Giacomo Meyerbeer And Music Drama In Nineteenth Century Paris


Giacomo Meyerbeer And Music Drama In Nineteenth Century Paris
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Giacomo Meyerbeer And Music Drama In Nineteenth Century Paris


Giacomo Meyerbeer And Music Drama In Nineteenth Century Paris
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Author : Mark Everist
language : en
Publisher: Taylor & Francis
Release Date : 2023-04-28

Giacomo Meyerbeer And Music Drama In Nineteenth Century Paris written by Mark Everist and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-04-28 with History categories.


Nineteenth-century Paris attracted foreign musicians like a magnet. The city boasted a range of theatres and of genres represented there, a wealth of libretti and source material for them, vocal, orchestral and choral resources, to say nothing of the set designs, scenery and costumes. All this contributed to an artistic environment that had musicians from Italian- and German-speaking states beating a path to the doors of the Académie Royale de Musique, Opéra-Comique, Théâtre Italien, Théâtre Royal de l'Odéon and Théâtre de la Renaissance. This book both tracks specific aspects of this culture, and examines stage music in Paris through the lens of one of its most important figures: Giacomo Meyerbeer. The early part of the book, which is organised chronologically, examines the institutional background to music drama in Paris in the nineteenth century, and introduces two of Meyerbeer's Italian operas that were of importance for his career in Paris. Meyerbeer's acculturation to Parisian theatrical mores is then examined, especially his moves from the Odéon and Opéra-Comique to the opera house where he eventually made his greatest impact - the Académie Royale de Musique; the shift from Opéra-Comique is then counterpointed by an examination of how an indigenous Parisian composer, Fromental Halévy, made exactly the same leap at more or less the same time. The book continues with the fates of other composers in Paris: Weber, Donizetti, Bellini and Wagner, but concludes with the final Parisian successes that Meyerbeer lived to see - his two opéras comiques.



Opera In Paris From The Empire To The Commune


Opera In Paris From The Empire To The Commune
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Author : Mark Everist
language : en
Publisher: Routledge
Release Date : 2018-12-10

Opera In Paris From The Empire To The Commune written by Mark Everist and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-12-10 with Music categories.


Studies in the history of French nineteenth-century stage music have blossomed in the last decade, encouraging a revision of the view of the primacy of Austro-German music during the period and rebalancing the scholarly field away from instrumental music (key to the Austro-German hegemony) and towards music for the stage. This change of emphasis is having an impact on the world of opera production, with new productions of works not heard since the nineteenth century taking their place in the modern repertory. This awakening of enthusiasm has come at something of a price. Selling French opera as little more than an important precursor to Verdi or Wagner has entailed a focus on works produced exclusively for the Paris Opéra at the expense of the vast range of other types of stage music produced in the capital: opéra comique, opérette, comédie-vaudeville and mélodrame, for example. The first part of this book therefore seeks to reintroduce a number of norms to the study of stage music in Paris: to re-establish contexts and conventions that still remain obscure. The second and third parts acknowledge Paris as an importer and exporter of opera, and its focus moves towards the music of its closest neighbours, the Italian-speaking states, and of its most problematic partners, the German-speaking states, especially the music of Weber and Wagner. Prefaced by an introduction that develops the volume’s overriding intellectual drivers of cultural exchange, genre and institution, this collection brings together twelve of the author’s previously published articles and essays, fully updated for this volume and translated into English for the first time.



Giacomo Meyerbeer


Giacomo Meyerbeer
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Author : Jennifer Jackson
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2011-05-25

Giacomo Meyerbeer written by Jennifer Jackson and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-05-25 with Music categories.


Giacomo Meyerbeer (1791–1864) was the most successful composer of grand operas in nineteenth-century Paris, whose music continued to be frequently performed worldwide into the following century. Today, recent scholars acknowledge his stature but his operas have become stage rarities. There is normally a gap on shelves in libraries and bookshops between Mendelssohn and Mozart (Messaien and Monteverdi for the better resourced). There is no biography or broad evaluation of Meyerbeer in print in English. This study of the vicissitudes of Meyerbeer’s reputation complements introductions to his works and the volumes of academic essays in English and other European languages. While reputation forming has recently offered several interesting studies, it is rare for a composer to be the subject. This volume will be of interest primarily to opera enthusiasts, and to libraries and musicologists worldwide.



Music Theater And Cultural Transfer


Music Theater And Cultural Transfer
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Author : Annegret Fauser
language : en
Publisher: University of Chicago Press
Release Date : 2009-12-15

Music Theater And Cultural Transfer written by Annegret Fauser and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-12-15 with Music categories.


Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the “capital of the nineteenth century.” The fullest account available of this artistic ferment and its international impact, Music, Theater, and Cultural Transfer explores the diverse institutions that shaped Parisian music and extended its influence across Europe, the Americas, and Australia. The contributors to this volume, who work in fields ranging from literature to theater to musicology, focus on the city’s musical theater scene as a whole rather than on individual theaters or repertories. Their broad range enables their collective examination of the ways in which all aspects of performance and reception were affected by the transfer of works, performers, and management models from one environment to another. By focusing on this interplay between institutions and individuals, the authors illuminate the tension between institutional conventions and artistic creation during the heady period when Parisian stage music reached its zenith.



Grand Illusion


Grand Illusion
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Author : Gabriela Cruz
language : en
Publisher: Oxford University Press, USA
Release Date : 2020

Grand Illusion written by Gabriela Cruz and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with Music categories.


A new and groundbreaking historical narrative, Grand Illusion: Phantasmagoria in Nineteenth-Century Opera explores how technical innovations in Paris transformed the grand opera into a transcendent, dream-like audio-visual spectacle.



Giacomo Meyerbeer


Giacomo Meyerbeer
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Author : Marco Clemente Pellegrini
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2008-10-01

Giacomo Meyerbeer written by Marco Clemente Pellegrini and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-10-01 with Music categories.


This Guide has resulted from years of research on the papers and music of Giacomo Meyerbeer, and aims to provide a bibliographical aid and point of reference for further research. The first part presents the private papers connected to the composer and his principal librettist, Eugène Scribe—both archival and printed, with working papers and correspondence, as found in Berlin, Paris and some of the famous libraries of the world. The body of Part 2 draws together all the known resources on Meyerbeer's life and historical reputation—from full scale biographies and entries in reference books, through critical discussions to website resources to records of symposia. The third part provides material about his background with its unique mixture of Jewish and Prussian elements, the powerful role of the city of Berlin in his life and work. The fourth part lists bibliographic material for Meyerbeer's music, looking at his operas, grouped as German, Italian and French, with each individual entry providing a record of the scores available, both modern and historical, the various arrangements made from the operas during the heyday of their popularity, reviews of modern performances, discography, and bibliography of studies and publications pertinent to the wider cultural and historical contexts of the works. The next two sections constitute an extended record of material pertinent to the contemporaries of Meyerbeer. In the fifth section are select bibliographies of composers, authors, artists, performers, politicians, those who played some part in the composer's life, or anyone of significance in his wider contemporary circumstances. This is continued in the sixth part where the cultural and aesthetic elements of the composer's milieu, or life in the theatre during seventy years of the nineteenth century, are listed. The seventh part adds a bibliography of social and historical background, where the incidental issues of Judaism in nineteenth-century Europe, and the wider political, historical and geographical circumstances of Meyerbeer's life, his relentless travelling, and closely recorded experiences in Germany, France, Italy, Belgium, England, and Austria. The eighth section provides a thematic key to this extensive material. Part 9 provides an extended tripartite series of lists of the published scores, arrangements and some special studies of Meyerbeer over the period 1820 to 2005—in alphabetical, chronological and thematic ordering. The last two sections furnish the modern equivalent of this record of Meyerbeer and his compositions, showing in Part 11 the list of performances of his operas since the Second World War, and in Part 12, listing the recordings of the operas, both commercial and private, for the same period. The thirteenth and last section is iconographical, pictures that represent an interesting survey of the popular response to Meyerbeer in the 19th century.



Fashions And Legacies Of Nineteenth Century Italian Opera


Fashions And Legacies Of Nineteenth Century Italian Opera
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Author : Roberta Montemorra Marvin
language : en
Publisher: Cambridge University Press
Release Date : 2010-02-11

Fashions And Legacies Of Nineteenth Century Italian Opera written by Roberta Montemorra Marvin and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-02-11 with Music categories.


Leading scholars investigate the ways in which operas by nineteenth-century Italian composers have been reshaped and revived over time.



An Introduction To The Dramatic Works Of Giacomo Meyerbeer Operas Ballets Cantatas Plays


An Introduction To The Dramatic Works Of Giacomo Meyerbeer Operas Ballets Cantatas Plays
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Author : Robert Ignatius Letellier
language : en
Publisher: Routledge
Release Date : 2017-07-05

An Introduction To The Dramatic Works Of Giacomo Meyerbeer Operas Ballets Cantatas Plays written by Robert Ignatius Letellier and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


Giacomo Meyerbeer (1791-1864) was a great musical dramatist in his own right. The fame of his operas rests on his radical treatment of form, his development of scenic complexes and greater plasticity of structure and melody, his dynamic use of the orchestra, and close attention to all aspects of presentation and production, all of which set new standards in Romantic opera and dramaturgy. This book carries forward the process of rediscovery and reassessment of Meyerbeers art including not just his famous French operas, but also his German and Italian onesplacing them in the context of his entire dramatic oeuvre, including his ballets, oratorios, cantatas and incidental music. From Meyerbeers first stage presentation in 1810 to his great posthumous accolade in 1865, some 24 works mark the unfolding of this life lived for dramatic music. The reputation of the famous four grand operas may well live on in the public consciousness, but the other works remain largely unknown. This book provides an approachable introduction to them. The works have been divided into their generic types for quick reference and helpful association, and placed within the context of the composers life and artistic development. Each section unfolds a brief history of the works origins, an account of the plot, a critical survey of some of its musical characteristics, and a record of its performance history. Robert Letellier examines each work from a dramaturgical view point, including the essentialoften challengingphilosophical and historical elements in the scenarios, and how these concepts were translated musically onto the stage. A series of portraits and stage iconography assist in bringing the works to life.



Music Drama At The Paris Od On 1824 1828


Music Drama At The Paris Od On 1824 1828
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Author : Both Professors of Music Mark Everist
language : en
Publisher: Univ of California Press
Release Date : 2002-12-04

Music Drama At The Paris Od On 1824 1828 written by Both Professors of Music Mark Everist and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-12-04 with Music categories.


By illuminating the working of one of the most prominent opera houses of the period, Everist reveals how the opera scene in Paris shaped the history of opera.



Meyerbeer And Grand Op Ra From The July Monarchy To The Present


Meyerbeer And Grand Op Ra From The July Monarchy To The Present
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Author : Mark Everist
language : en
Publisher: Brepols Publishers
Release Date : 2016

Meyerbeer And Grand Op Ra From The July Monarchy To The Present written by Mark Everist and has been published by Brepols Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Music categories.


Giacomo Meyerbeer stands as one of the great paradoxes in music history. Widely regarded as the single most important opera composer in the middle third of the nineteenth century, the composer was recognised and revered all over the world. But by the middle of the twentieth century, his fortunes had completely reversed: he works were rarely performed, if at all, and much of the aesthetic of the genres in which he wrote had been called into question. Until relatively recently, his works were a by-word for the worst of nineteenth-century excess. More recent and measured views on Meyerbeer, his works and the milieu in which he was active, have gone a long way to both reconstruct the world at the epicentre of which he stood, and the reasons for his late- nineteenth and twentieth-century decline. While some of these are connected to changing operatic tastes and resources, others are more uncomfortable to confront in the light of mid twentieth-century history. Reconstruction of the operatic world of the nineteenth century shows just how different it was to contemporary musical culture. The essays in Meyerbeer and Grand opera reflect on the composer and his work 150 years after his death. They address fundamental questions about the composer and his relationship to his librettists, performers, and commentators, as well as the broader theatrical culture in which he worked. Contributors to the volume also reflect on the ways in which Meyerbeer's works were received both during his lifetime and beyond.