German Lieder In The Nineteenth Century
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The Nineteenth Century German Lied
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Author : Lorraine Gorrell
language : en
Publisher: Rowman & Littlefield
Release Date : 2005-11-01
The Nineteenth Century German Lied written by Lorraine Gorrell and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-11-01 with Music categories.
The development of the piano, together with changes in culture and society, led to the transformation of song into a major musical genre. This study of the great lieder of 19th-century composers Schubert, Schumann, Brahms, and Hugo Wolf also includes lesser-known composers, such as Louis Spohr and Robert Franz, plus significant contributions from women composers and performers.
German Lieder In The Nineteenth Century
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Author : Rufus E. Hallmark
language : en
Publisher:
Release Date : 2010
German Lieder In The Nineteenth Century written by Rufus E. Hallmark and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Music categories.
German Lieder in the Nineteenth-Century provides a detailed introduction to the German lied. Beginning with its origin in the literary and musical culture of Germany in the nineteenth-century, the book covers individual composers, including Shubert, Schumann, Brahms, Strauss, Mahler and Wolf, the literary sources of lieder, the historical and conceptual issues of song cycles, and issues of musical technique and style in performance practice. Written by eminent music scholars in the field, each chapter includes detailed musical examples and analysis. The second edition has been revised and updated to include the most recent research of each composer and additional musical examples.
German Song Onstage
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Author : Natasha Loges
language : en
Publisher: Indiana University Press
Release Date : 2020-05-05
German Song Onstage written by Natasha Loges and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-05-05 with Music categories.
A singer in an evening dress, a grand piano. A modest-sized audience, mostly well-dressed and silver-haired, equipped with translation booklets. A program consisting entirely of songs by one or two composers. This is the way of the Lieder recital these days. While it might seem that this style of performance is a long-standing tradition, German Song Onstage demonstrates that it is not. For much of the 19th century, the songs of Beethoven, Schubert, Schumann, and Brahms were heard in the home, salon, and, no less significantly, on the concert platform alongside orchestral and choral works. A dedicated program was rare, a dedicated audience even more so. The Lied was a genre with both more private and more public associations than is commonly recalled. The contributors to this volume explore a broad range of venues, singers, and audiences in distinct places and time periods—including the United States, the United Kingdom, Russia, and Germany—from the mid-19th century through the early 20th century. These historical case studies are set alongside reflections from a selection of today's leading musicians, offering insights on current Lied practices that will inform future generations of performers, scholars, and connoisseurs. Together these case studies unsettle narrow and elitist assumptions about what it meant and still means to present German song onstage by providing a transnational picture of historical Lieder performance, and opening up discussions about the relationship between history and performance today.
German Lieder In The Nineteenth Century
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Author : Rufus Hallmark
language : en
Publisher: Routledge
Release Date : 2009-09-10
German Lieder In The Nineteenth Century written by Rufus Hallmark and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-09-10 with Music categories.
German Lieder in the Nineteenth-Century provides a detailed introduction to the German lied. Beginning with its origin in the literary and musical culture of Germany in the nineteenth-century, the book covers individual composers, including Shubert, Schumann, Brahms, Strauss, Mahler and Wolf, the literary sources of lieder, the historical and conceptual issues of song cycles, and issues of musical technique and style in performance practice. Written by eminent music scholars in the field, each chapter includes detailed musical examples and analysis. The second edition has been revised and updated to include the most recent research of each composer and additional musical examples.
Of Poetry And Song
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Author : Ann Clark Fehn
language : en
Publisher: University Rochester Press
Release Date : 2010
Of Poetry And Song written by Ann Clark Fehn and has been published by University Rochester Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with History categories.
Interdisciplinary studies of some of the greatest examples of German art song by major scholars in musicology and German literature.
German Lieder Of The 19th Century Medium Low Voice 25 Songs
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Author :
language : en
Publisher: Edition Peters
Release Date : 2022-07-10
German Lieder Of The 19th Century Medium Low Voice 25 Songs written by and has been published by Edition Peters this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-07-10 with Music categories.
German Lieder of the 19th century contains a selection of the most popular Lieder by Schubert, Schumann, Mendelssohn, Brahms and Wolf. Ranging from the most famous (Schubert's The Trout and Mendelssohn's On wings of song) through to some of the greatest settings of Shakespeare and Heine, this collection provides an ideal collection of essential Lieder for the student singer. Edition for Medium/Low Voice.
German Lieder Of The 19th Century High Voice 25 Songs
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Author :
language : en
Publisher: Edition Peters
Release Date : 2022-07-10
German Lieder Of The 19th Century High Voice 25 Songs written by and has been published by Edition Peters this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-07-10 with Music categories.
German Lieder of the 19th century contains a selection of the most popular Lieder by Schubert, Schumann, Mendelssohn, Brahms and Wolf. Ranging from the most famous (Schubert's The Trout and Mendelssohn's On wings of song) through to some of the greatest settings of Shakespeare and Heine, this collection provides an ideal collection of essential Lieder for the student singer. Edition for High Voice.
Women And The Nineteenth Century Lied
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Author : Aisling Kenny
language : en
Publisher: Routledge
Release Date : 2016-03-03
Women And The Nineteenth Century Lied written by Aisling Kenny and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-03 with Music categories.
This book bridges a gap in existing scholarship by foregrounding the contribution of women to the nineteenth-century Lied. Building on the pioneering work of scholars in recent years, it consolidates recent research on women’s achievements in the genre, and develops an alternative narrative of the Lied that embraces an understanding of the contributions of women, and of the contexts of their engagement with German song and related genres. Lieder composers including Fanny Hensel, Clara Schumann, Pauline Viardot-Garcia and Josephine Lang are considered with a stimulating variety of analytical approaches. In addition to the focus on composers associated with history and theory of the Lied, the various chapters explore the cultural and sociological background to the Lied’s musical environment, as well as engaging with gender studies and discussing performance and pedagogical contexts. The range of subject matter reflects the interdisciplinary nature of current research in the field, and the energy it generates among scholars and performers. Women and the Nineteenth-Century Lied aims to widen readers’ perception of the genre and help promote awareness of women’s contribution to nineteenth-century musical life through critical appraisal of the cultural context of the Lied, encouraging acquaintance with the voices of women composers, and the variety of their contributions to the repertoire.
Nineteenth Century German Lieder
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Author :
language : en
Publisher:
Release Date : 1995
Nineteenth Century German Lieder written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with categories.
Intimacy Performance And The Lied In The Early Nineteenth Century
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Author : Jennifer Ronyak
language : en
Publisher: Indiana University Press
Release Date : 2018-09-10
Intimacy Performance And The Lied In The Early Nineteenth Century written by Jennifer Ronyak and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-09-10 with Music categories.
The German lied, or art song, is considered one of the most intimate of all musical genres—often focused on the poetic speaker’s inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance.