Giovanna Sestini


Giovanna Sestini
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Giovanna Sestini


Giovanna Sestini
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Author : Audrey T Carpenter
language : en
Publisher: Troubador Publishing Ltd
Release Date : 2017-11-14

Giovanna Sestini written by Audrey T Carpenter and has been published by Troubador Publishing Ltd this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-11-14 with Biography & Autobiography categories.


The first-ever biography of this almost forgotten eighteenth century star. How a girl from Italy became London’s “most enchanting comic actress.” Giovanna Sestini’s important contribution to opera has been revived in this carefully researched biography. This book describes her Italian and Portuguese background, while providing considerable insight into the contemporary opera scene and social history of 18th century London. In her private family life she was Joanna Stocqueler, mother of eight children, while as Giovanna Sestini she was a renowned and attractive opera singer. Her talents were publicised until her retirement in 1792, when both her voice and the London theatres were in decline. The book offers a full description of her life, including her early performances in Italy and Portugal, her marriage to Portuguese aristocrat José Christiano Stocqueler, and the fate of her children. After her move to London she was acclaimed both in Italian comic opera at the King’s Theatre and in English opera at Covent Garden. This book will appeal to readers with an interest in the arts, opera and eighteenth-century history. It includes 18 illustrations and a full bibliography and index.



A Biographical Dictionary Of Actors Actresses Musicians Dancers Managers Other Stage Personnel In London 1660 1800


A Biographical Dictionary Of Actors Actresses Musicians Dancers Managers Other Stage Personnel In London 1660 1800
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Author : Philip H. Highfill
language : en
Publisher: SIU Press
Release Date : 1973

A Biographical Dictionary Of Actors Actresses Musicians Dancers Managers Other Stage Personnel In London 1660 1800 written by Philip H. Highfill and has been published by SIU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1973 with Biography & Autobiography categories.


Like the works already published, these latest volumes of the Biographical Dictionary deal with theatre people of every ilk, ranging from dressers and one-performance actors to trumpeter John Shore (inventor of the tuning fork) and the incomparable Sarah Siddons. Also prominent is Susanna Rowson, a novelist, actress, and early female playwright. Although born into a British military family, Rowson often wrote plays that dealt with patriotic American themes and spent much of her career on the American stage. The theatrical jewel of these volumes is the "divine Sarah" Siddons: "She raised the tragedy to the skies," wrote William Hazlitt, and "embodied to our imagination the fables of mythology, of the heroic and dignified mortals of elder time." She endured much tragedy herself, including a crippling debilitating illness and the deaths of five of her seven children. Siddons played major roles in both comedy and tragedy, not the least of which was a performance as Hamlet.



Opera In London


Opera In London
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Author : Theodore Fenner
language : en
Publisher: SIU Press
Release Date : 1994

Opera In London written by Theodore Fenner and has been published by SIU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Music categories.


Theodore Fenner’s Opera in London offers a vivid portrait of the operatic and cultural life of a London under the influence of Romanticism as perceived by the English press and the public who viewed the performances. In part 1, Fenner discusses the rise of the periodical press in early nineteenth-century London and the critics of these publications who reviewed opera performances, such as Leigh Hunt and William Hazlitt. Fenner lists in the appendixes for part 1 the leading periodicals—including the Althenaeum, Examiner, and Spectator,— the critics, and reviews by leading critics. Fenner, in part 2, examines the productions of Italian opera in London at the King’s Theatre, including the problems in theatre management and financing; the varied nature of the audience; the operas and performances— those that were popular and those that failed in the words of the critics and the responses of the audience; the singers; and themes and attitudes of the period as expressed by the critics. In part 3, Fenner explores the same topics for the English operas presented at Drury Lane, Covent Garden, and other playhouses. Parts 2 and 3 also contain extensive appendixes listing seasonal and annual performances and reviews, productions by composers and by librettists, comic and serious productions, operas by known playwrights, and minor singers. Forty-eight illustrations of singers, critics, performances, composers, and theatres add to the richness of this study.



Theatre In Dublin 1745 1820


Theatre In Dublin 1745 1820
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Author : John C. Greene
language : en
Publisher: Lehigh University Press
Release Date : 2011-12-01

Theatre In Dublin 1745 1820 written by John C. Greene and has been published by Lehigh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-12-01 with Performing Arts categories.


Theatre in Dublin,1745–1820: A Calendar of Performances is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin’s many professional theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan’s becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820. The daily performance calendar for each of the seventy-five seasons recorded here records and organizes all surviving documentary evidence pertinent to each evening’s entertainments, derived from all known sources, but especially from playbills and newspaper advertisements. Each theatre’s daily entry includes all preludes, mainpieces, interludes, and afterpieces with casts and assigned roles, followed by singing and singers, dancing and dancers, and specialty entertainments. Financial data, program changes, rehearsal notices, authorship and premiere information are included in each component’s entry, as is the text of contemporary correspondence and editorial contextualization and commentary, followed by other additional commentary, such as the many hundreds of printed puffs, notices, and performance reviews. In the cases of the programs of music halls, pleasure gardens, and circuses, the playbills have generally been transcribed verbatim. The calendar for each season is preceded by an analytical headnote that presents several categories of information including, among other things, an alphabetical listing of all members of each company, whether actors, musicians, specialty artists, or house servants, who are known to have been employed at each venue. Limited biographical commentary is included, particularly about performers of Irish origin, who had significant stage careers but who did not perform in London. Each headnote presents the seasons’s offerings of entertainments of each theatrical type (prelude, mainpiece, interlude, afterpiece) analyzed according to genre, including a list of the number of plays in each genre and according to period in which they were first performed. The headnote also notes the number of different plays by Shakespeare staged during each season and gives particular attention to entertainments of “special Irish interest.” The various kinds of benefit performance and command performances are also noted. Finally, this Calendar of Performances contains an appendix that furnishes a season-by-season listing of the plays that were new to the London patent theatres, and, later, of the important “minors.” This information is provided in order for us to understand the interrelatedness of the London and Dublin repertories.



Celebrity Performance Reception


Celebrity Performance Reception
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Author : David Worrall
language : en
Publisher: Cambridge University Press
Release Date : 2013-09-26

Celebrity Performance Reception written by David Worrall and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09-26 with Drama categories.


By 1800 London had as many theatre seats for sale as the city's population. This was the start of the capital's rise as a centre for performing arts. Bringing to life a period of extraordinary theatrical vitality, David Worrall re-examines the beginnings of celebrity culture amidst a monopolistic commercial theatrical marketplace. The book presents an innovative transposition of social assemblage theory into performance history. It argues that the cultural meaning of drama changes with every change in the performance location. This theoretical model is applied to a wide range of archival materials including censors' manuscripts, theatre ledger books, performance schedules, unfamiliar play texts and rare printed sources. By examining prompters' records, box office receipts and benefit night takings, the study questions the status of David Garrick, Sarah Siddons and Edmund Kean, and recovers the neglected actress, Elizabeth Younge, and her importance to Edmund Burke.



The Lure Of Perfection


The Lure Of Perfection
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Author : Judith Chazin-Bennahum
language : en
Publisher: Psychology Press
Release Date : 2005

The Lure Of Perfection written by Judith Chazin-Bennahum and has been published by Psychology Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Design categories.


First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.



Rethinking Dance History


Rethinking Dance History
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Author : Alexandra Carter
language : en
Publisher: Routledge
Release Date : 2013-10-18

Rethinking Dance History written by Alexandra Carter and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-18 with Performing Arts categories.


By taking a fresh approach to the study of history in general, Alexandra Carter's Rethinking Dance History offers new perspectives on important periods in dance history and seeks to address some of the gaps and silences left within that history. Encompassing ballet, South Asian, modern dance forms and much more, this book provides exciting new research on topics as diverse as: *the Victorian music hall *film musicals and popular music videos *the impact of Neoclassical fashion on ballet *women's influence on early modern dance *methods of dance reconstruction. Featuring work by some of the major voices in dance writing and discourse, this unique anthology will prove invaluable for both scholars and practitioners, and a source of interest for anyone who is fascinated by dance's rich and multi-layered history.



The Journals And Letters Of Susan Burney


The Journals And Letters Of Susan Burney
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Author : Philip Olleson
language : en
Publisher: Routledge
Release Date : 2016-03-09

The Journals And Letters Of Susan Burney written by Philip Olleson and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-09 with Music categories.


Susan Burney (1755-1800) was the third daughter of the music historian Charles Burney and the younger sister of the novelist Frances (Fanny) Burney. She grew up in London, where she was able to observe at close quarters the musical life of the capital and to meet the many musicians, men of letters, and artists who visited the family home. After her marriage in 1782 to Molesworth Phillips, a Royal Marines officer who served with Captain Cook on his last voyage, she lived in Surrey and later in rural Ireland. Burney was a knowledgeable enthusiast for music, and particularly for opera, with discriminating tastes and the ability to capture vividly musical life and the personalities involved in it. Her extensive journals and letters, a selection from which is presented here, provide a striking portrait of social, domestic and cultural life in London, the Home Counties and in Ireland in the late eighteenth century. They are of the greatest importance and interest to music and theatre historians, and also contain much that will be of significance and interest for Burney scholars, social historians of England and Ireland, women's historians and historians of the family.



Opera In Portugal In The Eighteenth Century


Opera In Portugal In The Eighteenth Century
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Author : Manuel Carlos de Brito
language : en
Publisher: Cambridge University Press
Release Date : 2007-05-31

Opera In Portugal In The Eighteenth Century written by Manuel Carlos de Brito and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-05-31 with Music categories.


A history of opera in Portugal from the beginning of the eighteenth century to the inauguration of the Teatro de S. Carlos in 1793.



Lives Of The Sonnet 1787 1895


Lives Of The Sonnet 1787 1895
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Author : Marianne Van Remoortel
language : en
Publisher: Routledge
Release Date : 2016-05-06

Lives Of The Sonnet 1787 1895 written by Marianne Van Remoortel and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-05-06 with Literary Criticism categories.


In a series of representative case studies, Marianne Van Remoortel traces the development of the sonnet during intense moments of change and stability, continuity and conflict, from the early Romantic period to the end of the nineteenth century. Paying particular attention to the role of the popular press, which served as a venue of innovation and as a site of recruitment for aspiring authors, Van Remoortel redefines the scope of the genre, including the ways in which its development is intricately related to issues of gender. Among her subjects are the Della Cruscans and their primary critic William Gifford, the young Samuel Taylor Coleridge and his circle, Elizabeth Barrett Browning's Sonnets from the Portuguese, George Meredith's Modern Love, Dante Gabriel Rossetti's House of Life and Augusta Webster's Mother and Daughter. As women became a force to be reckoned with among the reading public and the writing community, the term 'sonnet' often operated as a satirical label that was not restricted to poetry adhering to the strict formalities of the genre. Van Remoortel's study, in its attentiveness to the sonnet's feminization during the late eighteenth century, offers important insights into the ways in which changing attitudes about gender and genre shaped critics' interpretations of the reception histories of nineteenth-century sonnet sequences.