays are outstanding because they examine well-known works and genres in new ways, and they revise and revitalize our thinking about them."-- Rupert T. Pickens, University of Kentucky These essays explore the various manifestations of the heroine in medieval French literature and her multiple relationships with discourse, both medieval and modern. From a discussion of 12th-century saints’ lives to an examination of 15th-century farce, they span the Middle Ages, both chronologically and generically. Focused yet considering a wide range of texts, they shine new light on the heroine and how she behaves, including how she herself uses discourse. Contents Introduction, by Kathy M. Krause Part I. Saintly Women: Hagiography, Miracle, and Epic 1. "Cume lur cumpaine et lur veisine": Women's Roles in Anglo-Norman Hagiography, by Duncan Robertson 2. Virgin, Saint, and Sinners: Women in Gautier de Coinci's Miracles de Nostre Dame, by Kathy M. Krause 3. Women’s Voices Raised in Prayer: On the "Epic Credo" in Adenet le Roi's Berte as grans pies, by David Wrisley Part II. Amorous Women: Romance and Lyric 4. Melusine's Double Binds: Foundation, Transgression, and the Genealogical Romance, by Ana Pairet 5. On Fenice’s Vain Attempts to Revise a Romantic Archetype and Chrétien’s Fabled Hostility to the Tristan Legend, by Joan Grimbert 6. The Lyric Lady in Narrative, by William D. Paden Part III. Dissenting Women: Lyric and Farce 7. "Fine Words on Closed Ears": Impertinent Women, Discordant Voices, Discourteous Words, by Nadine Bordessoule 8. Poetic Justice: The Revenge of La Guignarde in the Livre des Cent Ballades, by Sally Tartline Carden 9. Woman's Cry: Broken Language, Marital Disputes, and the Poetics of Medieval Farce, by Christopher Lucken Kathy M. Krause, assistant professor of French at the University of Missouri, Kansas City, is the author of articles in Le Moyen Age 102.2, Arizona Medieval and Renaissance Studies, and European Medieval Drama.



Medieval Woman S Song


Medieval Woman S Song
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Author : Anne L. Klinck
language : en
Publisher: University of Pennsylvania Press
Release Date : 2015-08-06

Medieval Woman S Song written by Anne L. Klinck and has been published by University of Pennsylvania Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-06 with Literary Criticism categories.


The number of surviving medieval secular poems attributed to named female authors is small, some of the best known being those of the trobairitz the female troubadours of southern France. However, there is a large body of poetry that constructs a particular textual femininity through the use of the female voice. Some of these poems are by men and a few by women (including the trobairitz); many are anonymous, and often the gender of the poet is unresolvable. A "woman's song" in this sense can be defined as a female-voice poem on the subject of love, typically characterized by simple language, sexual candor, and apparent artlessness. The chapters in Medieval Woman's Song bring together scholars in a range of disciplines to examine how both men and women contributed to this art form. Without eschewing consideration of authorship, the collection deliberately overturns the long-standing scholarly practice of treating as separate and distinct entities female-voice lyrics composed by men and those composed by women. What is at stake here is less the voice of women themselves than its cultural and generic construction.



Mapping Medieval Identities In Occitanian Crusade Song


Mapping Medieval Identities In Occitanian Crusade Song
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Author : Rachel May Golden
language : en
Publisher: Oxford University Press
Release Date : 2020-09-23

Mapping Medieval Identities In Occitanian Crusade Song written by Rachel May Golden and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-23 with Music categories.


In medieval Occitania (southern France), troubadours and monastic creators fostered a vibrant musical culture. In response to the early Crusade campaigns of the twelfth and thirteenth centuries, Christians of the region turned to producing monophonic, poetic song, encompassing both secular and sacred genres. These works assert shifting regional identities and worldviews, exploring devotional practices and religious beliefs, overlaid with notions of contemporaneous geopolitics and secular, intellectual interests. Mapping Medieval Identities in Occitanian Crusade Song demonstrates the profound impact the Crusades had on two seemingly discrete musical-poetic practices: the Latin, sacred Aquitanian versus, associated with Christian devotion, and the vernacular troubadour lyric, associated with courtly love. Rachel May Golden investigates how such Crusade songs distinctively arose out of their geographic environment, uncovering intersections between the beginning of Holy War and the emergence of new styles of poetic-musical composition. She brings together sacred and secular genres of the region to reveal the inventiveness of new composition and the imaginative scope of the Crusades within medieval culture. These songs reflect both the outer world and interior lives, and often their conjunction, giving shape and expression to concerns with the Occitanian homeland, spatial aspects of the Crusades, and newly emerging positions within socio-political history. Drawing on approaches from cultural geography, literary studies, and musicology, Mapping Medieval Identities in Occitanian Crusade Song provides a timely perspective on geopolitical and cultural interactions between nations.